Visual Color and Color Mixture

2001
Visual Color and Color Mixture

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  • Author: Jozef Cohen
  • Publisher: University of Illinois Press
  • ISBN: 9780252025495
  • Category : Color
  • Languages : en
  • Pages : 256

This volume elucidates Jozef B. Cohen's matrix-R formulation of the algebra of color matching and color mixing. Cohen's method of colorimetric calculation, for which he received the Macbeth Award from the Inter-Society Color Council in 1992, continues to exert a pervasive impact on the color-science community. Visual Color and Color Mixture develops Cohen's signal achievement from its historical sources. It provides a thorough explanation of the implications of metamerism that will be of considerable use to researchers in industries concerned with the use of colorants, as well as to colorimetrists and color scientists.

Color Theory and Its Application in Art and Design

2013-06-05
Color Theory and Its Application in Art and Design

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  • Author: George A. Agoston
  • Publisher: Springer
  • ISBN: 3540347348
  • Category : Science
  • Languages : en
  • Pages : 303

This book directly addresses a long-felt, unsatisfied need of modern color science - an appreciative and technically sound presentation of the principles and main offerings of colorimetry to artists and designers, written by one of them. With his unique blend of training and experience in engineering, with his lifelong interest and, latterly, career in art and art education, Dr. Agoston is unusually well prepared to convey the message of color science to art and design. His book fulfills the hopes I had when I first heard about him and his book. I foresee important and long-lasting impacts of this book, analogous to those of the epoch-making writings by earlier artist-scientists, such as Leonardo, Chevreul, Munsell, and Pope. Nearly all persons who have contributed to color science, recently as well as formerly, were attracted to the study of color by color in art. Use of objective or scientific methods did not result from any cold, detached attitude, but from the inherent difficulties of the problems concerning color and its use, by which they were intrigued. Modern education and experience has taught many people how to tackle difficult problems by use of scientific methods. Therefore - color science.

Light Vision Color

2007-02-03
Light Vision Color

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  • Author: Arne Valberg
  • Publisher: John Wiley & Sons
  • ISBN: 0470012129
  • Category : Science
  • Languages : en
  • Pages : 474

Light Vision Color takes a well-balanced, interdisciplinary approach to our most important sensory system. The book successfully combines basics in vision sciences with recent developments from different areas such as neuroscience, biophysics, sensory psychology and philosophy. Originally published in 1998 this edition has been extensively revised and updated to include new chapters on clinical problems and eye diseases, low vision rehabilitation and the basic molecular biology and genetics of colour vision. Takes a broad interdisciplinary approach combining basics in vision sciences with the most recent developments in the area Includes an extensive list of technical terms and explanations to encourage student understanding Successfully brings together the most important areas of the subject in to one volume

Digital Color Imaging Handbook

2017-12-19
Digital Color Imaging Handbook

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  • Author: Gaurav Sharma
  • Publisher: CRC Press
  • ISBN: 1351835971
  • Category : Technology & Engineering
  • Languages : en
  • Pages : 597

Digital technology now enables unparalleled functionality and flexibility in the capture, processing, exchange, and output of color images. But harnessing its potential requires knowledge of color science, systems, processing algorithms, and device characteristics-topics drawn from a broad range of disciplines. One can acquire the requisite background with an armload of physics, chemistry, engineering, computer science, and mathematics books and journals- or one can find it here, in the Digital Color Imaging Handbook. Unprecedented in scope, this handbook presents, in a single concise and authoritative publication, the elements of these diverse areas relevant to digital color imaging. The first three chapters cover the basics of color vision, perception, and physics that underpin digital color imaging. The remainder of the text presents the technology of color imaging with chapters on color management, device color characterization, digital halftoning, image compression, color quantization, gamut mapping, computationally efficient transform algorithms, and color image processing for digital cameras. Each chapter is written by world-class experts and largely self-contained, but cross references between chapters reflect the topics' important interrelations. Supplemental materials are available for download from the CRC Web site, including electronic versions of some of the images presented in the book.

Color for Science, Art and Technology

1997-12-18
Color for Science, Art and Technology

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  • Author: Kurt Nassau
  • Publisher: Elsevier
  • ISBN: 9780080529370
  • Category : Computers
  • Languages : en
  • Pages : 490

The aim of this book is to assemble a series of chapters, written by experts in their fields, covering the basics of color - and then some more. In this way, readers are supplied with almost anything they want to know about color outside their own area of expertise. Thus, the color measurement expert, as well as the general reader, can find here information on the perception, causes, and uses of color. For the artist there are details on the causes, measurement, perception, and reproduction of color. Within each chapter, authors were requested to indicate directions of future efforts, where applicable. One might reasonably expect that all would have been learned about color in the more than three hundred years since Newton established the fundamentals of color science. This is not true because: • the measurement of color still has unresolved complexities (Chapter 2) • many of the fine details of color vision remain unknown (Chapter 3) • every few decades a new movement in art discovers original ways to use new pigments, and dyes continue to be discovered (Chapter 5) • the philosophical approach to color has not yet crystallized (Chapter 7) • new pigments and dyes continue to be discovered (Chapters 10 and 11) • the study of the biological and therapeutic effects of color is still in its infancy (Chapter 2). Color continues to develop towards maturity and the editor believes that there is much common ground between the sciences and the arts and that color is a major connecting bridge.

