The black crook waltzes

The black crook waltzes

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  • Author: Joseph Noll
  • Publisher:
  • ISBN:
  • Category : Musicals
  • Languages : en
  • Pages : 10


The Black Crook Waltz

The Black Crook Waltz

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  • Author:
  • Publisher:
  • ISBN:
  • Category : Musicals
  • Languages : en
  • Pages : 8


The American Musical and the Formation of National Identity

The American Musical and the Formation of National Identity

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  • Author: Raymond Knapp
  • Publisher: Princeton University Press
  • ISBN: 0691186200
  • Category : Music
  • Languages : en
  • Pages : 361

The American musical has achieved and maintained relevance to more people in America than any other performance-based art. This thoughtful history of the genre, intended for readers of all stripes, offers probing discussions of how American musicals, especially through their musical numbers, advance themes related to American national identity. Written by a musicologist and supported by a wealth of illustrative audio examples (on the book's website), the book examines key historical antecedents to the musical, including the Gilbert and Sullivan operetta, nineteenth and early twentieth-century American burlesque and vaudeville, Tin Pan Alley, and other song types. It then proceeds thematically, focusing primarily on fifteen mainstream shows from the twentieth century, with discussions of such notable productions as Show Boat (1927), Porgy and Bess (1935), Oklahoma! (1943), West Side Story (1957), Hair (1967), Pacific Overtures (1976), and Assassins (1991). The shows are grouped according to their treatment of themes that include defining America, mythologies, counter-mythologies, race and ethnicity, dealing with World War II, and exoticism. Each chapter concludes with a brief consideration of available scholarship on related subjects; an extensive appendix provides information on each show discussed, including plot summaries and song lists, and a listing of important films, videos, audio recordings, published scores, and libretti associated with each musical.


Tap Roots

Tap Roots

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  • Author: Mark Knowles
  • Publisher: McFarland
  • ISBN: 9780786412679
  • Category : Performing Arts
  • Languages : en
  • Pages : 288

Tracing the development of tap dancing from ancient India to the Broadway stage in 1903, when the word "Tap" was first used in publicity to describe this new American style of dance, this text separates the cultural, societal and historical events that influenced the development of Tap dancing. Section One covers primary influences such as Irish step dancing, English clog dancing and African dancing. Section Two covers theatrical influences (early theatrical developments, "Daddy" Rice, the Virginia Minstrels) and Section Three covers various other influences (Native American, German and Shaker). Also included are accounts of the people present at tap's inception and how various styles of dance were mixed to create a new art form.


The Black Crook [and] The White Fawn

The Black Crook [and] The White Fawn

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  • Author: George Freedley
  • Publisher:
  • ISBN:
  • Category : Theater
  • Languages : en
  • Pages : 24


America's Music, from the Pilgrims to the Present

America's Music, from the Pilgrims to the Present

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  • Author: Gilbert Chase
  • Publisher: University of Illinois Press
  • ISBN: 9780252062759
  • Category : Music
  • Languages : en
  • Pages : 768

A history of American music, its diversity, and the cultural influences that helped it develop.


History of Dance

History of Dance

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  • Author: Gayle Kassing
  • Publisher: Human Kinetics
  • ISBN: 1492586420
  • Category : Performing Arts
  • Languages : en
  • Pages : 320

History of Dance, Second Edition, offers readers a panoramic view of dance from prehistory to the present. The text covers the dance forms, designs, artists, costumes, performing spaces, and accompaniments throughout the centuries and around the globe. Its investigative approach engages students in assignments and web projects that reinforce the learning from the text, and its ancillaries for both teachers and students make it easy for students to perceive, create, and respond to the history of dance. New to This Edition History of Dance retains its strong foundations from the first edition while adding these new and improved features: • An instructor guide with media literacy assignments, teaching tips, strategies for finding historical videos, and more • A test bank with hundreds of questions for creating tests and quizzes • A presentation package with hundreds of slides that present key points and graphics • A web resource with activities, extensions of chapter content, annotated links to useful websites, and study aids • Developing a Deeper Perspective assignments that encourage students to use visual or aesthetic scanning, learn and perform period dances, observe and write performance reports, develop research projects and WebQuests (Internet-based research projects), and participate in other learning activities • Experiential learning activities that help students dig deeper into the history of dance, dancers, and significant dance works and literature • Eye-catching full-color interior that adds visual appeal and brings the content to life Also new to this edition is a chapter entitled “Global Interactions: 2000–2016,” which examines dance in the 21st century. Resources and Activities The web resources and experiential learning activities promote student-centered learning and help students develop critical thinking and investigative skills.Teachers can use the experiential learning activities as extended projects to help apply the information and to use technology to make the history of dance more meaningful. Three Parts History of Dance is presented in three parts. Part I covers early dance history, beginning with prehistoric times and moving through ancient civilizations in Greece, Crete, Egypt, and Rome and up to the Renaissance. Part II explores dance from the Renaissance to the 20th century, including a chapter on dance in the United States from the 17th through 19th centuries. Part III unfolds the evolution of American dance from the 20th century to the present, examining imported influences, emerging modern dance and ballet, and new directions for both American ballet and modern dance. Chapters Each chapter focuses on the dancers and choreographers, the dances, and significant dance works and literature from the time period. Students will learn how dance design has changed through the ages and how new dance genres, forms, and styles have emerged and continue to emerge. The chapters also include special features, such as History Highlight sidebars and Time Capsule charts, to help students place dancers, events, and facts in their proper context and perspective. Vocabulary words appear at the end of each chapter, as do questions that prompt review of the chapter’s important information. The text is reader-friendly and current, and it is supported by the national standards in dance, arts education, social studies, and technology education. Through History of Dance, students will acquire a well-rounded view of dance from the dawn of time to the present day. This influential text offers students a foundation for understanding and a springboard for studying dance in the 21st century.


American Popular Stage Music, 1860-1880

American Popular Stage Music, 1860-1880

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  • Author: Deane L. Root
  • Publisher: Ann Arbor, Mich. : UMI Research Press
  • ISBN:
  • Category : Performing Arts
  • Languages : en
  • Pages : 304


The Black Crook: the 1866 Musical Extravaganza

The Black Crook: the 1866 Musical Extravaganza

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  • Author: Charles Barras
  • Publisher: Createspace Independent Publishing Platform
  • ISBN: 9781515239079
  • Category : Musicals
  • Languages : en
  • Pages : 0

Complete libretto to the 1866 musical extravaganza. A phenomenon of the 19th Century, "The Black Crook" was the Broadway blockbuster musical of its day. With its suggestive story of wickedness, its chorus of scantily clad chorus girls, and its breathtaking scenic efforts it was, as The New York Times claimed, "decidedly the event of this spectacular age." Considered the first "book musical" because it supposedly interrogated music and dialogue into a unified story, its creation has become the basis that America invited musical theatre. After it opened in September of 1866 at the 3,200-seat Niblo's Garden on Broadway, the musical ran for a record-breaking 475 performances, toured throughout the United States and England, was revived numerous times, and copied by other musicals for the next three decades.


The Black Crook

The Black Crook

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  • Author:
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages : 120