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“The quirky and macabre [ninth] book from Thomson is rich with breathtaking juxtaposition. ... These elegant poems are full of surprising and moving revelations.” —Publishers Weekly
Intense verbal music with a jazz feeling; invention against the grain of expectation; intelligence racing among materials with the variety of a busy street—these have been the qualities of Robert Pinsky's work since his first book, Sadness and Happiness (1975), celebrated for setting a new direction in American poetry. At that time, responding to a question about that book, Pinsky said: "I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry." That ambition was realized in a new way with each of his books, including the book-length personal monologue An Explanation of America; the transformed autobiography of History of My Heart; the bestselling translation The Inferno of Dante; and, most recently, the savage, inventive Gulf Music. That variety and renewal are represented in this brilliantly chosen volume.
A timely and moving collection from the renowned inaugural poet on issues facing our country and people—immigration, gun violence, racism, LGBTQ issues, and more. Through an oracular yet intimate and accessible voice, Richard Blanco addresses the complexities and contradictions of our nationhood and the unresolved sociopolitical matters that affect us all. Blanco digs deep into the very marrow of our nation through poems that interrogate our past and present, grieve our injustices, and note our flaws, but also remember to celebrate our ideals and cling to our hopes. Charged with the utopian idea that no single narrative is more important than another, this book asserts that America could and ought someday to be a country where all narratives converge into one, a country we can all be proud to love and where we can all truly thrive. The poems form a mosaic of seemingly varied topics: the Pulse nightclub massacre; an unexpected encounter on a visit to Cuba; the forced exile of 8,500 Navajos in 1868; a lynching in Alabama; the arrival of a young Chinese woman at Angel Island in 1938; the incarceration of a gifted writer; and the poet’s abiding love for his partner, who he is finally allowed to wed as a gay man. But despite each poem’s unique concern or occasion, all are fundamentally struggling with the overwhelming question of how to love this country.
Here in one volume is a selection of the extraordinary poems of Rita Dove, who, as the nation's Poet Laureate from 1993 to 1995, brought poetry into the lives of millions of people. Along with a new introduction and poem, Selected Poems comprises Dove's collections The Yellow House on the Corner, which includes a group of poems devoted to the themes of slavery and freedom; Museum, intimate ruminations on home and the world; and finally, Thomas and Beulah, winner of the Pulitzer Prize in 1987, a verse cycle loosely based on her grandparents' lives. Precisely yet intensely felt, resonant with the voices of ordinary people, Rita Dove's Selected Poems is marked by lyric intensity and compassionate storytelling.
“Tracy K. Smith’s poetry is an awakening itself.” —Vogue Celebrated for its extraordinary intelligence and exhilarating range, the poetry of Tracy K. Smith opens up vast questions. Such Color: New and Selected Poems, her first career-spanning volume, traces an increasingly audacious commitment to exploring the unknowable, the immense mysteries of existence. Each of Smith’s four collections moves farther outward: when one seems to reach the limits of desire and the body, the next investigates the very sweep of history; when one encounters death and the outer reaches of space, the next bears witness to violence against language and people from across time and delves into the rescuing possibilities of the everlasting. Smith’s signature voice, whether in elegy or praise or outrage, insists upon vibrancy and hope, even—and especially—in moments of inconceivable travesty and grief. Such Color collects the best poems from Smith’s award-winning books and culminates in thirty pages of brilliant, excoriating new poems. These new works confront America’s historical and contemporary racism and injustices, while they also rise toward the registers of the ecstatic, the rapturous, and the sacred—urging us toward love as a resistance to everything that impedes it. This magnificent retrospective affirms Smith’s place as one of the twenty-first century’s most treasured poets.
