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In the middle of the night, a woman awakens to find a stranger in her bedroom. Though she cannot determine who he is--or, indeed, whether he is even real at all and not just an extension of her dreams or her writing–she is drawn into a conversation...
An impassioned correspondence between two former school friends as they reach crisis in middle age, from the prize-winning Spanish novelist Carmen Martin Gaite Sofia is a mother of three grown-up children and trapped in a loveless marriage to Eduardo. Mariana is a successful psychiatrist, incapable of forming stable relationships with men. As their lives reach crises in middle age, these two women, former school friends who had grown apart, reach out to each other through an exchange of impassioned letters in Gaite's effusive epistolary novel. Mariana, a psychiatrist and TV pundit, flees Madrid for a friend's empty house in a coastal resort, where she obsesses over Raimundo, a suicidal, manic-depressive writer who seems part friend, part patient, part lover. Her old friend, Sofia, walks out on her vain, hypercritical husband, Eduardo, a business executive who talks only about money, and moves in with her three rebellious children, who share a disorderly apartment. In alternating voices mixing letters with notebook excerpts and invented stories, the two women relentlessly analyze their relationships, erotic fantasies and trips abroad. Strewn with allusions to Kafka, Dali, Bunuel, Tagore and Katherine Mansfield, their outpourings incorporate meditations on memory, love, sex, the treacherous nature of words, chance and the difficulty of confronting one's past without embellishing it.
This is the first comprehensive study of the later novels of Spain's most honored contemporary woman writer. Brown shares unpublished letters and conversations with Carmen Martín Gaite--a dear friend whom she called Calila--to elucidate her last six novels, all of which explore themes that are highly relevant today.
It was customary for the wife of a nobleman in eighteenth-century Spain to be courted fervently and seemingly forever, by a man who was not her husband. This liaison, accepted and even encouraged by the husband, was presumably platonic, though that may not always have been the case. It was carried on according to a complex, if ambiguous, code of companionship and whispered conversation. With the help of a lively blend of archival documents and literary sources, Carmen Martín Gaite admits us to the intricacies of the code and unravels its significance for the women who enjoyed the attention of a cortejo, or escort. Why was the cortejo tolerated, by society and by the woman's aristocratic family, even though it infringed traditional religious precepts? What did woman and her friend talk about at such length? Was their flirtation intellectual, reflecting the effects of Enlightenment rationalism on Spanish culture? Letters, memoirs, and travel journals as well as dramatic works of the period offer invaluable clues to the nature of these relationships, in which the woman was almost ritually adored and placed on a pedestal. The conversation, we learn, was generally frivolous, focusing on possessions and luxuries in a way that clearly signals economic change and the dawn of a material age. At the same time, the cortejo did represent a taste of symbolic liberation for women whose social lives were rigidly constrained. Clarifying details from a great variety of historical sources are presented with the urgency and fluidity of a novel in this excellent English translation -- Book jacket.
The career of Spain's celebrated author Carmen Martín Gaite spanned the Spanish Civil War, Franco's dictatorship, and the nation's transition to democracy. She wrote fiction, poetry, drama, screenplays for television and film, and books of literary and cultural analysis. The only person to win Spain's National Prize for Literature (Premio Nacional de las Letras) twice, Martín Gaite explored and blended a range of genres, from social realism to the fantastic, as she took up issues of gender, class, economics, and aesthetics in a time of political upheaval. Part 1 ("Materials") of this volume provides resources for instructors and a literary-historical chronology. The essays in part 2 ("Approaches") consider Martín Gaite's best-known novel, The Back Room (El cuarto de atrás), and other works from various perspectives: narratological, feminist, sociocultural, stylistic. In an appendix, the volume editor, who was a friend of the author, provides a new translation of Martín Gaite's only autobiographical sketch, alongside the original Spanish.
She calls attention to the hypocrisy of the system, to the image versus the reality, and to how certain watchwords like "rationing" and "restriction" went beyond their economic applications to touch on personal behavior and attitudes." "Themes she touches on in the nine chapters (and epilogue) include proper dress and behavior for women; a young woman's limited future; the influence of the Falange (Fascist) party on society and on individual behaviour; the "rebel" girl; family life; sex; cinema and the Spaniard; and courtship and the stages of relationship."
This collection of essays examines current trends in scholarly research on Spanish author Carmen Martín Gaite (1925-2000). It concentrates on the least explored areas of Martín Gaite's oeuvre, such as her collage artwork, the relationship between image and text in her work, and her close relationship with themes such as genre writing, the fairy tale, and textual/physical notions of space, as well as her personal theories on orality and narration. As we pass the tenth anniversary of her death, Martín Gaite continues to be an increasing focus of study, as scholars start to identify and comprehend the breadth and scope of her work. The essays in the volume complement previous studies of Martín Gaite's major works from the 1960s and 1970s by focusing largely on her later novels, together with in-depth analysis of the manuscripts and artistic materials that have been made available since her death.
