Pretend Play As Improvisation

Pretend Play As Improvisation

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  • Author: R. Keith Sawyer
  • Publisher: Psychology Press
  • ISBN: 1134799055
  • Category : Psychology
  • Languages : en
  • Pages : 231

Everyday conversations including gossip, boasting, flirting, teasing, and informative discussions are highly creative, improvised interactions. Children's play is also an important, often improvisational activity. One of the most improvisational games among 3- to 5-year-old children is social pretend play--also called fantasy play, sociodramatic play, or role play. Children's imaginations have free reign during pretend play. Conversations in these play episodes are far more improvisational than the average adult conversation. Because pretend play occurs in a dramatized, fantasy world, it is less constrained by social and physical reality. This book adds to our understanding of preschoolers' pretend play by examining it in the context of a theory of improvisational performance genres. This theory, derived from in-depth analyses of the implicit and explicit rules of theatrical improvisation, proves to generalize to pretend play as well. The two genres share several characteristics: * There is no script; they are created in the moment. * There are loose outlines of structure which guide the performance. * They are collective; no one person decides what will happen. Because group improvisational genres are collective and unscripted, improvisational creativity is a collective social process. The pretend play literature states that this improvisational behavior is most prevalent during the same years that many other social and cognitive skills are developing. Children between the ages of 3 and 5 begin to develop representations of their own and others' mental states as well as learn to represent and construct narratives. Freudian psychologists and other personality theorists have identified these years as critical in the development of the personality. The author believes that if we can demonstrate that children's improvisational abilities develop during these years--and that their fantasy improvisations become more complex and creative--it might suggest that these social skills are linked to the child's developing ability to improvise with other creative performers.


Play Your Way Sane

Play Your Way Sane

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  • Author: Clay Drinko
  • Publisher: Simon and Schuster
  • ISBN: 1982169230
  • Category : Self-Help
  • Languages : en
  • Pages : 224

Stop negative thoughts, assuage anxiety, and live in the moment with these fun, easy games from improv expert Clay Drinko. If you’ve been feeling lost lately, you’re not alone! Even before the Covid-19 pandemic, Americans were experiencing record levels of loneliness and anxiety. And in our current political turmoil, it’s safe to say that people are looking for new tools to help them feel more present, positive, and in sync with the world. So what better way to get there than play? In Play Your Way Sane, Dr. Clay Drinko offers 120 low-key, accessible activities that draw on the popular principles of improv comedy to help you tackle your everyday stress and reconnect with the people around you. Divided into twelve fun sections, including “Killing Debbie Downer” and “Thou Shalt Not Be Judgy,” the games emphasize openness, reciprocation, and active listening as the keys to a mindful and satisfying life. Whether you’re looking to improve your personal relationships, find new meaning at work, or just survive our trying times, Play Your Way Sane offers serious self-help with a side of Second City sass.


How to Improvise a Full-Length Play

How to Improvise a Full-Length Play

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  • Author: Kenn Adams
  • Publisher: Simon and Schuster
  • ISBN: 1581157975
  • Category : Performing Arts
  • Languages : en
  • Pages : 122

Forget the script and get on the stage! In How to Improvise a Full-Length Play, actors, playwrights, directors, theater-group leaders, and teachers will find everything they need to know to create comedy, tragedy, melodrama, and farce, with no scripts, no scenarios, and no preconceived characters. Author Kenn Adams presents a step-by-step method for long-form improvisation, covering plot structure, storytelling, character development, symbolism, and advanced scene work. Games and exercises throughout the book help actors and directors focus on and succeed with cause-and-effect storytelling, raising the dramatic stakes, creating dramatic conflict, building the dramatic arc, defining characters, creating environments, establishing relationships, and more. How to Improvise a Full-Length Play is the essential tool for anyone who wants to create exceptional theater. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.


