British Fantasy and Science-fiction Writers Since 1960

British Fantasy and Science-fiction Writers Since 1960

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  • Author: Darren Harris-Fain
  • Publisher: Dictionary of Literary Biograp
  • ISBN:
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 504

Essays on British writers of fantasy and science fiction discuss the changing attitudes towards this genre, including serious consideration by critics. Covers the publication of science fiction in comic books, limited productions of publications by fan presses, the difference between British and American science fiction, the birth of the New Wave, and the revival of horror fiction as a distinct genre.


British Fantasy and Science-fiction Writers Before World War I

British Fantasy and Science-fiction Writers Before World War I

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  • Author: Darren Harris-Fain
  • Publisher: Dictionary of Literary Biograp
  • ISBN:
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 392

Essays on British writers of fantasy and science fiction during a time when science, technology and industrialization made increasingly impressive inroads from the Enlightenment to World War I.A gradual emphasis on social improvement, including literature, involved efforts to increase literacy through expanding material to read. During this period, publication of newspapers, penny dreadfuls and dime novels lead to pulp magazines and other popular periodicals.


British Fantasy and Science-fiction Writers, 1918-1960

British Fantasy and Science-fiction Writers, 1918-1960

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  • Author: Darren Harris-Fain
  • Publisher: Dictionary of Literary Biograp
  • ISBN:
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 440

Essays on British writers of fantasy and science fiction, including dark fantasy and supernatural horror. Includes lesser-known authors who made their own small but significant contributions to this field. Discusses the impact of pulp magazines and other new magazines that focused on subgenres such as romance fiction, adventure fiction, Western fiction, and eventually fantasy and science fiction, and utopian literature, a predecessor and close cousin of science fiction.


Science Fiction Authors

Science Fiction Authors

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  • Author: Maura Heaphy
  • Publisher: Bloomsbury Publishing USA
  • ISBN: 1598845063
  • Category : Language Arts & Disciplines
  • Languages : en
  • Pages : 350

For students, scholars, readers' advisors, and curious SF readers and fans, this guide provides an easy-to-use launch pad for researching and learning more about science fiction writers and their work. Emphasizing the best popular and contemporary authors, this book covers 100 SF writers, providing for each: • a brief biographical sketch, including a quote from theauthor, awards, etc. • a list of the author's major works (including editions and other writings) • research sources-biographies, criticism, research guides, and web sites • In addition, you'll find read-alike lists for selected authors. For anyone wanting to find information on popular SF authors, this should be the first stop.


The Undergraduate's Companion to Children's Writers and Their Web Sites

The Undergraduate's Companion to Children's Writers and Their Web Sites

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  • Author: Jennifer Stevens
  • Publisher: Bloomsbury Publishing USA
  • ISBN: 0313040923
  • Category : Language Arts & Disciplines
  • Languages : en
  • Pages : 172

This volume, one in the Undergraduate Companion series, focuses on American and British writers for children and young adults and is addressed to students in both English and Education classes. It provides both print and free online sources. Most undergraduates do not possess the research skills necessary to evaluate Web sites. This volume will address their needs by providing pathfinders to works by, about, and related to key writers of children's and young adult fiction. Included are entries for 185 British and American writers and writing teams, most from the 20th century. Young adult and adult. Grades 9 and up.


Science Fact and Science Fiction

Science Fact and Science Fiction

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  • Author: Brian Stableford
  • Publisher: Routledge
  • ISBN: 1135923744
  • Category : Fiction
  • Languages : en
  • Pages : 576

Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.


Brave new words

Brave new words

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  • Author: Jeff Prucher
  • Publisher:
  • ISBN: 0195305671
  • Category :
  • Languages : en
  • Pages : 376


Seeking a Role

Seeking a Role

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  • Author: Brian Harrison
  • Publisher: OUP Oxford
  • ISBN: 0191606782
  • Category : History
  • Languages : en
  • Pages : 688

In this, the first of two self-standing volumes bringing The New Oxford History of England up to the present, Brian Harrison begins in 1951 with much of the empire intact and with Britain enjoying high prestige in Europe. The United Kingdom could still then claim to be a great power, whose welfare state exemplified compromise between Soviet planning and the USA’s free market. When the volume ends in 1970, no such claims carried conviction. The empire had gone, central planning was in trouble, and even the British political system had become controversial. In an unusually wide-ranging, yet impressively detailed volume, Harrison approaches the period from unfamiliar directions. He explains how British politicians in the 1950s and 1960s responded to this transition by pursuing successive roles for Britain: worldwide as champion of freedom, and in Europe as exemplar of parliamentary government, the multi-racial society, and economic planning. His main focus, though, rests not on the politicians but on the decisions the British people made largely for themselves: on their environment, social structure and attitudes, race relations, family patterns, economic framework, and cultural opportunities. By 1970 the consumer society had supplanted postwar austerity, the socialist vision was fading, and 'the sixties' (the theme of his penultimate chapter) had introduced new and even exotic themes and values. Having lost an empire, Britain was still resourcefully seeking a role: it had yet to find it.


Historical Dictionary of Science Fiction Literature

Historical Dictionary of Science Fiction Literature

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  • Author: Brian M. Stableford
  • Publisher: Scarecrow Press
  • ISBN: 9780810849389
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 512

This reference tracks the development of speculative fiction influenced by the advancement of science and the idea of progress from the eighteenth century to the present day. The major authors and publications of the genre and significant subgenres are covered. Additionally there are entries on fields of science and technology which have been particularly prolific in provoking such speculation. The list of acronyms and abbreviations, the chronology covering the literature from the 1700s through the present, the introductory essay, and the dictionary entries provide science fiction novices and enthusiasts as well as serious writers and critics with a wonderful foundation for understanding the realm of science fiction literature. The extensive bibliography that includes books, journals, fanzines, and websites demonstrates that science fiction literature commands a massive following.


Topologies of the Classical World in Children's Fiction

Topologies of the Classical World in Children's Fiction

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  • Author: Claudia Nelson
  • Publisher: Oxford University Press
  • ISBN: 0192584898
  • Category : Literary Criticism
  • Languages : en
  • Pages : 288

Beginning with Rudyard Kipling and Edith Nesbit and concluding with best-selling series still ongoing at the time of writing, this volume examines works of twentieth- and twenty-first-century children's literature that incorporate character types, settings, and narratives derived from the Greco-Roman past. Drawing on a cognitive poetics approach to reception studies, it argues that authors typically employ a limited and powerful set of spatial metaphors - palimpsest, map, and fractal - to organize the classical past for preteen and adolescent readers. Palimpsest texts see the past as a collection of strata in which each new era forms a layer superimposed upon a foundation laid earlier; map texts use the metaphor of the mappable journey to represent a protagonist's process of maturing while gaining knowledge of the self and/or the world; fractal texts, in which small parts of the narrative are thematically identical to the whole, present the past in a way that implies that history is infinitely repeatable. While a given text may embrace multiple metaphors in presenting the past, associations between dominant metaphors, genre, and outlook emerge from the case studies examined in each chapter, revealing remarkable thematic continuities in how the past is represented and how agency is attributed to protagonists: each model, it is suggested, uses the classical past to urge and thus perhaps to develop a particular approach to life.