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A biography of Catalan architect Antoni Gaudí, known for his inventive and flamboyant style, from his colorful mosaics and unprecedented facades to his playful forms and bold buildings that make Barcelona shine.
Inspired by the natural beauty of his homeland of Catalonia, Antoni Gaudi became a celebrated and innovative architect through the unique structures he designed in Barcelona, having a significant impact on architecture as it was known.
An introduction by Daniel Giralt-Miracle, commissioner for the International year of Gaudi 2002, opens this book presenting the complete work of the brilliant architect Gaudi. It includes preliminary sketches and chapters about glasshouses, chimneys, 'trencadis' work, ceramic, doors, animals, etc... A 'must have' book.
Antoni Gaudí has a reputation as monastic, mad, and hermetic. But the architect of many of the buildings that define Barcelona's cityscape was no mad eccentric. He was a genius inspired by his faith in nature and the divine. Picking up the same strands of eclecticism and art nouveau current in fin de siècle European architecture, he transformed them into an idiom unique to himself and Barcelona to create a series of buildings as revolutionary in their engineering as they were astonishing for their spaces. For Gaudí his work was his life, and this book reveals the exuberant world and groundbreaking work of this unique figure in the history of modern architecture.
Allan Drummond's classic tale unlocks the intriguing story that hides deep within one of the most distinctive and iconic china patterns ever created: the willow pattern.
A joyful celebration of the nature-inspired work of architect Antoni Gaudí Carmen Batlló and Dragon, her imaginary salamander friend, love exploring the woods behind their home. But when Carmen's family announces a move to the city, Carmen is miserable. Not only will she lose her connection to nature, she will also lose Dragon. After all, the city is no place for salamanders. As she watches her family's new house take shape under famous architect Antoni Gaudí, Carmen discovers Gaudí also has a passion for the natural world. Walls curve and rise like a cave, mosaic flooring sparkles like lilies on a pond, and a fireplace shaped like a mushroom keeps the house warm. Best of all, there's even a place for Dragon! Inspired by the real Batlló family and the house Gaudí designed for them, this picture book encourages readers to find inspiration in their surroundings and keep their hearts open to change. Stunning watercolor illustrations bring Gaudí's inventive designs to life. An author's note provides more information about the real story behind the house and Gaudí's lifelong passion for nature.
A brave young girl, a whimsical house, and a ticklish dragon help young readers see the world through Gaudí's eyes. Set in Casa Batlló, one of Antoni Gaudí's most renowned buildings, this joyful story introduces young readers to the architect's work, inciting their curiosity and imagination along the way. While her nanny is sleeping, young Paloma hears a noise. She climbs the stairs of her house until she reaches the roof, where a dragon is perched. Unafraid, Paloma reaches out to pet the dragon--but he is ticklish, and as he laughs, he spews a myriad of sea animals that he had unwittingly swallowed. The house is transformed into a dreamy aquarium and the dragon settles into a deep sleep on the roof. Cécile Alix's playful story and Fred Sochard's boldly graphic illustrations are the perfect accompaniment to Gaudí's exuberant vision. As readers make their way through Paloma's home, they are introduced to its fabulous elements--columns shaped like elephant legs; marine-inspired tiles, glass, and ironwork; and of course the spectacularly undulating, iridescent roof, which resembles a sleeping dragon. The end of the book includes a brief history of Gaudí's career and provides helpful background to Paloma's story. Kids will want to linger over the pictures and imagine what their own house would be like if a dragon were living on their roof.
Antoni Gaudí (1852-1928) was a builder by instinct and by practice, fanciful and baroque in his sensibility, in love with the bright colours and plastic forms of the Mediterranean tradition. Despite his considerable contributions, Gaudí was an isolated figure in the architecture of the modern era. Critics were slow to recognize the prophetic value of his work, owing to the difficulty in reconciling it with the development of the Modern Movement. Gaudí invented a new form of modernism that combined elements of art nouveau, Catalan nationalism, Gothic Revival and his own relentlessly original imagination. His eclectic experience was made possible by special historical circumstances such as the economic prosperity of Barcelona and the existence of highly skilled craftsmen in Catalonia. This volume covers Gaudí's work in systematic fashion, from the Güell Palace to the park of the same name, and finally to his unfinished masterpiece, the church of the Sagrada Familia. Author Juan José Lahuerta devotes an attentive critical re-examination of the architect's work through a thorough analysis of his designs and writings.
The fantastic works of Antoni Gaudí and the Amsterdam School still appeal to the imagination. And although the architects never met each other, they were children of the same period. They looked for beauty and individuality in a world which was becoming increasingly functional and impersonal. At the heart of their designs are nature and its organic forms, craftsmanship and traditional materials. At the same time, though, they did not turn their backs on modernity, embracing new techniques and production processes. This publication gives insight to the similarities and differences between the work and philosophy of Gaudí and the Amsterdam School architects. Special contributions from Spanish and Dutch scientists are collected in this book.
Spanish architect and designer, Antoni Gaudí (1852-1926) was an important and influential figure in the history of contemporary Spanish art. His use of colour, application of a range of materials and the introduction of organic forms into his constructions were an innovation in the realm of architecture. In his journal, Gaudí freely expressed his own feelings on art, “the colours used in architecture have to be intense, logical and fertile.” His completed works (the Casa Batlló, 1905-1907 and the Casa Milà, 1905-1910) and his incomplete works (the restoration of the Poblet Monastery and the altarpiece of Alella in Barcelona) illustrate the importance of this philosophy. His furniture designs were conceived with the same philosophy, as shown, for example, in his own office (1878) or the lamps in the Plaza Real in Barcelona. The Sagrada Familia (1882-1926) was a monumental project which eventually took over his life (it was still incomplete at the time of his death).