Digital Color Image Processing

2008-02-15
Digital Color Image Processing

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  • Author: Andreas Koschan
  • Publisher: John Wiley & Sons
  • ISBN: 0470230355
  • Category : Technology & Engineering
  • Languages : en
  • Pages : 392

An introduction to color in three-dimensional image processing and the emerging area of multi-spectral image processing The importance of color information in digital image processing is greater than ever. However, the transition from scalar to vector-valued image functions has not yet been generally covered in most textbooks. Now, Digital Color Image Processing fills this pressing need with a detailed introduction to this important topic. In four comprehensive sections, this book covers: The fundamentals and requirements for color image processing from a vector-valued viewpoint Techniques for preprocessing color images Three-dimensional scene analysis using color information, as well as the emerging area of multi-spectral imaging Applications of color image processing, presented via the examination of two case studies In addition to introducing readers to important new technologies in the field, Digital Color Image Processing also contains novel topics such as: techniques for improving three-dimensional reconstruction, three-dimensional computer vision, and emerging areas of safety and security applications in luggage inspection and video surveillance of high-security facilities. Complete with full-color illustrations and two applications chapters, Digital Color Image Processing is the only book that covers the breadth of the subject under one convenient cover. It is written at a level that is accessible for first- and second-year graduate students in electrical and computer engineering and computer science courses, and that is also appropriate for researchers who wish to extend their knowledge in the area of color image processing.

Image and Video Color Editing

2023-03-20
Image and Video Color Editing

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  • Author: Shiguang Liu
  • Publisher: Springer Nature
  • ISBN: 3031260309
  • Category : Computers
  • Languages : en
  • Pages : 84

This book covers image and video color editing research advances over the last two decades. Bringing readers up to speed on digital image and video editing techniques and research, the book delves into an area that has attracted much attention from researchers due to the rapid development of computer graphics and the widespread prevalence of digital cameras and mobile phones in daily life. Readers will get a comprehensive overview of the theory and application of color transfer, emotional color transfer, colorization, decolorization, and style transfer in altering still and moving digital images. Despite the existence of professional image editing software that can complete complex image editing work, the skills required to achieve satisfactory editing results can be prohibitive, and even professional image editors need to spend a lot of time developing and maintaining aptitude in a niche tool. Instead, the book explores image and video editing techniques that are simple and effective alternatives to such editing software that professional and amateur image editors can utilize. The book focuses on color as one of the most important features of an image or video. Image and video color editing aims to dramatically alter source images suitable for a wide range of applications.

Color Science and the Visual Arts

2016-07-01
Color Science and the Visual Arts

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  • Author: Roy S. Berns
  • Publisher: Getty Publications
  • ISBN: 1606064819
  • Category : Art
  • Languages : en
  • Pages : 210

“A curator, a paintings conservator, a photographer, and a conservation scientist walk into a bar.” What happens next? In lively and accessible prose, color science expert Roy S. Berns helps the reader understand complex color-technology concepts and offers solutions to problems that occur when art is displayed, conserved, imaged, or reproduced. Berns writes for two types of audiences: museum professionals seeking explanations for common color-related issues and students in conservation, museum studies, and art history programs. The seven chapters in the book fall naturally into two sections: fundamentals, covering topics such as spectral measurements, metamerism, and color inconstancy; and applications, where artwork display, painting materials, and color reproduction are discussed. A unique feature of this book is the use of more than 200 images as its main medium of communication, employing color physics, color vision, and imaging science to produce visualizations throughout the pages. An annotated bibliography complements the main text with suggestions for further reading and more in-depth study of particular topics. Engaging, incisive, and absolutely critical for any scholar or student interested in color science, Color Science and the Visual Arts is sure to become a key reference for the entire field.

Procedures for Testing Color Vision

1981-01-01
Procedures for Testing Color Vision

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  • Author:
  • Publisher: National Academies Press
  • ISBN:
  • Category : Color vision
  • Languages : en
  • Pages : 128

Color

2004-09-23
Color

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  • Author: Betty Edwards
  • Publisher: Penguin
  • ISBN: 1101659505
  • Category : Art
  • Languages : en
  • Pages : 224

Millions of people have learned to draw using the methods of Dr. Betty Edwards's bestseller The New Drawing on the Right Side of the Brain. Now, much as artists progress from drawing to painting, Edwards moves from black-and-white into color. This much-awaited new guide distills the enormous existing knowledge about color theory into a practical method of working with color to produce harmonious combinations. Using techniques tested and honed in her five-day intensive color workshops, Edwards provides a basic understanding of how to see color, how to use it, and-for those involved in art, painting, or design-how to mix and combine hues. Including more than 125 color images and exercises that move from simple to challenging, this volume explains how to: see what is really there rather than what you "know" in your mind about colored objects perceive how light affects color, and how colors affect one another manipulate hue, value, and intensity of color and transform colors into their opposites balance color in still-life, landscape, figure, and portrait painting understand the psychology of color harmonize color in your surroundings While we recognize and treasure the beautiful use of color, reproducing what we see can be a challenge. Accessibly unweaving color's complexity, this must-have primer is destined to be an instant classic.