The Civil Contract of Photography

The Civil Contract of Photography

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  • Author: Ariella Azoulay
  • Publisher: Princeton University Press
  • ISBN: 1935408372
  • Category : Photography
  • Languages : en
  • Pages : 586

In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.


Potential History

Potential History

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  • Author: Ariella Aïsha Azoulay
  • Publisher: Verso Books
  • ISBN: 1788735714
  • Category : Political Science
  • Languages : en
  • Pages : 657

A passionately urgent call for all of us to unlearn imperialism and repair the violent world we share, from one of our most compelling political theorists In this theoretical tour-de-force, renowned scholar Ariella Aïsha Azoulay calls on us to recognize the imperial foundations of knowledge and to refuse its strictures and its many violences. Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while it tries to destroy what came before, and voraciously seeks out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the original imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas at the moment of conquest to the Congo ruled by Belgium's brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day. In Potential History, Azoulay travels alongside historical companions—an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums—to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as “past” and making the repair of torn worlds the substance of politics.


A Companion to Photography

A Companion to Photography

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  • Author: Stephen Bull
  • Publisher: John Wiley & Sons
  • ISBN: 1405195843
  • Category : Photography
  • Languages : en
  • Pages : 568

The study of photography has never been more important. A look at today's digital world reveals that a greater number of photographs are being taken each day than at any other moment in history. Countless photographs are disseminated instantly online and more and more photographic images are earning prominent positions and garnering record prices in the rarefied realm of top art galleries. Reflecting this dramatic increase in all things photographic, A Companion to Photography presents a comprehensive collection of original essays that explore a variety of key areas of current debate around the state of photography in the twenty-first century. Essays are grouped and organized in themed sections including photographic interpretation, markets, popular photography, documents, and fine art and provide comprehensive coverage of the subject. Representing a diversity of approaches, essays are written by both established and emerging photographers and scholars, as well as various experts in their respective areas. A Companion to Photography offers scholars and professional photographers alike an essential and up-to-date resource that brings the study of contemporary photography into clear focus.


The Disciplinary Frame

The Disciplinary Frame

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  • Author: John Tagg
  • Publisher: U of Minnesota Press
  • ISBN: 0816642877
  • Category : Photography
  • Languages : en
  • Pages : 433

How do photographs gain their meaning and power? John Tagg claims that, to answer this question, we must look at the ways in which everything that frames photography - the discourse that surrounds it and the institutions that circulate it - determines what counts as truth.


Aïm Deüelle Lüski and Horizontal Photography

Aïm Deüelle Lüski and Horizontal Photography

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  • Author: Ariella Azoulay
  • Publisher: Leuven University Press
  • ISBN: 9058679497
  • Category : Art
  • Languages : en
  • Pages : 150

This book is the product of a unique collaboration between Israeli artist and philosopher Aïm Deüelle Lüski and visual culture theorist Ariella Azoulay. In their longstanding working relationship, they research how to theorize the structure of the contemporary scopic regime and open a space for its civil transformation.


Death's Showcase

Death's Showcase

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  • Author: Ariella Azoulay
  • Publisher: MIT Press
  • ISBN: 9780262511339
  • Category : Architecture
  • Languages : en
  • Pages : 320

An interdisciplinary exploration of the visual presence of death in contemporary culture.


The Cruel Radiance

The Cruel Radiance

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  • Author: Susie Linfield
  • Publisher: University of Chicago Press
  • ISBN: 0226482510
  • Category : Language Arts & Disciplines
  • Languages : en
  • Pages : 341

Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.


Photography's Other Histories

Photography's Other Histories

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  • Author: Christopher Pinney
  • Publisher: Duke University Press
  • ISBN: 9780822331131
  • Category : Art
  • Languages : en
  • Pages : 300

Richly illustrated with over 100 images, this volume explores the role of photography in raising historical consciousness from a variety of geographic, cultural, and historical perspectives. 128 photos.


The Burden of Representation

The Burden of Representation

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  • Author: John Tagg
  • Publisher: U of Minnesota Press
  • ISBN: 9780816624058
  • Category : Photography
  • Languages : en
  • Pages : 260

Photographs are used as documents, evidence, and records every day in courtrooms, hospitals, and police work, on passports, permits, and licenses. But how did such usages come to be established and accepted, and when? What kinds of photographs were seen seen as purely instrumental and able to function in this way? What sorts of agencies and institutions had the power to give them this status? And more generally, what conception of photographic representation did this involve, and what were its consequences?


Believing Is Seeing

Believing Is Seeing

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  • Author: Errol Morris
  • Publisher: Penguin
  • ISBN: 0143124250
  • Category : Photography
  • Languages : en
  • Pages : 338

Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.