Vaudeville old & new

Vaudeville old & new

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  • Author: Frank Cullen
  • Publisher: Psychology Press
  • ISBN: 0415938538
  • Category : Entertainers
  • Languages : en
  • Pages : 1362


Vaudeville and the Making of Modern Entertainment, 1890–1925

Vaudeville and the Making of Modern Entertainment, 1890–1925

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  • Author: David Monod
  • Publisher: UNC Press Books
  • ISBN: 1469660563
  • Category : History
  • Languages : en
  • Pages : 286

Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.


Vaudeville, Old & New

Vaudeville, Old & New

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  • Author: Frank Cullen
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages :


No Applause--Just Throw Money

No Applause--Just Throw Money

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  • Author: Trav S.D.
  • Publisher: Macmillan
  • ISBN: 0865479585
  • Category : Performing Arts
  • Languages : en
  • Pages : 368

From 1881 to 1932, vaudeville was at the heart of show business in the UnitedStates. This volume explores the many ways in which vaudeville's story is thestory of show business in America.


Vaudeville, Old & New

Vaudeville, Old & New

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  • Author: Frank Cullen
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages : 0


Moon Over Vaudeville

Moon Over Vaudeville

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  • Author: Maureen McCabe
  • Publisher: Moon Over Vaudeville LLC
  • ISBN: 0983357501
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 51

Softcover - Biography/Memoir. A charming morsel of a book about one man's real life Vaudeville story tap dancing back and forth across the country in the 1930s. More than 100 photos and newspaper clippings to enjoy.


Vaudeville for a Princess, and Other Poems

Vaudeville for a Princess, and Other Poems

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  • Author: Delmore Schwartz
  • Publisher:
  • ISBN:
  • Category : American poetry
  • Languages : en
  • Pages : 144


The Encyclopedia of Vaudeville

The Encyclopedia of Vaudeville

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  • Author: Anthony Slide
  • Publisher: Univ. Press of Mississippi
  • ISBN: 1617032506
  • Category : Performing Arts
  • Languages : en
  • Pages : 649

The Encyclopedia of Vaudeville provides a unique record of what was once America's preeminent form of popular entertainment from the late 1800s through the early 1930s. It includes entries not only on the entertainers themselves, but also on those who worked behind the scenes, the theatres, genres, and historical terms. Entries on individual vaudevillians include biographical information, samplings of routines and, often, commentary by the performers. Many former vaudevillians were interviewed for the book, including Milton Berle, Block and Sully, Kitty Doner, Fifi D'Orsay, Nick Lucas, Ken Murray, Fayard Nicholas, Olga Petrova, Rose Marie, Arthur Tracy, and Rudy Vallee. Where appropriate, entries also include bibliographies. The volume concludes with a guide to vaudeville resources and a general bibliography. Aside from its reference value, with its more than five hundred entries, The Encyclopedia of Vaudeville discusses the careers of the famous and the forgotten. Many of the vaudevillians here, including Jack Benny, George Burns and Gracie Allen, Jimmy Durante, W. C. Fields, Bert Lahr, and Mae West, are familiar names today, thanks to their continuing careers on screen. At the same time, and given equal coverage, are forgotten acts: legendary female impersonators Bert Savoy and Jay Brennan, the vulgar Eva Tanguay with her billing as “The I Don't Care Girl,” male impersonator Kitty Doner, and a host of “freak” acts.


Vaudeville Old & New

Vaudeville Old & New

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  • Author:
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages :

This is a one-of-a-kind reference work to the history of vaudeville, performance art, burlesque, revue, and comic opera. Most of these artists are not profiled in other reference books and the author has done deep research, including archival work and personal interviews, to uncover the rich history of this American artform. This will be a must-have for students of theater history and performance art, but it is also essential for anyone interested in the cultural history of America.


Birth of an Industry

Birth of an Industry

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  • Author: Nicholas Sammond
  • Publisher: Duke University Press
  • ISBN: 0822375788
  • Category : Performing Arts
  • Languages : en
  • Pages : 400

In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.