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A self-help book about listening and communication that helps you deal with the stresses of everyday life, make better decisions, imagine your future more clearly, and take more pleasure in what you do. Change the way you listen to others and you can understand and connect with them with greater richness and depth, to mutual benefit.
'Captured Moments' is not only a book of heartfelt poems, it is also an invitation to discover that source of creativity which surprises us again and again when we tap into it with the simple, fun and effective methods that Tamsin Hartley offers here and in her ground-breaking book, 'The Listening Space'.
• A comprehensive resource for understanding the various components of spiritual direction • The first such resource written entirely by spiritual directors of color Early mystics of the Near East and northern Africa created the monastic traditions and were the first psychologists, exploring various practices to test the human capacity. In medieval times, spiritual direction was common in the Roman Catholic monastic traditions. It extended significantly into Protestant Christianity in the late twentieth century by predominantly white and affluent organizations. Spiritual direction has progressively become a global, multi-religious and interfaith practice. This book is a comprehensive and concise text from a spiritual director of color, offering inclusive resources and tools to spiritual directors of many faiths and for people of diverse cultures and traditions. Core skills such a deep listening, hospitality, and discernment are presented with cutting-edge lessons on internal liberation, systemic trauma, and imaginative discovery. Spiritual direction is taught by more than 100 educational institutions and spirituality centers in the US alone, but typical curriculum generally does not reflect current cultural reality and growing diversity. This is a textbook for anyone who studies spiritual direction as both preparation for and deepening of their calling.
This is the first comprehensive volume to explore and engage with current trends in Geographies of Media research. It reviews how conceptualizations of mediated geographies have evolved. Followed by an examination of diverse media contexts and locales, the book illustrates key issues through the integration of theoretical and empirical case studies, and reflects on the future challenges and opportunities faced by scholars in this field. The contributions by an international team of experts in the field, address theoretical perspectives on mediated geographies, methodological challenges and opportunities posed by geographies of media, the role and significance of different media forms and organizations in relation to socio-spatial relations, the dynamism of media in local-global relations, and in-depth case studies of mediated locales. Given the theoretical and methodological diversity of this book, it will provide an important reference for geographers and other interdisciplinary scholars working in cultural and media studies, researchers in environmental studies, sociology, visual anthropology, new technologies, and political science, who seek to understand and explore the interconnections of media, space and place through the examples of specific practices and settings.
Music Sociology critically evaluates current approaches to the study of music in sociology and presents a broad overview of how music is positioned and represented in existing sociological scholarship. It then goes on to offer a new framework for approaching the sociology of music, taking music itself as a starting point, and considering what music sociology can learn from related disciplines such as critical musicology, ethnomusicology, and cultural studies. As a central form of leisure, consumption, and cultural production, music has attracted significant attention from sociologists who seek to understand its deeper socio-cultural meaning. With case studies that address sound environments, consumption, media technologies, local scenes, music heritage, and ageing, the authors highlight the distinctive nature of musical experience, and show how sociology can illuminate it. Providing both a survey of existing perspectives the sociology of music, and a thought-provoking discussion of how the field can move forward, this concise and accessible book will be a vital reading for anyone teaching or studying music from a sociological standpoint.
From its earliest days as little more than a series of monophonic outbursts to its current-day scores that can rival major symphonic film scores, video game music has gone through its own particular set of stylistic and functional metamorphoses while both borrowing and recontextualizing the earlier models from which it borrows. With topics ranging from early classics like Donkey Kong and Super Mario Bros. to more recent hits like Plants vs. Zombies, the eleven essays in Music in Video Games draw on the scholarly fields of musicology and music theory, film theory, and game studies, to investigate the history, function, style, and conventions of video game music.
In a world dominated by the visual, this book presents how a focus on the sounded experience and acts of listening may carve a way to reformulate emerging publics, create space for critical multilingual engagement and deepen recognition of emancipatory practices. Examining the emerging logics and rhythms among a group of post-EU accession UK Polish migrants, this book focuses on the semiotic processes through which contemporary moving bodies and communities place themselves in sociolinguistic landscapes. It considers how they develop metrics to account for sociolinguistic change and authenticate their projects and practices in transnational timespace. In doing so, the book brings power differentials to the centre of language and objectivity debates and foregrounds material semiotics as an approach that enables a new collective potential and redefinition of sociolinguistic listening. By connecting research on scale in migration contexts with studies of embodied soundwork and of stance in semiotics, this book highlights how a focus on the sounded sign may bring us closer to the ways in which bodies and meanings are (re)made, and collective doing and thinking are formed in the globalised world.
