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Looks at how facial expressions depict pain, shock, fear, anger, aversion, nausea, surprise, dejection, love, and laughter, and describes the facial muscles
Here, the highly complex anatomical and topographical relationships of the face are represented through a comprehensive series of vivid, detailed, layer-by-layer illustrations with a three-dimensional look.
Filled with breakthrough research, the book explains how to identify the facial expression of basic emotions and how to tell when people try to mask, simulate or neutralize their expression. Features practical exercises to help build skills.
Discusses the universality of facial expressions, explains how they can be read for specific emotions, and discusses ways to control one's emotional reactions and channel emotions into constructive behavior.
In Darwin and Facial Expression, Paul Ekman and a cast of other notable scholars and scientists reconsider the central concepts and key sources of information in Darwin's work on emotional expression. First published in 1972 to celebrate the centennial of the publication of Darwin's The Expression of the Emotions in Man and Animals, Darwin and Facial Expression is the first of three works edited by Dr. Ekman and others on the subject. This Malor edition contains new and updated references. Darwin claimed that we cannot understand human emotional expression without understanding the emotional expressions of animals, as our emotional expressions are in large part determined by our evolution. Not only are there similarities in the appearance of some emotional expressions between man and certain other animals, but the principles that explain why a particular emotional expression occurs with a particular emotion also apply across species.
Emotion in the Human Face: Guidelines for Research and an Integration of Findings reviews research findings about the link between the face and emotion and provides some guidelines for study of this complicated but intriguing phenomenon. Some of the conceptual ambiguities that have hindered research and the methodological decisions that must be made in planning research on the face and emotion are discussed. How past investigators handled these matters is presented critically, and a set of standards is offered. This book is comprised of 21 chapters and begins with an overview of questions about how the face provides information about emotion, with emphasis on evidence based on scientific research (largely in psychology). The reader is then introduced to conceptual ambiguities and methodological decisions related to research on the face-emotion connection (including sampling), along with some important research findings. In particular, emotion categories and dimensions that observers can judge on the basis of facial behavior are analyzed, and whether such judgments can be accurate. The similarities and differences in facial behavior across cultures are also considered, along with the relative contribution of facial behavior and contextual information to the judgment of emotion. This monograph is intended primarily for students of psychology, anthropology, ethology, sociology, and biology, as well as those planning or already conducting research on the face.
Describes the facial muscles and the structure of the head, and provides variations on the six basic facial expressions of sadness, anger, joy, fear, disgust, and surprise
Anatomy of Facial Expressions is redefining the anatomy of the human face, often the most challenging area of human anatomy to understand. A team of professional artists and medical experts working together to create this anatomy book. With fully visual and correct anatomy information. Learn:- Detailed information about facial muscles anatomy and physiology- How facial muscles function and affect the shape of the face- Main gender, age, and ethnicity differences- How bony structures related to the soft tissue, main landmarks of the face- Facial fat compartments, connective tissue- The topography of the face and skull. Anatomy books for learning and understanding. Real emotions are almost impossible to fake. That is why we need to learn the nuances that differentiate fake and genuine emotions. And to know it, you have to understand not only the anatomy which creates the movement, but you have to have the tools and language with whom you can describe the change. Self-explanatory images facial muscles and expressions. The book includes 3D renders of facial muscles overlaid onto photographs, photogrammetry scans, on neutral and expressed faces. It contains pictures of actual people, the 3D skull structures. A structured approach to a complex system. All the muscle groups are carefully differentiated from one another and labeled. The images and text also explain how muscles work and how they affect the surface forms of the face. "For artists, the essential part is how it looks..."In anatomy for artists and visual specialists. That matters most is the visual aspect: images and understandable visual information and how it all works. Not so much factual information or Latin names. The author is an artist with more than 25-year experience and a professor of Anatomy in Arts Academy. Printed books - have references by your side at any time. Add your additional comments and references. Personalizes this book for your needs. They always have a special feeling when owning and using them. It's a part of your tool-kit. Paperback is a softcover type, with a paperboard front and back cover.
