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A companion volume to the 3-D "Sea Monsters" film reveals the terrifying predators that lurked in the underwater Cretaceous world, in a volume that also profiles the scientists who study these ancient monsters and the technology that made the film possible.
The mythic creature expert and author of Phoenix takes readers through a bestiary of sea monsters featured on the famous 16th century map Carta Marina. In the sixteenth century, sea serpents, giant man-eating lobsters, and other monsters were thought to swim the waters of Norther Europe, threatening seafarers who ventured too far from shore. Thankfully, Scandinavian mariners had Olaus Magnus, who in 1539 charted these fantastic marine animals in his influential map of the Nordic countries, the Carta Marina. In Sea Monsters, mythologist Joseph Nigg brings readers face-to-face with these creatures and other magnificent components of Magnus’s map. Nearly two meters wide in total, the map’s nine wood-block panels comprise the largest and first realistic portrayal of the region. But in addition to its important geographic significance, Magnus’s map goes beyond cartography to scenes both domestic and mystic. Close to shore, Magnus shows humans interacting with common sea life—boats struggling to stay afloat, merchants trading, children swimming, and fisherman pulling lines. But from the offshore deeps rise some of the most terrifying sea creatures imaginable—like sea swine, whales as large as islands, and the Kraken. In this book, Nigg draws on Magnus’s own text to further describe and illuminate these inventive scenes and to flesh out the stories of the monsters. Sea Monsters is a stunning tour of a world that still holds many secrets for us land dwellers, who will forever be fascinated by reports of giant squid and the real-life creatures of the deep that have proven to be as bizarre and otherworldly as we have imagined for centuries. It is a gorgeous guide for enthusiasts of maps, monsters, and the mythic. “[A] beautiful new exploration of the Carta Marina.”—Wired
Sea monster Ernest is starting his first day of school. But starting school is a big job! Fitting in when you're a sea monster is tough enough, and there's so much to learn and do—reading, singing, playing hide-and-seek with the fishermen, lunchtime in the algae patch.... This funny, charming twist on the worries and joys of starting school will reassure and delight the smallest children and the largest sea monsters alike.
The sea monsters on medieval and Renaissance maps, whether swimming vigorously, gamboling amid the waves, attacking ships, or simply displaying themselves for our appreciation, are one of the most visually engaging elements on these maps, and yet they have never been carefully studied. The subject is important not only in the history of cartography, art, and zoological illustration, but also in the history of the geography of the "marvelous" and of western conceptions of the ocean. Moreover, the sea monsters depicted on maps can supply important insights into the sources, influences, and methods of the cartographers who drew or painted them. In this highly-illustrated book the author analyzes the most important examples of sea monsters on medieval and Renaissance maps produced in Europe, beginning with the earliest mappaemundi on which they appear in the 10th century and continuing to the end of the 16th century.
Winner of the 2020 PEN/Faulkner Award for Fiction, this intoxicating story of a teenage girl who trades her a middle–class upbringing for a quest for meaning in 1980s Mexico is “a surreal, captivating tale about the power of a youthful imagination, the lure of teenage transgression, and its inevitable disappointments” (Los Angeles Review of Books). One autumn afternoon in Mexico City, seventeen–year–old Luisa does not return home from school. Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking―recklessness, impulse, independence. Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa’s surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will “promise, no matter what, to remain a mystery.” It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the “Beach of the Dead.” Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Set to a pulsing soundtrack of Joy Division, Nick Cave, and Siouxsie and the Banshees, Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us. "Aridjis is deft at conjuring the teenage swooniness that apprehends meaning below every surface. Like Sebald’s or Cusk’s, her haunted writing patrols its own omissions . . . The figure of the shipwreck looms large for Aridjis. It becomes a useful lens through which to see this book, which is self–contained, inscrutable, and weirdly captivating, like a salvaged object that wants to return to the sea." ―Katy Waldman, The New Yorker
Few creatures have captured the imaginations of so many for so long as have monsters of the deep. Their history has been surprisingly consistent, the author notes. Most began as myths and then acquired a sense of reality when the existence of creatures resembling those chronicled in legend was documented. Ellis (Men and Whales) gives a superb account of marine monsters and their attendant myths, sightings, scientific discovery and biology. He describes only the best known and the best documented. He traces the mermaid to the manatee and dugong, Leviathan to the sperm whale, kraken to the giant squid and polyp to the octopus (sharks, however, remain sharks). He examines these monsters in art, literature and film, taking Jules Verne and Victor Hugo to task for their ignorance of biology, hysterical fantasy and unmitigated malice. Herman Melville, Arthur C. Clarke and Peter Benchley get better ratings. Of all the sighted monsters, only the giant squid (Architeuthis) retains its mythological and cryptozoological status, for its very existence is shrouded in mystery. Sharks have had a bad reputation throughout history, but until Jaws (1974) they did not figure prominently in literature. At the end of this engaging book, Ellis confesses to skepticism: "monsters, if they exist, have more to fear from us than we do from them.
"Engaging images accompany information about sea monsters. The combination of high-interest subject matter and light text is intended for students in grades 3 through 7"--Provided by publisher.
Color artwork and detailed captions journey underwater to capture the prehistoric world of an array of extinct animals, in the companion volume to the Discovery Channel special