The Improv Comedy Musician

The Improv Comedy Musician

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  • Author: Laura Hall
  • Publisher:
  • ISBN: 9780692753408
  • Category :
  • Languages : en
  • Pages : 158

Learn musical improv from Laura Hall of "Whose Line Is It Anyway?" Are you a musician who performs with an improv comedy group? If so, this book is for you! You'll also greatly benefit if you are a music director, improv team leader, improv teacher or coach, improv actor or singer, or just a hardcore Whose Line fan. From the Foreword by Colin Mochrie: "On Whose Line, Laura supplies note-perfect music styles for Wayne Brady, Brad Sherwood, Chip Esten, Jeff Davis, et al, to shine on. But Laura's true genius is that she can make caterwaulers like me sound good and, more important, makes caterwaulers like me feel safe enough to try. "Laura Hall is a damn fine musician, period. There is no musical style she isn't well versed in. With Laura you get experience, knowledge, and a teacher you can trust. What more could you ask for? So get reading, start playing, and have more fun than you're ready for." "I'm a Laura Hall-ic!" -Chip Esten, Nashville, Whose Line Is It Anyway? "I know and highly respect both Laura and Bob. I can't think of a better pair to teach you the fundamentals of musical improv." -Bill Chott, actor and founder of the Improv Trick Laura Hall is an accomplished musician best known as the pianist on Whose Line Is It Anyway? She also stays busy recording film scores, writing musicals, leading improv workshops with her husband Rick, and performing with her Americana music trio, The Sweet Potatoes. Bob Baker is a prolific author, musician, artist and actor, as well as an improv teacher and performer. Through his books and workshops Bob teaches creative people of all kinds how to get exposure, connect with fans, and increase their incomes.


Creativity: Education and Rehabilitation

Creativity: Education and Rehabilitation

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  • Author: Massimiliano Palmiero
  • Publisher: Frontiers Media SA
  • ISBN: 2889630358
  • Category :
  • Languages : en
  • Pages : 107

Creativity has the potential to improve quality of life. It can also be conceived as a tool in educational and rehabilitation settings. Therefore, it is the aim of this Research Topic to further show how creativity can be used and encourage the application of creativity in pedagogical and clinical contexts.


Improvisation and Music Education

Improvisation and Music Education

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  • Author: Ajay Heble
  • Publisher: Routledge
  • ISBN: 1317569938
  • Category : Education
  • Languages : en
  • Pages : 309

This book offers compelling new perspectives on the revolutionary potential of improvisation pedagogy. Bringing together contributions from leading musicians, scholars, and teachers from around the world, the volume articulates how improvisation can breathe new life into old curricula; how it can help teachers and students to communicate more effectively; how it can break down damaging ideological boundaries between classrooms and communities; and how it can help students become more thoughtful, engaged, and activist global citizens. In the last two decades, a growing number of music educators, music education researchers, musicologists, cultural theorists, creative practitioners, and ethnomusicologists have suggested that a greater emphasis on improvisation in music performance, history, and theory classes offers enormous potential for pedagogical enrichment. This book will help educators realize that potential by exploring improvisation along a variety of trajectories. Essays offer readers both theoretical explorations of improvisation and music education from a wide array of vantage points, and practical explanations of how the theory can be implemented in real situations in communities and classrooms. It will therefore be of interest to teachers and students in numerous modes of pedagogy and fields of study, as well as students and faculty in the academic fields of music education, jazz studies, ethnomusicology, musicology, cultural studies, and popular culture studies.


Creative Psychotherapy

Creative Psychotherapy

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  • Author: Eileen Prendiville
  • Publisher: Taylor & Francis
  • ISBN: 131739738X
  • Category : Psychology
  • Languages : en
  • Pages : 229

Creative Psychotherapy brings together the expertise of leading authors and clinicians from around the world to synthesise what we understand about how the brain develops, the neurological impact of trauma and the development of play. The authors explain how to use this information to plan developmentally appropriate interventions and guide creative counselling across the lifespan. The book includes a theoretical rationale for various creative media associated with particular stages of neural development, and examines how creative approaches can be used with all client groups suffering from trauma. Using case studies and exemplar intervention plans, the book presents ways in which creative activities can be used sequentially to support healing and development in young children, adolescents and adults. Creative Psychotherapy will be of interest to mental health professionals working with children, adolescents and adults, including play and arts therapists, counsellors, family therapists, psychologists, social workers, psychiatrists and teachers. It will also be a valuable resource for clinically oriented postgraduate students, and therapists who work with victims of interpersonal trauma.


