Shakespeare and Tourism

Shakespeare and Tourism

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  • Author: Robert Ormsby
  • Publisher: Taylor & Francis
  • ISBN: 0429619081
  • Category : Drama
  • Languages : en
  • Pages : 322

Shakespeare and Tourism provides a dialogical mapping of Shakespeare studies and touristic theory through a collection of essays by scholars on a wide range of material. This volume examines how Shakespeare tourism has evolved since its inception, and how the phenomenon has been influenced and redefined by performance studies, the prevalence of the World Wide Web, developments in technology, and the globalization of Shakespearean performance. Current scholarship recognizes Shakespearean tourism as a thriving international industry, the result of centuries of efforts to attribute meanings associated with the playwright’s biography and literary prestige to sites for artistic pilgrimage and the consumption of cultural heritage. Through bringing Shakespeare and tourism studies into more explicit contact, this collection provides readers with a broad base for comparisons across time and location, and thereby encourages a thorough reconsideration of how we understand both fields.


Shakespeare and Tourism. Place, Memory, Participation

Shakespeare and Tourism. Place, Memory, Participation

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  • Author: Maddalena Pennacchia Punzi
  • Publisher:
  • ISBN: 9788849541403
  • Category : Literary Criticism
  • Languages : en
  • Pages : 152


The Literary Tourist

The Literary Tourist

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  • Author: N. Watson
  • Publisher: Springer
  • ISBN: 023058456X
  • Category : Literary Criticism
  • Languages : en
  • Pages : 250

This original, witty, illustrated study offers the first analytical history of the rise and development of literary tourism in nineteenth-century Britain, associated with authors from Shakespeare, Gray, Keats, Burns and Scott, the Brontë sisters, and Thomas Hardy. Invaluable for the student of travel and literature of the nineteenth century.


Shakespeare and Stratford

Shakespeare and Stratford

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  • Author: Katherine Scheil
  • Publisher: Berghahn Books
  • ISBN: 1789202574
  • Category : Literary Criticism
  • Languages : en
  • Pages : 116

As the site of literary pilgrimage since the eighteenth century, the home of the Royal Shakespeare Company and the topic of hundreds of imaginary portrayals, Stratford is ripe for analysis, both in terms of its factual existence and its fictional afterlife. The essays in this volume consider the various manifestations of the physical and metaphorical town on the Avon, across time, genre and place, from America to New Zealand, from children’s literature to wartime commemorations. We meet many Stratfords in this collection, real and imaginary, and the interplay between the two generates new visions of the place.


The Shakespearean World

The Shakespearean World

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  • Author: Jill L Levenson
  • Publisher: Taylor & Francis
  • ISBN: 1317696190
  • Category : Literary Criticism
  • Languages : en
  • Pages : 654

The Shakespearean World takes a global view of Shakespeare and his works, especially their afterlives. Constantly changing, the Shakespeare central to this volume has acquired an array of meanings over the past four centuries. "Shakespeare" signifies the historical person, as well as the plays and verse attributed to him. It also signifies the attitudes towards both author and works determined by their receptions. Throughout the book, specialists aim to situate Shakespeare’s world and what the world is because of him. In adopting a global perspective, the volume arranges thirty-six chapters in five parts: Shakespeare on stage internationally since the late seventeenth century; Shakespeare on film throughout the world; Shakespeare in the arts beyond drama and performance; Shakespeare in everyday life; Shakespeare and critical practice. Through its coverage, The Shakespearean World offers a comprehensive transhistorical and international view of the ways this Shakespeare has not only influenced but has also been influenced by diverse cultures during 400 years of performance, adaptation, criticism, and citation. While each chapter is a freshly conceived introduction to a significant topic, all of the chapters move beyond the level of survey, suggesting new directions in Shakespeare studies – such as ecology, tourism, and new media – and making substantial contributions to the field. This volume is an essential resource for all those studying Shakespeare, from beginners to advanced specialists.


Shakespeare and Money

Shakespeare and Money

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  • Author: Graham Holderness
  • Publisher: Berghahn Books
  • ISBN: 1789206731
  • Category : Literary Criticism
  • Languages : en
  • Pages : 180

Though better known for his literary merits, Shakespeare made money, wrote about money and enabled money-making by countless others in his name. With chapters by leading scholars on the economic, financial and commercial ramifications of his work, this multifaceted volume connects the Bard to both early modern and contemporary economic conditions, revealing Shakespeare to have been a serious economist in his own right.


Shakespeare and Hospitality

Shakespeare and Hospitality

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  • Author: Julia Reinhard Lupton
  • Publisher: Routledge
  • ISBN: 1317632893
  • Category : Literary Criticism
  • Languages : en
  • Pages : 272

This volume focuses on hospitality as a theoretically and historically crucial phenomenon in Shakespeare's work with ramifications for contemporary thought and practice. Drawing a multifaceted picture of Shakespeare's scenes of hospitality—with their numerous scenes of greeting, feeding, entertaining, and sheltering—the collection demonstrates how hospitality provides a compelling frame for the core ethical, political, theological, and ecological questions of Shakespeare's time and our own. By reading Shakespeare's plays in conjunction with contemporary theory as well as early modern texts and objects—including almanacs, recipe books, husbandry manuals, and religious tracts — this book reimagines Shakespeare's playworld as one charged with the risks of hosting (rape and seduction, war and betrayal, enchantment and disenchantment) and the limits of generosity (how much can or should one give the guest, with what attitude or comportment, and under what circumstances?). This substantial volume maps the terrain of Shakespearean hospitality in its rich complexity, demonstrating the importance of historical, rhetorical, and phenomenological approaches to this diverse subject.


Travel and Drama in Shakespeare's Time

Travel and Drama in Shakespeare's Time

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  • Author: Jean-Pierre Maquerlot
  • Publisher: Cambridge University Press
  • ISBN: 0521475007
  • Category : Drama
  • Languages : en
  • Pages : 274

Interconnections between voyage narratives and travel plays in Shakespeare's era.


Shakespeare and the Arab World

Shakespeare and the Arab World

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  • Author: Katherine Hennessey
  • Publisher: Berghahn Books
  • ISBN: 1789202604
  • Category : Literary Criticism
  • Languages : en
  • Pages : 282

Offering a variety of perspectives on the history and role of Arab Shakespeare translation, production, adaptation and criticism, this volume explores both international and locally focused Arab/ic appropriations of Shakespeare’s plays and sonnets. In addition to Egyptian and Palestinian theatre, the contributors to this collection examine everything from an Omani performance in Qatar and an Upper Egyptian television series to the origin of the sonnets to an English-language novel about the Lebanese civil war. Addressing materials produced in several languages from literary Arabic (fuṣḥā) and Egyptian colloquial Arabic (‘ammiyya) to Swedish and French, these scholars and translators vary in discipline and origin, and together exhibit the diversity and vibrancy of this field.


Shakespeare and the First Hamlet

Shakespeare and the First Hamlet

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  • Author: Terri Bourus
  • Publisher: Berghahn Books
  • ISBN: 1800735553
  • Category : Literary Criticism
  • Languages : en
  • Pages : 262

The first edition of Hamlet – often called ‘Q1’, shorthand for ‘first quarto’ – was published in 1603, in what we might regard as the early modern equivalent of a cheap paperback. Yet this early version of Shakespeare’s classic tragedy is becoming increasingly canonical, not because there is universal agreement about what it is or what it means, but because more and more Shakespearians agree that it is worth arguing about. The essays in this collected volume explore the ways in which we might approach Q1’s Hamlet, from performance to book history, from Shakespeare’s relationships with his contemporaries to the shape of his whole career.