PDF Journal of Morphology Download
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- Category : Morphology
- Languages : en
- Pages : 638
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Interest in morphology has undergone rapid growth over the past two decades and the area is now seen as crucially important, both in relation to other aspects of grammar and in relation to other disciplines.
Previous work on morphology has largely tended either to avoid precise computational details or to ignore linguistic generality. Computational Morphologyis the first book to present an integrated set of techniques for the rigorous description of morphological phenomena in English and similar languages. By taking account of all facets of morphological analysis, it provides a linguistically general and computationally practical dictionary system for use within an English parsing program. The authors covermorphographemics (variations in spelling as words are built from their component morphemes),morphotactics (the ways that different classes of morphemes can combine, and the types of words that result), andlexical redundancy (patterns of similarity and regularity among the lexical entries for words). They propose a precise rule-notation for each of these areas of linguistic description and present the algorithms for using these rules computationally to manipulate dictionary information. These mechanisms have been implemented in practical and publicly available software, which is described in detail, and appendixes contain a large number of computer-tested sets of rules and lexical entries for English. Graeme D. Ritchie is a Senior Lecturer in the Department of Artificial Intelligence at the University of Edinburgh, where Alan W. Black is currently a research student. Graham J. Russell is a Research Fellow at ISSCO (Institut Dalle Molle pour les etudes semantiques et cognitives) in Geneva, and Stephen G. Pulman is a Lecturer in the University of Cambridge Computer Laboratory and Director of SRI International's Cambridge Computer Science Research Centre.
This book celebrates the contributions of Dr. Frederick S. Szalay to the field of Mammalian Evolutionary Morphology. Professor Szalay is a strong advocate for biologically and evolutionarily meaningful character analysis. He has published about 200 articles, six monographs, and six books on this subject. This book features subjects such as the evolution and adaptation of mammals and provides up-to-date articles on the evolutionary morphology of a wide range of mammalian groups.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book is a significant novelty in the scientific and editorial landscape. Morphology is both an ancient and a new discipline that rests on Goethe's heritage and re-forms it in the present through the concepts of form and image. The latter are to be understood as structural elements of a new cultural grammar able to make the late modern world intelligible. In particular, compared to the original Goethean project, but also to C.P. Snow's idea of unifying the “two cultures”, the fields of morphological culture that are the object of this glossary have profoundly changed. The ever-increasing importance of the image as a polysemic form has made the two concepts absolutely transitive, so to speak. This is concomitant with the emergence of a culture that revolves around the image, attracting the verbal logos into its orbit. Incidentally, even the hermeneutic relationship between past and present relies more and more on the image, causing deep changes in cultural environments. Form and image are not just bridging concepts, as in the field of ancient morphology, but real transitive concepts that define the state of a culture. From the Internet to smartphones, television, advertising, etc., we are witnessing – as Horst Bredekamp observes – an immense mass of images that fill our time and affect the most diverse areas of our culture. The ancient connection between science and art recalled by Goethe emerges with unusual evidence thanks to intersecting patterns and expressive forms that are sometimes shared by different forms of knowledge. Creating a glossary and a culture of these intersections is the task of morphology, which thus enters into the boundaries between aesthetics, art, design, advertising, and sciences (from mathematics to computer science, to physics, and to biology), in order to provide the founding elements of a grammar and a syntax of the image. The latter, in its formal quality, both expressive and symbolic, is a fundamental element in the unification of the various kinds of knowledge, which in turn come to be configured, in this regard, also as styles of vision. The glossary is subdivided into contiguous sections, within a complex framework of cross-references. In addition to the two curators, the book features the collaboration of a team of scholars from the individual disciplines appearing in the glossary.