The Oxford Handbook of the Development of Imagination

The Oxford Handbook of the Development of Imagination

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  • Author: Marjorie Taylor
  • Publisher: Oxford University Press
  • ISBN: 0199909199
  • Category : Psychology
  • Languages : en
  • Pages : 608

Children are widely celebrated for their imaginations, but developmental research on this topic has often been fragmented or narrowly focused on fantasy. However, there is growing appreciation for the role that imagination plays in cognitive and emotional development, as well as its link with children's understanding of the real world. With their imaginations, children mentally transcend time, place, and/or circumstance to think about what might have been, plan and anticipate the future, create fictional relationships and worlds, and consider alternatives to the actual experiences of their lives. The Oxford Handbook of the Development of Imagination provides a comprehensive overview of this broad new perspective by bringing together leading researchers whose findings are moving the study of imagination from the margins of mainstream psychology to a central role in current efforts to understand human thought. The topics covered include fantasy-reality distinctions, pretend play, magical thinking, narrative, anthropomorphism, counterfactual reasoning, mental time travel, creativity, paracosms, imaginary companions, imagination in non-human animals, the evolution of imagination, autism, dissociation, and the capacity to derive real life resilience from imaginative experiences. Many of the chapters include discussions of the educational, clinical, and legal implications of the research findings and special attention is given to suggestions for future research.


Structure and Improvisation in Creative Teaching

Structure and Improvisation in Creative Teaching

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  • Author: R. Keith Sawyer
  • Publisher: Cambridge University Press
  • ISBN: 1139500341
  • Category : Psychology
  • Languages : en
  • Pages : 319

With an increasing emphasis on creativity and innovation in the twenty-first century, teachers need to be creative professionals just as students must learn to be creative. And yet, schools are institutions with many important structures and guidelines that teachers must follow. Effective creative teaching strikes a delicate balance between structure and improvisation. The authors draw on studies of jazz, theater improvisation and dance improvisation to demonstrate that the most creative performers work within similar structures and guidelines. By looking to these creative genres, the book provides practical advice for teachers who wish to become more creative professionals.


The Art of Becoming

The Art of Becoming

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  • Author: Raymond A. R. MacDonald
  • Publisher: Oxford University Press, USA
  • ISBN: 0190840919
  • Category : Music
  • Languages : en
  • Pages : 217

"With a focus on music, this book outlines what improvisation is and why it is an important creative and social activity. Drawing on the emerging psychological literature in this area, as well as evidence from authors' research with musicians, this text outlines innovative ideas on what defines improvisation and the psychological, creative and social processes involved. It explores the role of specialist skills, the importance of musical identities and the nature of understanding in improvised interaction and between improvisers. It discusses how we develop as improvisers and the role of improvisation within therapeutic applications of music. Each chapter proceeds from discussion of an illustrative instance of musical improvisation. Providing fresh and provocative insights for anyone interested in playing, studying, teaching or listening to improvised music, the authors offer suggestions for approaching this practice in new ways at any level, and identify potential developments in cross-disciplinary improvising. Asserting that everyone can and should improvise, the book provides a resource for courses teaching improvisation in contemporary practice, and has strong relevance for those applying musical improvisation in community and therapeutic contexts. The book deals with such questions as: What constitutes improvisation? Do all forms of improvisation represent the same thing? Faced with myriad possibilities, how do improvisers decide what to play? How does an improviser in a group know what the others will do? How might improvisation influence our wellbeing? In response to such questions, a definition of improvisation based on its unique behavioural features is set out as an exciting context for psychological investigation"--