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This practical book leads us into a spirituality of passion that leads to compassion--coming to our senses in every meaning of the phrase.
In 1968, twenty-one-year-old Fred McCarthy transitioned from the monastic life of a seminary student to that of a U.S. Army helicopter gunship commander in Vietnam. Despite preparation from a family tradition of decorated combat service, a strong sense of patriotism, a love for aviation, and a desire for adventure, he got far more than he bargained for. Written after 50 years of reflection, reading, and study, this memoir tells both a universal story about war, adventure, and perseverance and, also shares the intensely personal experience of the Vietnam War and its legacy for those who fought in it. McCarthy describes many of his missions, reflects on the nature of being a combat helicopter pilot, and processes the experience through his poetry, letters home, and reflective analysis.
NEW YORK TIMES BESTSELLER They met over their dogs. Gail Caldwell and Caroline Knapp (author of Drinking: A Love Story) became best friends, talking about everything from their love of books and their shared history of a struggle with alcohol to their relationships with men. Walking the woods of New England and rowing on the Charles River, these two private, self-reliant women created an attachment more profound than either of them could ever have foreseen. Then, several years into this remarkable connection, Knapp was diagnosed with cancer. With her signature exquisite prose, Caldwell mines the deepest levels of devotion, and courage in this gorgeous memoir about treasuring a best friend, and coming of age in midlife. Let’s Take the Long Way Home is a celebration of the profound transformations that come from intimate connection—and it affirms, once again, why Gail Caldwell is recognized as one of our bravest and most honest literary voices.
The life story of Viola Martinez, an Owens Valley Paiute Indian of eastern California, extends over nine decades of the twentieth century. Viola experienced forced assimilation in an Indian boarding school, overcame racial stereotypes to pursue a college degree, and spent several years working at a Japanese American internment camp during World War II. Finding herself poised uncertainly between Indian and white worlds, Viola was determined to turn her marginalized existence into an opportunity for personal empowerment. In Viola Martinez, California Paiute, Diana Meyers Bahr recounts Viola’s extraordinary life story and examines her strategies for dealing with acculturation. Bahr allows Viola to tell her story in her own words, beginning with her early years in Owens Valley, where she learned traditional lifeways, such as gathering piñons, from her aunt. In the summers, she traveled by horse and buggy into the High Sierras where her aunt traded with Basque sheepherders. Viola was sent to the Sherman Institute, a federal boarding school with a mandate to assimilate American Indians into U.S. mainstream culture. Punished for speaking Paiute at the boarding school, Viola and her cousin climbed fifty-foot palm trees to speak their native language secretly. Realizing that, despite her efforts, she was losing her language, Viola resolved not just to learn English but to master it. She earned a degree from Santa Barbara State College and pursued a career as social worker. During World War II, Viola worked as an employment counselor for Japanese American internees at the Manzanar War Relocation Authority camp. Later in life, she became a teacher and worked tirelessly as a founding member of the Los Angeles American Indian Education Commission.
Criminal defense lawyer Cash McCahill pleads for his life before a jury of one: La Tigra, the lethal leader of a drug cartel. To avoid ending up as an appetizer for her pet tiger, he promises to defend the case of her choice and win it. When La Tigra calls in the chit, Cash has no way out of cartel hell, except death. Lose at trial, and he will pay with his life. Win, and he becomes the go-to mouthpiece for merchants of death—surviving only as long as he keeps winning. A rival cartel moves into Texas and gives Cash a choice: work for the new killers on the block or die at La Tigra’s side. Bombings on both sides of the border put Cash in the crosshairs of two gangs and two governments. As if there is a difference. To escape the clutches of the cops and the cartels, Cash must broker a ceasefire, but peace and his deliverance will come with a heavy price.
We All Giggled tells the stories of two families that came together when the author’s parents met and married in 1945. The Hüglins had lost most of their fortune in the course of two world wars, and the Wachendorff s had survived the Nazi years despite their Jewish ancestry. The families’ roots are traced back to a vineyard in southern Germany, a jail in Geneva, the Conservatory in St. Petersburg, and the hometown of a Jewish merchant in Silesia. This engaging book centres on the author’s recollections of his grandparents, his parents, and his own growing up in postwar Germany in an environment of bourgeois stability and comfort. As the author chronicles his family’s ups and downs and abiding love for music, food, and art across several generations, a rich tapestry of anecdotes unfolds—about opera singers, restaurants, and travels, and about family relations, romance, and the kind of “impromptu reactions to people, places, and situations that often result in uncontrollable giggles.”
Valorita had been shot in the head. She didn’t realize it right away, but then, neither did the police. She had to wait for the paramedics to arrive to find out why her head was hurting. She had almost succumbed to the wound, lying on the floor of a walk-in cooler at KFC. But the thought of her daughter kept her fighting. She had to make it through for Alicia. Val didn’t want her daughter growing up like she had, wondering where her mother was. She had fought her way through a trauma-filled childhood and survived an abusive relationship; she would make it through this. What she didn’t realize was this experience would leave her with intense PTSD. After returning home from the hospital, Val is shocked when a man steps out of an alcove and slits her throat. She rushes to her apartment to look at the damage in a mirror but finds nothing there. Her throat is intact. This same scenario is repeated each time she leaves her apartment alone. On top of this, a strange man is now staring at her from inside her mirror. Never talking, always looking. Val needs help but doesn’t know where to go. Throughout all this, motherhood and reconnecting with the love of her life keeps Valorita moving forward to a place of healing, happiness, and peace. This is her story of perseverance.
