PDF Free-floating Subdivisions Download
- Author: Library of Congress
- Publisher:
- ISBN:
- Category : Subject cataloging
- Languages : en
- Pages : 208
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Library of Congress Subject Headings (LCSH) are increasingly seen as 'the' English language controlled vocabulary, despite their lack of a theoretical foundation, and their evident US bias. In mapping exercises between national subject heading lists, and in exercises in digital resource organization and management, LCSH are often chosen because of the lack of any other widely accepted English language standard for subject cataloguing. It is therefore important that the basic nature of LCSH, their advantages, and their limitations, are well understood both by LIS practitioners and those in the wider information community. Information professionals who attended library school before 1995 - and many more recent library school graduates - are unlikely to have had a formal introduction to Library of Congress Subject Headings (LCSH). Paraprofessionals who undertake cataloguing are similarly unlikely to have enjoyed an induction to the broad principles of LCSH. This is the first compact guide to LCSH written from a UK viewpoint. Key topics include: • background and history of LCSH • subject heading lists • structure and display in LCSH • form of entry • application of LCSH • document analysis • main headings • topical, geographical and free-floating sub-divisions • building compound headings • name headings • headings for literature, art, music, history and law • LCSH in the online environment. Readership: There is a strong emphasis throughout on worked examples and practical exercises in the application of the scheme, and a full glossary of terms is supplied. No prior knowledge or experience of subject cataloguing is assumed. This is an indispensable guide to LCSH for practitioners and students alike.
Quentin Jacobson has spent a lifetime loving Margo Roth Spiegelman from afar. So when she cracks open a window and climbs into his life - dressed like a ninja and summoning him for an ingenious campaign of revenge - he follows. After their all-nighter ends, Q arrives at school to discover that Margo has disappeared.
From the reviews: "This book offers a coherent treatment, at the graduate textbook level, of the field that has come to be known in the last decade or so as computational geometry. ... ... The book is well organized and lucidly written; a timely contribution by two founders of the field. It clearly demonstrates that computational geometry in the plane is now a fairly well-understood branch of computer science and mathematics. It also points the way to the solution of the more challenging problems in dimensions higher than two." #Mathematical Reviews#1 "... This remarkable book is a comprehensive and systematic study on research results obtained especially in the last ten years. The very clear presentation concentrates on basic ideas, fundamental combinatorial structures, and crucial algorithmic techniques. The plenty of results is clever organized following these guidelines and within the framework of some detailed case studies. A large number of figures and examples also aid the understanding of the material. Therefore, it can be highly recommended as an early graduate text but it should prove also to be essential to researchers and professionals in applied fields of computer-aided design, computer graphics, and robotics." #Biometrical Journal#2
By adapting Freud's notion of "floating attention" to urban systems, Mario Gandelsonas applies a process of visual drift to the plan of Chicago. He uses mechanical eye of the computer in a "delayering" process to read the plan of the city and to discover the system of urban notions that are specific to the American grid. Gandelsonas explores the spatial relationships between physical and abstract realities in the Chicago River area, the One-Mile Grid and its subdivisions. By highlighting the anomalies and idiosyncrasies of the grid the moments where its regularity falters, he establishes a narrative of Chicago's urban text. In separate essays Catherine Ingraham, Joan Copjec, and John Whiteman explore the philosophical, psychoanalytic, and urbanistic dimension of this provocative analysis.