PDF Setting Free the Actor Download
- Author: Ann Brebner
- Publisher:
- ISBN:
- Category : Performing Arts
- Languages : en
- Pages : 196
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(Book). The Actor as Storyteller is intended for serious beginning actors. It opens with an overview, explaining the differences between theater and its hybrid mediums, the part an actor plays in each of those mediums. It moves on to the acting craft itself, with a special emphasis on analysis and choice-making, introducing the concept of the actor as storyteller, then presents the specific tools an actor works with. Next, it details the process an actor can use to prepare for scene work and rehearsals, complete with a working plan for using the tools discussed. The book concludes with a discussion of mental preparation, suggestions for auditioning, a process for rehearsing a play, and an overview of the realities of show business. Included in this updated edition are: A detailed examination of script analysis of the overall play and of individual scenes; A sample of an actor's script, filled with useful script notations; Two new short plays, one written especially for this text; Updated references, lists of plays, and recommended further reading
Freeing the Actor is the seventh in a series of books by Eric Morris which explain and describe his unique system of acting. His previous books are among the most popular texts used by students and professional actors alike. In this book, which is totally aimed at the instrument, Eric has implemented a complete approach to eliminating the obstacles, dependencies, traps and habits that plague and block actors from functioning from an authentic, organic place. Historically most acting coaches and teachers have failed to adequately address the instrumental problems that cripple actors. By teaching them how not to act, Eric has influenced scores of people to become experiential actors. His teaching has led them to understand that they must experience in reality what the character is experiencing in the material. In order to accomplish that, they must be instrumentally free to connect with and express their authentic emotional realities. Liberating the instrument allows them to access all the colors of their emotional rainbow.
Based on the Constantin Stanislavki method of acting, THE ACTOR'S CHECKLIST examines Stanislavki's eight principles in an easily understood checklist format. This exciting acting guide also includes insights from other famous acting teachers, including Uta Hagen, Sanford Meisner, Lee Strasberg, Michael Chekov, and Stella Adler. Providing techniques for use in both classroom and production situations, this edition features new chapters on time, place, and history, as well as a new appendix that covers movement and vocal warmups.
Producing and Directing the Short Film and Video is the definitive book on the subject for beginning filmmakers and students. The book clearly illustrates all of the steps involved in preproduction, production, postproduction, and distribution. Its unique two-fold approach looks at filmmaking from the perspectives of both producer and director, and explains how their separate energies must combine to create a successful short film or video, from script to final product. This guide offers extensive examples from award-winning shorts and includes insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. The companion website contains useful forms and information on grants and financing sources, distributors, film and video festivals, film schools, internet sources for short works, and professional associations.
"Awakening The Actor Within" is a 12-week workbook aimed at helping actors recover and discover their highest goals and ambitions. It's "The Artist's Way" for actors! It focuses on the subject of helping actors heal from acting "blocks" and getting the courage to act again after being discouraged or disappointed. A spirited workbook that initiates creative expansion and growth for actors. It aims to free an actor's creativity and build a healthy "acting" foundation with a simple, friendly, approach called Acting Practice. The user-friendly workbook teaches actors to form healthy acting habits and rebuild confidence as it guides actors through a series of daily and weekly exercises that empower them with practical tools to overcome their "blocks" (fear, anger, self-loathing, jealousy, self-sabotage, and money). The workbook is set up in a 3 act "screenplay" structure. ACT ONE: Weeks 1-4 focus on dismantling old blocks and creating a solid foundation ACT TWO: Weeks 5-6 focus on working on scripts, character, acting technique and AUDITIONS ACT THREE: Weeks 7-12 focus on marketing and branding your talents.
The WORKING Actor's Film Set Handbook starts WHEN YOU BOOK THE JOB! (Congrats btw. You are in the top 1% of actors!) Whether you are a first time background artist, a day player, guest star, or lead actor it is your job to be educated about every aspect of your professional environment. This is a practical handbook designed to give you the nuts and bolts to walk on set with confidence, to demystify a confusing and chaotic environment, to ease any anxieties you might have about working on set, and to give you the tools to be a total pro.
Do you have to be an extrovert to succeed as an actor? This book offers ideas to create inclusive acting environments where the strengths of the introverted actor are as valued as those of their extroverted counterparts. As this book shows, many introverts are innately drawn to the field of acting, but can often feel inferior to their extroverted peers. From the classroom to professional auditions, from rehearsals to networking events, introverted actors tell their stories to help other actors better understand how to leverage their natural gifts, both onstage and off. In addition, The Introverted Actor helps to reimagine professional and pedagogical approaches for both actor educators and directors by offering actionable advice from seasoned psychology experts, professional actors, and award-winning educators.