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Well-known anthropologist Lamphere highlights the voices of three generations of Navajo women who are weaving their traditional beliefs with modern American culture to create a new blueprint for their lives and the next generations.
First published in 1999. Driven by the interest of the author this study looks at the lives of immigrant women in central New York who are working in the garment industry in hope that by raising awareness Congress will current review legislation when its highlighted how it affects these women and their families. Her view is that the media and public discussion tends to present these women as if they are all illegal immigrants looking for welfare benefits instead of law-abiding, hard-working residents. This research is written to describe what these women are like, what their experiences regarding immigration have been, and how arbitrary legislative policies and regulations affect them. much these women it also illuminates how much personally the woman have sacrificed in the way of social status, cultural comfort, and family relationships to come to the United States.
Weaving Women's Spheres in Vietnam examines the changing status of womanhood in 'traditional', transitional and contemporary Vietnam from anthropological, historical, and sociological perspectives, focusing particularly on women's active agency in negotiating their own roles in family, religion and community.
An invaluable title for every woman who is working towards reclaiming her own power Weaving is a process; woman is the essence of this book. Every woman will experience blood mysteries, dealing with mother, being a daughter, Amazon, Hetaerae, and integrating the shadow, if she is to mature. Share with the author, a Jungian analyst for over 25 years, the experiences you have in common with other women in the process of becoming. As Barbara Black Koltuv reveals, there is no such thing as a completed definition of woman. Women are always in the process of becoming and weaving together all the elements of their lives into their own unique patterns.
In the highlands of Chiapas, Mexico, a large indigenous population lives in rural communities, many of which retain traditional forms of governance. In 1996, some 350 women of these communities formed a weavers’ cooperative, which they called Jolom Mayaetik. Their goal was to join together to market textiles of high quality in both new and ancient designs. Weaving Chiapas offers a rare view of the daily lives, memories, and hopes of these rural Maya women as they strive to retain their ancient customs while adapting to a rapidly changing world. Originally published in Spanish in 2007, this book captures firsthand the voices of these Maya artisans, whose experiences, including the challenges of living in a highly patriarchal culture, often escape the attention of mainstream scholarship. Based on interviews conducted with members of the Jolom Mayaetik cooperative, the accounts gathered in this volume provide an intimate view of women’s life in the Chiapas highlands, known locally as Los Altos. We learn about their experiences of childhood, marriage, and childbirth; about subsistence farming and food traditions; and about the particular styles of clothing and even hairstyles that vary from community to community. Restricted by custom from engaging in public occupations, Los Altos women are responsible for managing their households and caring for domestic animals. But many of them long for broader opportunities, and the Jolom Mayaetik cooperative represents a bold effort by its members to assume control over and build a wider market for their own work. This English-language edition features color photographs—published here for the first time—depicting many of the individual women and their stunning textiles. A new preface, chapter introductions, and a scholarly afterword frame the women’s narratives and place their accounts within cultural and historical context.
River-cane baskets woven by the Chitimachas of south Louisiana are universally admired for their beauty and workmanship. Recounting friendships that Chitimacha weaver Christine Paul (1874–1946) sustained with two non-Native women at different parts of her life, this book offers a rare vantage point into the lives of American Indians in the segregated South. Mary Bradford (1869–1954) and Caroline Dormon (1888–1971) were not only friends of Christine Paul; they were also patrons who helped connect Paul and other Chitimacha weavers with buyers for their work. Daniel H. Usner uses Paul’s letters to Bradford and Dormon to reveal how Indian women, as mediators between their own communities and surrounding outsiders, often drew on accumulated authority and experience in multicultural negotiation to forge new relationships with non-Indian women. Bradford’s initial interest in Paul was philanthropic, while Dormon’s was anthropological. Both certainly admired the artistry of Chitimacha baskets. For her part, Paul saw in Bradford and Dormon opportunities to promote her basketry tradition and expand a network of outsiders sympathetic to her tribe’s vulnerability on many fronts. As Usner explores these friendships, he touches on a range of factors that may have shaped them, including class differences, racial attitudes, and shared ideals of womanhood. The result is an engaging story of American Indian livelihood, identity, and self-determination.
"Through an analysis of specific weaving stories, the difference between a text and a textile becomes blurred. Such stories portray women weavers transforming their domestic activity of making textiles into one of making texts by inscribing their cloth with both personal and political messages."--BOOK JACKET.
