Roll Me in Your Arms

Roll Me in Your Arms

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  • Author: Vance Randolph
  • Publisher:
  • ISBN:
  • Category : Bawdy songs
  • Languages : en
  • Pages : 600


Unprintable Ozark Folksongs and Folklore: Roll me in your arms

Unprintable Ozark Folksongs and Folklore: Roll me in your arms

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  • Author: Vance Randolph
  • Publisher: University of Arkansas Press
  • ISBN: 9781557282316
  • Category : Music
  • Languages : en
  • Pages : 604

Roll Me in Your Arms, Volume I includes 180 unexpurgated songs collected by Randolph, with tunes transcribed from the original singers.


Unprintable Ozark Folksongs and Folklore: Blow the candle out

Unprintable Ozark Folksongs and Folklore: Blow the candle out

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  • Author: Vance Randolph
  • Publisher:
  • ISBN:
  • Category : Literary Criticism
  • Languages : en
  • Pages : 408

Unprintable Ozark Folksongs and Folklore, Volume II, Folk Rhymes and Other Lore


Dirty Jokes and Bawdy Songs

Dirty Jokes and Bawdy Songs

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  • Author: Susan Davis
  • Publisher: University of Illinois Press
  • ISBN: 0252051459
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 518

Collector of sexual folklore. Cataloger of erotica. Tireless social critic. Gershon Legman's singular, disreputable resume made him a counter-cultural touchstone during his forty-year exile in France. Despite his obscurity today, Legman’s prescient work and passion for the prurient laid the groundwork for our contemporary study of the forbidden.Susan G. Davis follows the life and times of the figure driven to share what he found in civilization's secret libraries. Self-taught and fiercely unaffiliated, Legman collected the risqué on street corners and in theaters and dug it out of little-known archives. If the sexual humor he uncovered often used laughter to disguise hostility and fear, he still believed it indispensable to the human experience. Davis reveals Legman in all his prickly, provocative complexity as an outrageous nonconformist thundering at a wrong-headed world while reveling in conflict, violating laws and boundaries with equal abandon, and pursuing love and improbable adventures. Through it all, he maintained a kaleidoscopic network of friends, fellow intellectuals, celebrity admirers, and like-minded obsessives.


Newspaperwoman of the Ozarks

Newspaperwoman of the Ozarks

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  • Author: Susan Croce Kelly
  • Publisher: University of Arkansas Press
  • ISBN: 1682262367
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 259

"Newspaperwoman of the Ozarks is a long-overdue study of Lucile Morris Upton, one of the region's best-known reporters and local historians. A longtime reporter and columnist at Springfield Newspapers during a time when the remote Ozarks was reshaped from backcountry into a national vacation hub and the role of women in the United States shifted drastically, Upton not only reported on these rapidly changing times but also personified them in her own life. In this significant contribution to the historical research of Ozarkers' daily lives, author Susan Croce Kelly traces Upton's life, from teaching school to covering the news to governing her city and raising awareness for historic preservation, and paints a vivid picture of Ozarks culture over nearly a century of change"--


Rude Pursuits & Rugged Peaks: Schoolcraft's Ozark Journal from 1818-1819 (p)

Rude Pursuits & Rugged Peaks: Schoolcraft's Ozark Journal from 1818-1819 (p)

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  • Author: Milton D. Rafferty
  • Publisher: University of Arkansas Press
  • ISBN: 9781610753548
  • Category : Arkansas
  • Languages : en
  • Pages : 188


Frankie and Johnny

Frankie and Johnny

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  • Author: Stacy I. Morgan
  • Publisher: University of Texas Press
  • ISBN: 1477312102
  • Category : History
  • Languages : en
  • Pages : 272

Originating in a homicide in St. Louis in 1899, the ballad of "Frankie and Johnny" became one of America's most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and "Frankie and Johnny" in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan's research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.


