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This text charts a journey memorializing the life of Rosalind Brodsky and her contribution to time travel research. Readers can access Brodsky's time travelling diary, in the book or on the CD-ROM, where the reflections of Freud, Jung, Klein, Lacan and Kristeva are recounted.
HEXEN2.0 is the sequel to HEXEN 2039 which imagined new technologies for psychological warfare through investigating links between the occult and the military in relation to histories of witchcraft, the US film industry, British Intelligence agencies, Soviet brainwashing, behavior control experiments of the US Army's MKULTRA program and more recent practices of its Civil Affairs and Psychological Operations Command (PSYOP), in light of contemporary neuro-scientific research. HEXEN2.0 delves deeper into the histories of scientific research behind government programs of mass control, in tandem with counter-cultural and grass roots movements, and creates a space for the imagining of alternative future scenarios. HEXEN2.0 charts, within a framework of post-WWII US governmental and military imperatives, the coming together of diverse scientific and social sciences through the development of cybernetics, the history of the internet, the rise of Web 2.0 and mass intelligence gathering, and the implications for the future of new systems of societal manipulation towards a control society. Furthermore, HEXEN2.0 investigates the participants of the seminal Macy Conferences1 (1943-1956) - whose primary goal was to set the foundations for a general science of the workings of the human mind - alongside specific critics of technological society such as Theodore Kaczynski/Unabomber, current profiles of Anarcho-Primitivists and Post Leftists, and traces the precursory ideas of Thoreau, Heidegger, Adorno and others in relation to fantasies of utopic/dystopic futures from science-fiction literature and film. Through representing and re-examining these subjects and histories through the lens of occult belief systems and ideas of the supernatural HEXEN2.0 takes us to a hypnotic, mesmerizing space of early technological fantasy and theory to hallucinate feedback from the past from where one may imagine and construct possible alternative futures. The information in HEXEN2.0 is based on actual events, people and histories.
"This publication unites two interconnected projects: Survivor (F), a potential human/non-human survivor of human civilisation, and the newly commissioned The escapist BHST (black hole spacetime), which follows a character journeying through event horizons and spacetime."--Page iii
Rosalind Brodsky, the alter ego of artist Suzanne Treister, is a delusional time traveller who believes herself to be working at the Institute of Militronics and Advanced Time Interventionality in the twenty-first century. HEXEN 2039 charts Brodsky's scientific research in the development of new mind control technologies through a series of drawings, diagrams and photographs. By turns baroque, challenging, comic, elegant, mysterious and intriguing, these works uncover or construct links between conspiracy theories, occult groups, Chernobyl, witchcraft, the US film industry, British Intelligence agencies, Soviet brainwashing, and behaviour control experiments of the US Army and its Civil Affairs and Psychological Operations Command (PSYOP), in light of alarming new research in contemporary neuroscience. In addition, an essay by Richard Grayson examines Treister's practice in detail. As a whole, this fascinating and complex body of work questions the way we look at history and the future, science, technology, politics, and narrative. A rich and engaging book, HEXEN 2039 is part artist's monograph and part chilling premonition of the future, echoing the world of graphic novels and computer games. The book also includes a 62 x 53 cm poster.
HFT The Gardener presents the culmination of a project comprising multiple bodies of work by the fictional character Hillel Fischer Traumberg. Traumberg is an algorithmic high-frequency trader (HFT), who experiments with psychoactive drugs, and explores the ethno-pharmacology of over a hundred psychoactive plants. He uses gematria (Hebrew numerology) to discover the numerological equivalents of the plants' botanical names with companies in the Financial Times Global 500 Financial Index. He communes with the traditional shamanic users of these plants whose practices include healing, divining the future, entering the spirit world, and exploring the hallucinatory nature of reality. Traumberg develops a fantasy of himself as a techno-shaman, transmuting the spiritual dimensions of the universe and the hallucinogenic nature of capital into new art forms. He becomes an 'outsider artist' whose work is collected by oligarchs and bankers, the world of global capital in which he began. HFT The Gardener is the fifth title to be published on the work of Suzanne Treister by Black Dog Publishing. Previous titles include Nato, Hexen 2.0, Hexen 2039 and Hexen 2.0 Tarot Deck.
British artist Monica Ross (19502013), a pivotal artist in the 1980s feminist movement, left behind a 40-year body of pioneering and socially engaged performance-driven artwork. Her timeless pieces continue to have a deep effect on contemporary artists and society today. Presented for the first time is this extensively illustrated document of Rosss works from 1970 to 2013 including Rosss early feminist collaborative works, drawings made at the Greenham Common Womens Peace Camp in the 1980s, poster designs for the antinuclear movement, works relating to the writings of Walter Benjamin, and documentation from the sixty performances of Anniversaryan act of memory (200813), solo, collective and multilingual recitations from memory of the Universal Declaration of Human Rights, which concluded with a final collaborative performance at the UN in Geneva on the day of Rosss death. Informative essays by Jorn Ebner, Esther Leslie, Eric Levi Jacobson, Alexandra M. Kokoli, Denise Robinson,Monica Ross and Yve Lomax along with extensive archival documentation by Bernard G. Mills.
Rare earth elements are the game-changing foundation of our most powerful innovationsmobile phones, iPods and iPads, liquid crystal displays, LEDs, light bulbs, CDs and DVDs. Often described as conflict materials due to the limited number of accessible mines, they are also integral to cyber-warfare weapon systems, medical technologies, hybrid vehicles, wind turbines, and green energy applications. Consequently, rare earth elements play an increasing role in global affairs and facilitate our changing self-image. Capturing some of todays emergent myths and identities, the well-designed exhibition catalog brings together 17 elementswork by 10 artists and 7 theorists including artists Camille Henrot, The Otolith Group, Ai Weiwei, sociologist and design theorist Benjamin H. Bratton, Finnish new media theorist Jussi Parikka and political theorist Jane Bennett, among others. An attempt to define the spirit of an age, Rare Earth explores how todays myths, identities, and cosmologies relate to current technology while challenging the rhetoric of immateriality.
The Nuclear Culture Source Book serves as an excellent resource and introduction to nuclear culture as one of the most prominent themes within contemporary art and society, exploring the diverse ways in which post-Fukushima society has influenced artistic and cultural production. The book brings together a wide-ranging collection of material from artists and writers working within the scope of nuclear culture internationally, including works by renowned practitioners such as Lise Autogena, Thomson & Craighead, Crowe & Rawlinson, David Mabb, Katsuhiro Miyamoto, Kota Takeuchi and Chim-Pom. Building on four years of research into nuclear culture by the book's editor, Ele Carpenter, The Nuclear Culture Source Book features contributions by over 60 artists including spectacular imagery of nuclear sites taken on artist field trips, from underground research laboratories in Japan to the Faslane Trident base. Contextualising this is a series of essays by international arts and humanities scholars and writers including: Timothy Morton writing on radiation as a hyperobject; Peter C van Wyck on the nuclear anthropocene; Kodwo Eshun and Noi Sawaragi on Fukushima; and Susan Schuppli on nuclear materiality. Published in partnership with Bildmuseet, Sweden and Arts Catalyst, London.
