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An investigation of the non-human world in the Exeter Book riddles, drawing on the exciting new approaches of eco-criticism and eco-theology.
Steiner adds new insights to such topics as the evolution and development of our physical body, our senses, and our relationship to the cosmos. Steiner's view of the human being and the significance of aesthetic creativity and enjoyment clearly reveals the bankruptcy of conventional materialism.
Geneticist Kate Warner and counter-terrorism agent David Vale have prevented a fierce plague from wiping out humanity – but the struggle to survive is far from over.
Fresh translation of a classic treatise on Christian belief In the spirit of C.S. Lewis's Mere Christianity, eminent Calvinist thinker J.H. Bavinck's Riddle of Life offers a compact and compelling treatise on Christian belief, starting with the eternal questions that haunt every conscious human being: Why are we here? Where do we come from? What is our destiny? How should we live? He goes on to explore essential topics including sin, salvation, and Jesus the Redeemer; faith and idolatry; God's great plan for creation; and the ultimate purpose behind our lives. This lucid new translation by Bert Hielema of a classic text will make Bavinck's profound reflections on faith and the meaning of human life accessible to a new generation of seekers.--Publisher.
Written in 1909 (CW 13) "Esoteric science is the science of what takes place esoterically, in the sense that it is perceived not outside in nature but where one's soul turns when it directs its inner being toward the spirit. Esoteric science is the opposite and counterpart of natural science." -- Rudolf Steiner This masterwork of esotericism places humankind at the very heart of the vast, invisible processes of cosmic evolution. When we use the term "natural science," don't we mean that we are dealing with human knowledge of nature? Steiner worked and reworked his Rosicrucian cosmology to make it increasingly precise and accurate. An Outline of Esoteric Science is as vital and relevant now as it was when first published in 1910 and remains the most comprehensive and effective presentation of a spiritual alternative to contemporary, materialistic cosmologies and a strict Darwinian view of human nature and evolution. In this foundational work of spiritual science, we see how the creation and evolution of humanity is embedded at the heart of the vast, invisible web of interacting cosmic beings, through whom the alchemical processes of cosmic evolution continue to evolve. Included are descriptions of the physical-spiritual makeup of the human being; the relationships of the different "bodies" of the human being to sleep and death; and a detailed, practical guide to methods and exercises, including the "Rose Cross Meditation," through which we can attain knowledge of the spiritual worlds. The most remarkable and revolutionary aspect of this work is the central function that Steiner attributes to the Christ and his involvement in human and earthly evolution through the Mystery of Golgotha. An Outline of Esoteric Science is essential reading for all serious students of esoteric spirituality and Anthroposophy. This foundational guide to Spiritual Science is a translation of Die Geheimwissenschaft im Umriss (GA 13).
The discovery and deciphering of Europe’s earliest known written language is recounted with “almost nail-biting suspense” in this prize-winning account (Booklist, starred review). In 1900, famed archaeologist Arthur Evans uncovered the ruins of Knossos, a sophisticated Bronze Age civilization that flowered on Crete 1,000 years before Greece’s Classical Age. The massive discovery included a cache of ancient tablets, Europe’s earliest written records. For half a century, the meaning of the inscriptions, and even the language in which they were written, would remain an enigma. Award–winning New York Times journalist Margalit Fox follows this intellectual mystery from the Bronze Age Aegean to a legendary archeological dig at the turn of the twentieth century, and on to the brilliant decipherers who finally cracked the code in the 1950s. These include Michael Ventris, the amateur linguist who deciphered the script but met with a sudden, mysterious death that may have been a direct consequence of his findings; and Alice Kober, the unsung heroine of the story whose painstaking work allowed Ventris to crack the code. Winner of the William Saroyan International Prize for Writing
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
