eBook downloads, eBook resources & eBook authors
This is a book of history, ethics, and philosophy. It is a record of teachings passed down through the generations from the East and the West. It contains the fullness of the sealed covenant established between man and the laws of the universe. As we evolve as a race, we take things out of our lives because we better understand who we are and what we have achieved. The divine refers to the laws of nature and the universe that guide us in our everyday lives. The creator that guides our everyday lives is not something that we should worship or pray to out of fear or love; it is something that remains unseen and works in natural forces to explain all the events that happen on Earth. It is merely a force and it is not necessary to belong to a group to experience the light. The path to the light is straight and broad. The creator of the universe is a divine and intellectual force, by which all things came into being. The sealed covenant is a pact between all of humanity to the world around us and the universal laws that guide our everyday lives to come together and love one another and come to make the world a better place for all people. This shall usher in the evolution of religious traditions and humanity to a new age of prosperity.
From the author of the #1 national bestselling Musicophilia comes a truly visionary book: an exploration of the remarkable, unpredictable ways that our brains cope with the loss of sight by finding new forms of perception to create worlds as complete and rich as the no-longer-visible world. Following the phenomenal success of his international bestseller Musicophilia, the inimitable Oliver Sacks returns with another book on the extraordinary interaction between our brain and our senses — in this case, vision. In The Mind's Eye, Sacks examines questions ranging from the primary experiences of how we perceive depth or color or motion to the complex matter of how different individuals have varied ways of thinking and experiencing or recreating the visual world. Like The Man Who Mistook His Wife for a Hat and An Anthropologist on Mars, Sacks's new book is based primarily on individual stories — including Sacks's own experience of an ocular tumor that left him unable to perceive depth. As always, he embeds these case histories in a rich historical and scientific context. Sacks goes beyond basic vision to explore perception, hallucination and the power of visualization, as well as the ocular effects of migraine, epilepsy and other conditions. Oliver Sacks is our perfect guide to the visual world, a realm that, it turns out, is much, much more complicated than we could have imagined.
Poetry is his passion. These days he is more often invited to recite personal poems than give medical talks. He wishes that his readers share his joy in these poems.
We live in a world of shadows and illusions, and of lies and deception. Finding our way through this stifling darkness requires that we learn how to recognize fraudulent distortion in all its forms. Shunning any and every preconceived notion that has been planted, and giving ourselves the ability to truly understand our own truth. This is what we call MIND'S EYE VISION, which is the ability to see with the mind and not only the eyes. And is something that is critical to our wellbeing for while the eyes sees mostly illusions, an awaken mind has the ability to see through all deception. This book has been written with one sole purpose, which is to remove the veil has placed over our eyes, and to break the chains that have been used to shackle our minds. It is a very short book consisting of only three chapters, but the words that lie within are sharper than the blade of a razor. Each chapter is separated into what the author conveniently call keys, because they are the keys to conquests for anyone who manages to attain mastery of them, and must thus be carefully articulated for they will only serve to sharpen the mind.One has to tread very carefully for knowledge of this caliber has the ability to blow minds to oblivion, and is ultimately dependent on the individual's level of enlightenment, something that negates the effect of the shock and softens the blow of what is revealed.As individuals we must learn how to comprehend the nature of the world we live in, to develop a heighten sense of things, and to see people and organizations for what they really are and not what they present themselves as. Accomplishing this will demand self discipline, and a conviction that will strengthen our resolve by ensuring that we deduce the truth behind our own history. A history that must be extrapolated from the wisdom that is attained through evidence, and one that will allow us TO KNOW THY ORIGINS, TO KNOW THY SELF, and TO KNOW THY ENEMY.
Eighty-eight-year old Elva and Courtney, an attractive sixteen-year-old with a severed spinal cord, lie in adjacent beds in a grim Bismarck, North Dakota convalescent home. Ignored by the world, the only resource they have left is their imagination. As Elva and Courtney go on a fantasy trip to Italy (accompanied by Elva's long dead husband and guided by a 1910 travel book), Elva shows Courtney a new way to envision love. But to accept it, and the gift of the imagination, Courtney must make the trip her own--even if she destroys the art Elva holds most dear. Written entirely in dialogue, The Mind's Eye can be performed as reader's theater, but it is a fully satisfying novel. In this extraordinarily innovative, profound, and yet readable book Paul Fleischman makes us all feel what a powerful--and dangerous--tool the imagination can be.
This comparative, interdisciplinary study investigates the relationship between literature and the visual arts in France and Britain from 1750-1900. Through a close examination of the prose writings of Diderot, Baudelaire and Ruskin, read against the background of contemporary philosophy, aesthetics and theories of language, In the Mind’s Eye proposes a new interpretation of the influence and rivalries underlying the development of art criticism as a genre during this period. The visual impulse – the desire to transcend the limitations of language and make the reader see – is located within the historical traditions of ekphrasis, enargeia and the paragone, while in each chapter, the individual author’s theories of the mind, memory and imagination provide a critical framework for his stylistic experiments. In the Mind’s Eye presents an in-depth analysis of the cultural, theoretical and aesthetic implications of artistic border crossings, and by contextualizing the movement toward visual/verbal hybridity in the fiction and criticism of Diderot, Baudelaire and Ruskin, brings new perspectives to nineteenth-century studies in art and literature.
How can we best describe the processes by which we visually perceive our environment? Contemporary perceptual theory still lacks a coherent theoretical position that encompasses both the limitations on the information that can be retained from a single eye fixation and the abundant phenomenal and behavioral evidence for the perception of an extended and coherent world. As a result, many leading theorists and researchers in visual perception are turning with new or renewed interest to the work of Julian Hochberg. For over 50 years, in his own experimental research, in his detailed consideration of examples drawn from a wide range of visual experiences and activities, and most of all in his brilliant and sophisticated theoretical analyses, Hochberg has persistently engaged with the myriad problems inherent in working out the kind of coherent theoretical position the field currently lacks. The complexity of his thought and the wide range of areas into which Hochberg has pursued the solution to this central problem have, however, limited both the accessibility of his work and the appreciation of his accomplishment. In this volume we seek to bring the full range of Hochberg's work to the attention of a wider audience by offering a selection of his key works, many taken from out-of-print or relatively inaccessible sources. To facilitate the understanding of his accomplishment, and of what his work has to offer to contemporary researchers and theorists in visual perception, we include commentaries on salient aspects of his work by 20 noted researchers. In the Mind's Eye will be of interest to researchers working on topics such as perceptual organization, visual attention, space perception, motion perception, visual cognition, the relationship between perception and action, picture perception, and film, who are striving to obtain a deeper understanding of their own fields, and who want to integrate this understanding into a broader, unified view of visual perceptual processing.
