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Counting the cost of compassion, this study of Shakespeare's plays and poetry analyses how medical explanations of disease impact upon philosophical conceptions and literary depictions of his characters and how compassionate communication and sympathetic exchange are undermined by anxieties concerning contagion and disease.
Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease. Allowing that 'no man is . . . any thing' until he has 'communicate[d] his parts to others', can these formative communications still be risked in a world preoccupied by communicable sickness, where every contact risks contraction, where every touch could be the touch of plague, where kind interaction could facilitate cruel infection, and where to commiserate is to risk 'miserable dependence'? Counting the cost of compassion, this study of Shakespeare's plays and poetry analyses how medical explanations of disease impact upon philosophical conceptions and literary depictions of his characters who find themselves precariously implicated within a world of ill communications. It examines the influence of scientific thought upon the history of the subject, and explores how Shakespearealive to both the importance and dangers of sympathetic communicationarticulates an increasing sense of both the pragmatic benefits of monadic thought, emotional isolation, and subjective quarantine, while offering his account of the considerable loss involved when we lose faith in vulnerable, tender, and open existence.
Understanding the early-modern subject to be constituted, as Shakespeare's Ulysses explains, by its communications with others, this study considers what happens when these conceptions of compassionate communication and sympathetic exchange are comprehensively undermined by period anxieties concerning contagion and the transmission of disease. Allowing that 'no man is . . . any thing' until he has 'communicate[d] his parts to others', can these formative communications still be risked in a world preoccupied by communicable sickness, where every contact risks contraction, where every touch could be the touch of plague, where kind interaction could facilitate cruel infection, and where to commiserate is to risk 'miserable dependence'? Counting the cost of compassion, this study of Shakespeare's plays and poetry analyses how medical explanations of disease impact upon philosophical conceptions and literary depictions of his characters who find themselves precariously implicated within a world of ill communications. It examines the influence of scientific thought upon the history of the subject, and explores how Shakespeare—alive to both the importance and dangers of sympathetic communication—articulates an increasing sense of both the pragmatic benefits of monadic thought, emotional isolation, and subjective quarantine, while offering his account of the considerable loss involved when we lose faith in vulnerable, tender, and open existence.
The first comprehensive and interdisciplinary study of sympathy in early modern Anglophone literature and culture.
This collection of essays considers what constituted contagion in the minds of early moderns in the absence of modern germ theory. In a wide range of essays focused on early modern drama and the culture of theater, contributors explore how ideas of contagion not only inform representations of the senses (such as smell and touch) and emotions (such as disgust, pity, and shame) but also shape how people understood belief, narrative, and political agency. Epidemic thinking was not limited to medical inquiry or the narrow study of a particular disease. Shakespeare, Thomas Middleton, Ben Jonson, Thomas Dekker and other early modern writers understood that someone might be infected or transformed by the presence of others, through various kinds of exchange, or if exposed to certain ideas, practices, or environmental conditions. The discourse and concept of contagion provides a lens for understanding early modern theatrical performance, dramatic plots, and theater-going itself.
