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The greatest Americans Have not been born yet They are waiting quietly For their past to die please give blood Here is the account of a man so ravished by a kiss that it distorts his highest and lowest frequencies of understanding into an Incongruent mean of babble and brilliance...
CHORUS is the anthem of a new generation of poets unified by the desire to transcend the identity politics of the day and begin to be seen as one. One hundred voices woven through testimony and new testament. It is the cry of the unheard. The occupation of the page itself. It embodies the “speak-up” spirit of the moment, the confidence propagated through hip-hop, and the defiant “WTF?” of the now. It is the voice that comes after the rebellious voice that once cried, “I want my MTV!” branded back to where punk was, slammed up and beyond it. A combination of trash, heart, and craft. An anthology in rant. CHORUS is what all modern-day losers chant.
Hailed as "a dreadlocked dervish of words...the Bob Marley of American poets" (Esquire), Saul Williams is a gifted young poet who is opening up this literary art form to a new generation of readers. Like his writing -- a fearless mix of connecting rhythms and vibrant images -- Saul Williams is unstoppable. He received raves for his performance as an imprisoned street poet in the Trimark Pictures release Slam, winner of the Camera d'Or at Cannes and the Grand Jury prize at the 1998 Sundance Film Festival. The consummate spoken-word performance artist, Williams has also been signed by producer Rick Rubin to record a CD of his poetry. She is a fascinating and unique collection of interconnected poems by this multi-talented star -- and marks the beginning of an incredible and totally original artistic career.
In the underground labyrinths of New York City's subway system, beneath the third rail of a long forgotten line, Saul Williams discovered scrolls of aged yellowish-brown paper rolled tightly into a can of spray paint. His quest to decipher this mystical ancient text resulted in a primal understanding of the power hip-hop has to teach us about ourselves and the universe around us. Now, for the first time, Saul Williams shares with the world the wonder revealed to him by the Dead Emcee Scrolls. I have paraded as a poet for years now. In the proc ess of parading I may have actually become one, but that's another story, another book. This book is a book that I have been waiting to finish since 1995. This is the book that finished me. The story I am about to tell may sound fantastic. It may anger some of you who have followed my work. You may feel that you have come to know me over the years, and in some cases you have, but in others...well, this is a confession.
In his greatly anticipated new full-length book of poetry, the first since The Dead Emcee Scrolls in 2006, “the poet laureate of hip-hop” (CNN) Saul Williams presents his ideas, observations, realizations, dreams, and questions about the state of America, the American psyche, and what it means to be American. After four years abroad, Williams returned to the United States and found his head twirling with thoughts on race, class, gender, finance, freedom, guns, cooking shows, dog shows, superheroes, not-so-super politicians—everything that makes up our country. US(a.) is a collection of poems that embodies the spirit of a culture that questions sentiments and realities, embracing a cross-section of pop culture, hip-hop, and the greater world politic of the moment. Williams explores what social media may only hint at—times and realities have changed; there is a connect and a disconnect. We are wirelessly connected to a past and path to which we are chained. Saul Williams stops and frisks the moment, makes it empty its pockets, and chronicles what’s inside. Here is an extraordinary book that will find its place in the hands and minds of a new generation.
Dual perspectives reveal the aftermath of seventeen-year-old Michael MacKenzie's birthday celebration during which he discharges an antique Winchester rifle and unknowingly kills the father of high school classmate Jenna Ward.
Rancher Blair Bishop of Two Forks, Texas, has too many enemies . . . and they are closing in on him. Macy Modock, whom Bishop sent to prison ten years ago, is out of the hoosegow. Modock is returning to Two Forks along with his sidekick, who is known to be a mean gunman. Also arrayed against Bishop is rival cowman Clarence Cass, who is running his animals on Bishop's land. Complicating matters, Cass's daughter, Jessie, and Bishop's son, Allan, are in love. Macy Modock, determined to get even with the man who sent him to prison, schemes with Cass to ruin Bishop. The black-hearted pair lay claim to untitled lands Bishop uses to graze his cattle – a plan that leads to a deadly confrontation in which two men will die. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Sporting clay shooters are constantly striving for consistency. Move, Mount, Shoot describes the maintained lead method, an easily learned technique which will help both novice and expert alike achieve spectacular results. The book also examines the importance of mental preparation, . and includes advice on choosing a gun and equipment. Move, Mount, Shoot is the only comprehensive manual of this winning technique.
In this lyrically written, hauntingly seductive novel, Bret Lott brings to life the beauty and flavor of the mist-covered swamps and backlands of South Carolina's Lowcountry in a story that is both mystery and rite of passage. At fifteen, Huger ("you say it YOU-gee") Dillard already knows a great deal about the ways of the world--or so he thinks. He may not have a father, but with the guidance of his blind "Unc," Leland, and weekends spent at the Hunt Club--a tract of woods and swamp belonging to his family--Huger knows all about the land and the habits of its wildlife, from deer to the pompous Charleston doctors and lawyers who come to hunt them. But nothing can prepare him for the dark events that begin to unfold when he and Unc stumble upon the body of a well-to-do Charleston regular on their land. Who wanted him dead? And why is the Hunt Club suddenly at the heart of a dark secret worth killing for? Caught in a treacherous labyrinth that stretches deep into the past, Huger and everyone he loves are about to discover painful truths that will irrevocably change them; truths that will shatter a young boy's innocence and test him as a man.
Mike Foley can never forget the night he tagged along with his brother on a job for the mob that ended in a hail of bullets. Now his brother is dead, Mike’s making wine in Oklahoma, and life is almost as good as it gets when you’ve been hiding out for forty years. Until his past comes calling. Mike’s nephew Andrew needs to disappear, and he needs to do it yesterday. Hanging with the wrong kind of friends, he’s seen something he shouldn’t have, and now he’s running for his life with an assassin on his trail. The consummate professional hit woman, Nikki Enders is the most lethal of a deadly sisterhood. And Andrew Foley is next on her extermination list. Unless Uncle Mike can stop her. As kill teams descend on Foley’s farm, one pissed-off ex—tough guy is about to take a final, all-or-nothing stand with shotguns blazing....
