PDF The Snail-watcher, and Other Stories Download
- Author: Patricia Highsmith
- Publisher:
- ISBN:
- Category : Manners and customs
- Languages : en
- Pages : 200
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With an autobiographical Afterword by the author, "The Price of Salt" is now recognized as a masterwork, the scandalous novel that anticipated Nabokov's "Lolita."
David Kelsey has an unyielding conviction that life will turn out all right for him. He just has to fix The Situation: he is in love with a married woman. Obsessed with Annabelle and the life he has imagined for them, David prepares to win her over, whatever it takes.
"Ripley is an unmistakable descendant of Gatsby, that 'penniless young man without a past' who will stop at nothing."—Frank Rich Now part of American film and literary lore, Tom Ripley, "a bisexual psychopath and art forger who murders without remorse when his comforts are threatened" (New York Times Book Review), was Patricia Highsmith's favorite creation. In these volumes, we find Ripley ensconced on a French estate with a wealthy wife, a world-class art collection, and a past to hide. In Ripley Under Ground (1970), an art forgery goes awry and Ripley is threatened with exposure; in The Boy Who Followed Ripley (1980), Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld; and in Ripley Under Water (1991), Ripley is confronted by a snooping American couple obsessed with the disappearance of an art collector who visited Ripley years before. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior" (John Freeman, Pittsburgh Gazette).
"Highsmith's writing is wicked . . . it puts a spell on you, after which you feel altered, even tainted."—Entertainment Weekly Slowly, Slowly in the Wind brilliantly assembles many of Patricia Highsmith's most nuanced and psychologically suspenseful works. Rarely has an author articulated so well the hypocrisies of the Catholic Church while conveying the delusions of a writer's life and undermining the fantasy of suburban bliss. Each of these twelve pieces, like all great short fiction, is a crystal-clear snapshot of lives both static and full of chaos. In "The Pond" Highsmith explores the unforeseen calamities that can unalterably shatter a single woman's life, while "The Network" finds sinister loneliness and joy in the mundane yet engrossing friendships of a small community of urban dwellers. In this enduring and disturbing collection, Highsmith evokes the gravity and horror of her characters' surroundings with evenhanded prose and a detailed imagination.
In Deep Water, set in the quiet, small town of Little Wesley, Patricia Highsmith has created a vicious and suspenseful tale of love gone sour. Vic and Melinda Van Allen's loveless marriage is held together only by a precarious arrangement whereby, in order to avoid the messiness of divorce, Melinda is allowed to take any number of lovers as long as she does not desert her family. Eventually, Vic can no longer suppress his jealousy and tries to win back his wife by asserting himself through a tall tale of murder—one that soon comes true. In this complex portrayal of a dangerous psychosis emerging in the most unlikely of places, Highsmith examines the chilling reality behind the idyllic facade of American suburban life.
At last back in print, one of Patricia Highsmith's most disturbing works. Rife with overtones of Dostoyevsky, The Glass Cell, first published forty years ago, combines a quintessential Highsmith mystery with a penetrating critique of the psychological devastation wrought by the prison system. Falsely convicted of fraud, the easygoing but naïve Philip Carter is sentenced to six lonely, drug-ravaged years in prison. Upon his release, Carter is a more suspicious and violent man. For those around him, earning back his trust can mean the difference between life and death. The Glass Cell's bleak and compelling portrait of daily prison life—and the consequences for those who live it—is, sadly, as relevant today as it was when the book was first published in 1964.
With Norton's publication of The Black House, Patricia Highsmith's entire body of work is now back in print. First published in 1981, this volume is one of Highsmith's most nuanced and psychologically suspenseful works. The stories in The Black House mine classic Highsmith terrain as they sketch the lives of suburban dwellers that appear quite normal at first but unravel to reveal their proximity to the macabre. This collection is a perfect example of Highsmith's view of human nature and a fitting capstone to the reintroduction of one of the twentieth century's greatest writers.