PDF Music Theory & History Workbook Download
- Author: Chuck Elledge
- Publisher:
- ISBN: 9780849705168
- Category : Juvenile Nonfiction
- Languages : en
- Pages : 52
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(Music Instruction). A self-study course with illustrations & examples for you to write & check your answers. Topics include: major and minor scales; modes and other scales; harmony; intervals; chord structure; chord progressions and substitutions; and more. This workbook contains essential "backbone" concepts for working musicians. These are the things you must know. It may take a year to work through and thoroughly understand and memorize all that is in this book and a lifetime to perfect it. But that's okay: You'll always have this valuable resource as a handy reference now.
The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
A combination text and workbook in three volumes. All areas of music theory are covered in a concise and practical manner and each level contains 28 lessons.
(Music Instruction). Jazz Theory & Workbook is designed for all instrumentalists eager to understand how the jazz standards they play and improvise over are constructed. It is also a great resource for arrangers and composers seeking new writing tools. While some of the musical examples are pianistic, this book is not exclusively for keyboard players. In this structured method, every new concept is clearly presented and explained, put in context with one or more musical examples, and then consolidated with a set of written exercises. In addition, the book is progressive, beginning with a comprehensive presentation of intervals and culminating with an in-depth review of the synthetic modes. Although jazz is based essentially on a vertical progression of chords, linear mechanisms also determine this style of music and add to its musical expressivity. The aim of this book is to present these two complementary approaches, in both a vertical and a horizontal study of jazz harmony.