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Esteemed New York architect and interior designer Alan Wanzenberg shares his intimate story and brilliantly crafted projects in this personal monograph, Journey: The Life and Times of an American Architect.
For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.
As revilutionary as the structures themselves are the theories that governed Frank Lloyd Wright's approach to architecture. In this celebrated volume, first published in 1955, Wright elucidated his guiding principles in an evocative joining of text and image.
"Ellen Weiss breaks important new ground in her remarkable monograph on Robert R. Taylor. This volume is by far the most detailed account we have of an African American architect. Weiss vividly conveys the immense challenges faced by black architects and professionals of every kind, especially during the rise of Jim Crow. Along the way we get myriad insights on architectural education, architect-client relationships, and the development of a major institution of higher learning."--- Richard Longstreth, George Washington University "Architectural historian Ellen Weiss's book provides a wealth of little-known factual information about Taylor and a scholarly historical analysis of his many contributions in architectural education and professional practice. A must-read for anyone with an interest in architecture and a certain reference for every architecture student."--- Richard Dozier, Dean, Robert R. Taylor School of Architecture & Construction Science, Tuskegee University "Robert R. Taylor's place in history as the first academically-trained African American architect has been well known, but an authoritative assessment of his contribution to American architectural and planning practice has remained elusive until now. Weiss deftly interweaves the story of the Tuskegee campus with an examination of Taylor's pedagogy and the plight of black architects in the early twentieth century."--- Gary Van Zante, Curator of Architecture and Design, Massachusetts Institute of Technology
Since 1865 African-American architects have been designing and building houses and public buildings, but the architects are virtually unknown. This work brings their lives and work to light for the first time.
Frank Lloyd Wright is recognized as a dominant figure in the history of modern architecture. His life and revolutionary work is described in this volume filled with more than 180 photographs illustrating 60 of his most-beloved buildings.
"In 1990, I. M. Pei: A Profile in American Architecture was published as the first full-length study of the life and work of this extraordinary artist. The revised edition includes a chapter on Pei's work since 1990, when he established a new relationship with his firm that enabled him to pursue more small scale, personal commissions. Illustrated from the rich archives of Pei Cobb Freed & Partners, the book charts Pei's progress from his birth in China in 1917 through every milestone in his career to his preeminent position today. The author, noted architecture critic Carter Wiseman, has supplemented extensive and meticulous research with many hours of conversation with Pei, his family, his associates, and his clients. Wiseman focuses his text on the buildings of special relevance to Pei's career, and, whether discussing the Kennedy Library, the Meyerson Symphony Center, or the Louvre, he carefully considers the project's architectural, sociological, and personal dimensions. One sees how Pei's artistic vision has emerged, how he has deftly met the demands of each new situation and client, and how his charismatic personality has affected events." "Scores of color photographs present Pei's buildings in all their splendid variety - from the urban grandeur of the Dallas City Hall to the daring innovation of the Bank of China skyscraper. Dozens of revealing drawings, plans, and models as well as personal and documentary photographs make this volume the only comprehensive visual record of Pei's work."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
