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Early Christians sought miracles from Michael the Archangel and this enigmatic ecumenical figure was the subject of hagiography, liturgical texts, and relics across Western Europe. Entering contemporary debates about angelology, this fascinating study explores the formation and diffusion of the cult of Saint Michael from c. 300-c.800.
Early Christians sought miracles from Michael the Archangel and this enigmatic ecumenical figure was the subject of hagiography, liturgical texts, and relics across Western Europe. Entering contemporary debates about angelology, this fascinating study explores the formation and diffusion of the cult of Saint Michael from c. 300-c.800.
Standing on Holy Ground in the Middle Ages illuminates how the floor surface shaped the ways in which people in medieval western Europe and beyond experienced sacred spaces. The ground beneath our feet plays a crucial, yet often overlooked, role in our relationship with the environments we inhabit and the spaces with which we interact. By focusing on this surface as a point of encounter, Lucy Donkin positions it within a series of vertically stacked layers—the earth itself, permanent and temporary floor coverings, and the bodies of the living above ground and the dead beneath—providing new perspectives on how sacred space was defined and decorated, including the veneration of holy footprints, consecration ceremonies, and the demarcation of certain places for particular activities. Using a wide array of visual and textual sources, Standing on Holy Ground in the Middle Ages also details ways in which interaction with this surface shaped people's identities, whether as individuals, office holders, or members of religious communities. Gestures such as trampling and prostration, the repeated employment of specific locations, and burial beneath particular people or actions used the surface to express likeness and difference. From pilgrimage sites in the Holy Land to cathedrals, abbeys, and local parish churches across the Latin West, Donkin frames the ground as a shared surface, both a feature of diverse, distant places and subject to a variety of uses over time—while also offering a model for understanding spatial relationships in other periods, regions, and contexts.
This book takes an interdisciplinary approach in order to understand angels, focusing on Africa and the cult and persona of the Archangel Michael. Traditional methods in the study of religion including philology, papyrology, art and iconography, anthropology, history, and psychology are combined with methodologies deriving from memory studies, graphic design, art education, and semiotics. Chapters explore both historical and contemporary case studies from Coptic Egypt, Nubia, Ethiopia, and South Africa, providing a comparative perspective on the Archangel Michael, alongside 25 images. Innovative in both its methodologies and geographical focus, this book is an important contribution to the study of religion and art, Christianity in Africa, and Coptic studies.
Analyzing the renowned Saint Birgitta of Sweden from the perspectives of power, authority, and gender, this probing study investigates how Birgitta went about establishing her influence during the first ten years of her career as a living saint, in 1340–1349.
Providing new ways of reading Boccaccio's masterpiece, Decameron , Ferme analyzes the dynamics between the women who rule the first half of the story. Peeling back the many narrative layers within and outside of the framework, this book unearths the complications and trickery surrounding gender and death in Boccaccio's world and culture.
Drawing from theatre, English studies, and art history, among others, these essays discuss the challenges and rewards of teaching medieval and early modern texts in the 21st-century university. Topics range from the intersections of race, religion, gender, and nation in cross-cultural encounters to the use of popular culture as pedagogical tools.
A common belief is that systems of writing are committed to transparency and precise records of sound. The target is the language behind such marks. Readers, not viewers, matter most, and the most effective graphs largely record sound, not meaning. But what if embellishments mattered deeply - if hidden writing, slow to produce, slow to read, played as enduring a role as more accessible graphs? What if meaningful marks did service alongside records of spoken language? This book, a compilation of essays by global authorities on these subjects, zeroes in on hidden writing and alternative systems of graphic notation. Essays by leading scholars explore forms of writing that, by their formal intricacy, deflect attention from language. The volume also examines graphs that target meaning directly, without passing through the filter of words and the medium of sound. The many examples here testify to human ingenuity and future possibilities for exploring enriched graphic communication.
Exploring medieval literary representations of the Islamic conquest of Spain in 711, Hazbun discusses chronicles, epic and clerical poetry, and early historical novels. While material on the conquest of Spain is substantial, it is understudied and this book works to fill that gap.
A period of great change for Europe, the thirteenth-century was a time of both animosity and intimacy for Jewish and Christian communities. In this wide-ranging collection, scholars discuss the changing paradigms in the research and history of Jews and Christians in medieval Europe, discussing law, scholarly pursuits, art, culture, and poetry.
