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Retells the segment from Spenser's The Faerie Queene, in which George, the Red Cross Knight, slays the dreadful dragon that has been terrorizing the countryside for years and brings peace and joy to the land.
St George's Day has become a topic of debate as more and more organizations promote celebrations on 23 April and more people wave the flag of St George to proclaim their allegiance and identity. But who was St George? How did this Near Eastern martyr become England's patron saint and an icon of English culture? And what is his relevance for today's secular, multicultural England? New research reveals that from the third century St George was revered as a healer, protector of women and the poor and patron of agriculture and metal-working more than a military dragon-slayer. Discover the origin of the cross of St George and the roles of Richard I, Edward III and Henry VIII in making St George the patron saint of England. With a foreword by Professor Emeritus Dan Brown, this richly-illustrated celebration of English culture shows how St George can be reinterpreted for our times while remaining true to our English heritage. St George can be enlisted in the cause of ecology, the campaign against FGM, and the fight to end modern slavery and resettle refugees. English yet international, revered both by Christians and Muslims, St George is a multicultural figure who symbolizes universal values.
St George and the Dragon: The Legend of Saint George and the Dragon. St George is the patron Saint of over 50 Countries worldwide. Each country celebrates St George
A village. A dragon. A damsel in distress. Into the story walks George: wandering knight, freedom fighter, enemy of tyrants the world over. One epic battle later and a nation is born. As the village grows into a town, and the town into a city, the myth of Saint George which once brought a people together, threatens to divide them.
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Once again, parable-man and storyteller Edward Hays opens the doors of the mind's magic theatre and provides a collection of mystic maps to guide readers on the path to the most fabulous of all hidden treasures--the Holy Grail. Illustrations by the author.
A brave knight, a beautiful princess and a terrifying dragon. The legend of St. George comes to life in this book. The illustrations, light and bright or dark and left, are very suggestive.
