The Oxford Handbook of Shakespeare and Embodiment

The Oxford Handbook of Shakespeare and Embodiment

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  • Author: Valerie Traub
  • Publisher: Oxford University Press
  • ISBN: 0199663408
  • Category : Drama
  • Languages : en
  • Pages : 817

This book... offers an intersectional paradigm for considering representations of gender in the context of race, ethnicity, sexuality, disability, and religion. In addition to sophisticated textual analysis drawing on the methods of historicism, psychoanalysis, queer theory, and posthumanism, a team of international experts discuss Shakespeare's life, contemporary editing practices, and performance of his plays on stage, on screen, and in the classroom.


The Oxford Handbook of Shakespeare

The Oxford Handbook of Shakespeare

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  • Author: Arthur F. Kinney
  • Publisher: Oxford University Press
  • ISBN: 0199566100
  • Category : Drama
  • Languages : en
  • Pages : 846

Contains forty original essays.


The Oxford Handbook of the Sociology of Body and Embodiment

The Oxford Handbook of the Sociology of Body and Embodiment

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  • Author: Natalie Boero
  • Publisher: Oxford Handbooks
  • ISBN: 0190842474
  • Category : Social Science
  • Languages : en
  • Pages : 535

The Oxford Handbook of the Sociology of Body and Embodiment introduces the sociological research methods and subjects that are key to the growing field of body and embodiment studies. With an emphasis on empirical evidence and diverse lived experiences, this handbook demonstrates how studying the bodily offers unique insights into a range of social norms, institutions, and practices.


The Oxford Handbook of Shakespeare and Performance

The Oxford Handbook of Shakespeare and Performance

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  • Author: James C. Bulman
  • Publisher: Oxford University Press
  • ISBN: 0199687161
  • Category : Literary Criticism
  • Languages : en
  • Pages : 705

The series statement "Oxford handbooks to Shakespeare" taken from dust jacket.


The Oxford Handbook of Shakespeare and Dance

The Oxford Handbook of Shakespeare and Dance

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  • Author: Lynsey McCulloch
  • Publisher: Oxford University Press
  • ISBN: 019049879X
  • Category : Music
  • Languages : en
  • Pages : 904

Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.


The Oxford Handbook of 4E Cognition

The Oxford Handbook of 4E Cognition

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  • Author: Albert Newen
  • Publisher: Oxford University Press
  • ISBN: 0191054364
  • Category : Psychology
  • Languages : en
  • Pages : 952

4E cognition (embodied, embedded, enactive, and extended) is a relatively young and thriving field of interdisciplinary research. It assumes that cognition is shaped and structured by dynamic interactions between the brain, body, and both the physical and social environments. With essays from leading scholars and researchers, The Oxford Handbook of 4E Cognition investigates this recent paradigm. It addresses the central issues of embodied cognition by focusing on recent trends, such as Bayesian inference and predictive coding, and presenting new insights, such as the development of false belief understanding. The Oxford Handbook of 4E Cognition also introduces new theoretical paradigms for understanding emotion and conceptualizing the interactions between cognition, language, and culture. With an entire section dedicated to the application of 4E cognition in disciplines such as psychiatry and robotics, and critical notes aimed at stimulating discussion, this Oxford handbook is the definitive guide to 4E cognition. Aimed at neuroscientists, psychologists, psychiatrists, and philosophers, The Oxford Handbook of 4E Cognition will be essential reading for anyone with an interest in this young and thriving field.


The Oxford Handbook of the Age of Shakespeare

The Oxford Handbook of the Age of Shakespeare

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  • Author: Robert Malcolm Smuts
  • Publisher: Oxford University Press
  • ISBN: 0199660840
  • Category : History
  • Languages : en
  • Pages : 849

This title offers literary scholars a variety of perspectives, insights and methodologies found in current historical work that inform the study of Shakespeare and his contemporaries.


The Oxford Handbook of Material Culture Studies

The Oxford Handbook of Material Culture Studies

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  • Author: Dan Hicks
  • Publisher: OUP Oxford
  • ISBN: 0199218714
  • Category : Social Science
  • Languages : en
  • Pages : 794

Written by an international team of experts, the Handbook makes accessible a full range of theoretical and applied approaches to the study of material culture, and the place of materiality in social theory, presenting current thinking about material culture from the fields of archaeology, anthropology, geography, and science and technology studies.


The Cambridge Companion to Shakespeare and Race

The Cambridge Companion to Shakespeare and Race

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  • Author: Ayanna Thompson
  • Publisher: Cambridge University Press
  • ISBN: 1108623298
  • Category : Literary Criticism
  • Languages : en
  • Pages : 518

The Cambridge Companion to Shakespeare and Race shows teachers and students how and why Shakespeare and race are inseparable. Moving well beyond Othello, the collection invites the reader to understand racialized discourses, rhetoric, and performances in all of Shakespeare's plays, including the comedies and histories. Race is presented through an intersectional approach with chapters that focus on the concepts of sexuality, lineage, nationality, and globalization. The collection helps students to grapple with the unique role performance plays in constructions of race by Shakespeare (and in Shakespearean performances), considering both historical and contemporary actors and directors. The Cambridge Companion to Shakespeare and Race will be the first book that truly frames Shakespeare studies and early modern race studies for a non-specialist, student audience.


The Oxford Handbook of Dance and Ethnicity

The Oxford Handbook of Dance and Ethnicity

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  • Author: Anthony Shay
  • Publisher: Oxford University Press
  • ISBN: 0190493933
  • Category : Performing Arts
  • Languages : en
  • Pages :

Dance intersects with ethnicity in a powerful variety of ways and at a broad set of venues. Dance practices and attitudes about ethnicity have sometimes been the source of outright discord, as when African Americans were - and sometimes still are - told that their bodies are 'not right' for ballet, when Anglo Americans painted their faces black to perform in minstrel shows, when 19th century Christian missionaries banned the performance of particular native dance traditions throughout much of Polynesia, and when the Spanish conquistadors and church officials banned sacred Aztec dance rituals. More recently, dance performances became a locus of ethnic disunity in the former Yugoslavia as the Serbs of Bosnia attended dance concerts but only applauded for the Serbian dances, presaging the violent disintegration of that failed state. The Oxford Handbook of Dance and Ethnicity brings together scholars from across the globe in an investigation of what it means to define oneself in an ethnic category and how this category is performed and represented by dance as an ethnicity. Newly-commissioned for the volume, the chapters of the book place a reflective lens on dance and its context to examine the role of dance as performed embodiment of the historical moments and associated lived identities. In bringing modern dance and ballet into the conversation alongside forms more often considered ethnic, the chapters ask the reader to contemplate previous categories of folk, ethnic, classical, and modern. From this standpoint, the book considers how dance maintains, challenges, resists or in some cases evolves new forms of identity based on prior categories. Ultimately, the goal of the book is to acknowledge the depth of research that has been undertaken and to promote continued research and conceptualization of dance and its role in the creation of ethnicity. Dance and ethnicity is an increasingly active area of scholarly inquiry in dance studies and ethnomusicology alike and the need is great for serious scholarship to shape the contours of these debates. The Oxford Handbook of Dance and Ethnicity provides an authoritative and up-to-date survey of original research from leading experts which will set the tone for future scholarly conversation.