Chasing the Rising Sun

Chasing the Rising Sun

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  • Author: Ted Anthony
  • Publisher: Simon and Schuster
  • ISBN: 9781416539308
  • Category : Music
  • Languages : en
  • Pages : 336

Chasing the Rising Sun is the story of an American musical journey told by a prize-winning writer who traced one song in its many incarnations as it was carried across the world by some of the most famous singers of the twentieth century. Most people know the song "House of the Rising Sun" as 1960s rock by the British Invasion group the Animals, a ballad about a place in New Orleans -- a whorehouse or a prison or gambling joint that's been the ruin of many poor girls or boys. Bob Dylan did a version and Frijid Pink cut a hard-rocking rendition. But that barely scratches the surface; few songs have traveled a journey as intricate as "House of the Rising Sun." The rise of the song in this country and the launch of its world travels can be traced to Georgia Turner, a poor, sixteen-year-old daughter of a miner living in Middlesboro, Kentucky, in 1937 when the young folk-music collector Alan Lomax, on a trip collecting field recordings, captured her voice singing "The Rising Sun Blues." Lomax deposited the song in the Library of Congress and included it in the 1941 book Our Singing Country. In short order, Woody Guthrie, Pete Seeger, Lead Belly, and Josh White learned the song and each recorded it. From there it began to move to the planet's farthest corners. Today, hundreds of artists have recorded "House of the Rising Sun," and it can be heard in the most diverse of places -- Chinese karaoke bars, Gatorade ads, and as a ring tone on cell phones. Anthony began his search in New Orleans, where he met Eric Burdon of the Animals. He traveled to the Appalachians -- to eastern Kentucky, eastern Tennessee, and western North Carolina -- to scour the mountains for the song's beginnings. He found Homer Callahan, who learned it in the mountains during a corn shucking; he discovered connections to Clarence "Tom" Ashley, who traveled as a performer in a 1920s medicine show. He went to Daisy, Kentucky, to visit the family of the late high-lonesome singer Roscoe Holcomb, and finally back to Bourbon Street to see if there really was a House of the Rising Sun. He interviewed scores of singers who performed the song. Through his own journey he discovered how American traditions survived and prospered -- and how a piece of culture moves through the modern world, propelled by technology and globalization and recorded sound.


Traditional Music in Coastal Louisiana

Traditional Music in Coastal Louisiana

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  • Author: Joshua Clegg Caffery
  • Publisher: LSU Press
  • ISBN: 0807152021
  • Category : Music
  • Languages : en
  • Pages : 381

Alan Lomax's prolific sixty-four-year career as a folklorist and musicologist began with a trip across the South and into the heart of Louisiana's Cajun country during the height of the Great Depression. In 1934, his father John, then curator of the Library of Congress's Archive of American Folk Song, took an eighteen-year-old Alan and a 300-pound aluminum disk recorder into the rice fields of Jennings, along the waterways of New Iberia, and behind the gates of Angola State Penitentiary to collect vestiges of African American and Acadian musical tradition. These recordings now serve as the foundational document of indigenous Louisiana music. Although widely recognized by scholars as a key artifact in the understanding of American vernacular music, most of the recordings by John and Alan Lomax during their expedition across the central-southern fringe of Louisiana were never transcribed or translated, much less studied in depth. This volume presents, for the first time, a comprehensive examination of the 1934 corpus and unveils a multifaceted story of traditional song in one of the country's most culturally dynamic regions. Through his textual and comparative study of the songs contained in the Lomax collection, Joshua Clegg Caffery provides a musical history of Louisiana that extends beyond Cajun music and zydeco to the rural blues, Irish and English folk songs, play-party songs, slave spirituals, and traditional French folk songs that thrived at the time of these recordings. Intimate in its presentation of Louisiana folklife and broad in its historical scope, Traditional Music in Coastal Louisiana honors the legacy of John and Alan Lomax by retrieving these musical relics from obscurity and ensuring their understanding and appreciation for generations to come. Includes: Complete transcriptions of the 1934 Lomax field recordings in southwestern Louisiana Side-by-side translations from French to English Photographs from the 1934 field trip and biographical details about the performers


Arkansas, Arkansas

Arkansas, Arkansas

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  • Author: John Caldwell Guilds
  • Publisher: University of Arkansas Press
  • ISBN: 9781557285232
  • Category : Fiction
  • Languages : en
  • Pages : 642

From the expeditions of de Soto in the sixteenth century to the celebrated work of such contemporary writers as Maya Angelou, Ellen Gilchrist, and Miller Williams, Arkansas has enjoyed a rich history of letters. These two volumes gather the best work from Arkansas's rich literary history celebrating the variety of its voices and the national treasure those voices have become.