Romanticism at the End of History

Romanticism at the End of History

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  • Author: Jerome Christensen
  • Publisher: Johns Hopkins University Press+ORM
  • ISBN: 080187498X
  • Category : Literary Criticism
  • Languages : en
  • Pages : 367

“A refreshingly new discussion of Romanticism . . . provides new insights into the connection between the lives and works of Wordsworth and Coleridge.” —Rocky Mountain Review of Language and Literature The Romantics lived through a turn of the century that, like our own, seemed to mark an end to history as it had long been understood. They faced accelerated change, including unprecedented state power, armies capable of mass destruction, a polyglot imperial system, and a market economy driven by speculation. In Romanticism at the End of History, Jerome Christensen challenges the prevailing belief that the Romantics were reluctant to respond to social injustice. Through provocative and searching readings of the poetry of Wordsworth; the poems, criticism, and journalism of Coleridge; the Confessions of De Quincey; and Sir Walter Scott’s Waverley, Christensen concludes that during complicated times of war and revolution English Romantic writers were forced to redefine their role as artists. “The most brilliant, comprehensive, and humanizing discussion of Romanticism I’ve encountered in a long time: criticism that unabashedly loves its subject.” —Frank McConnell, University of California, Santa Barbara “How, asks Christensen, can one resist commercialist hegemony in the posthistorical world? . . . This book bravely and passionately asserts the contemporary relevance of the utopian impulse in ‘Romantic’ writing without falling prey to its ideological posturing.” —Modern Language Review “[Christensen’s] formulation of the Romantics is fascinating, bound up with the future of poetry as well as the way in which we should think about their historical significance.” —This Year’s Work in English Studies


Romanticism and the Rise of History

Romanticism and the Rise of History

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  • Author: Stephen Bann
  • Publisher: Macmillan Reference USA
  • ISBN:
  • Category : History
  • Languages : en
  • Pages : 216

In Romanticism and the Rise of History, Bann argues that history came of age in Europe during the period following the French Revolution through the end of the nineteenth century, becoming an object of widespread desire. As one perhaps mildly astonished scholar noted later, it was a time when "the most simple-minded farmhand" was "able to distinguish an old belfry from a new one", and, Bann might add, perceive value in the old one. To draw the reader into his exploration of the nineteenth century's "discovery of history", Bann presents twenty-five images from the period - engravings, oil paintings, sculptures, watercolors - that appear to both represent and interact with the past. Does the suit of armor standing at Walter Scott's shoulder in Sir John Watson Gordon's portrait validate the image of the author as rightful custodian of the past and its relics, or is it Scott who through his imaginative interpretation of history imbues this shell of knighthood with lasting significance?


Romanticism and the Rise of History

Romanticism and the Rise of History

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  • Author: Stephen Bann
  • Publisher: Macmillan Reference USA
  • ISBN:
  • Category : History
  • Languages : en
  • Pages : 212

In Romanticism and the Rise of History, Bann argues that history came of age in Europe during the period following the French Revolution through the end of the nineteenth century, becoming an object of widespread desire. As one perhaps mildly astonished scholar noted later, it was a time when "the most simple-minded farmhand" was "able to distinguish an old belfry from a new one", and, Bann might add, perceive value in the old one. To draw the reader into his exploration of the nineteenth century's "discovery of history", Bann presents twenty-five images from the period - engravings, oil paintings, sculptures, watercolors - that appear to both represent and interact with the past. Does the suit of armor standing at Walter Scott's shoulder in Sir John Watson Gordon's portrait validate the image of the author as rightful custodian of the past and its relics, or is it Scott who through his imaginative interpretation of history imbues this shell of knighthood with lasting significance?


The Romantic Revolution

The Romantic Revolution

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  • Author: Tim Blanning
  • Publisher: Modern Library
  • ISBN: 0679605002
  • Category : History
  • Languages : en
  • Pages : 282

“A splendidly pithy and provocative introduction to the culture of Romanticism.”—The Sunday Times “[Tim Blanning is] in a particularly good position to speak of the arrival of Romanticism on the Euorpean scene, and he does so with a verve, a breadth, and an authority that exceed every expectation.”—National Review From the preeminent historian of Europe in the eighteenth and nineteenth centuries comes a superb, concise account of a cultural upheaval that still shapes sensibilities today. A rebellion against the rationality of the Enlightenment, Romanticism was a profound shift in expression that altered the arts and ushered in modernity, even as it championed a return to the intuitive and the primitive. Tim Blanning describes its beginnings in Rousseau’s novel La Nouvelle Héloïse, which placed the artistic creator at the center of aesthetic activity, and reveals how Goethe, Goya, Berlioz, and others began experimenting with themes of artistic madness, the role of sex as a psychological force, and the use of dreamlike imagery. Whether unearthing the origins of “sex appeal” or the celebration of accessible storytelling, The Romantic Revolution is a bold and brilliant introduction to an essential time whose influence would far outlast its age. “Anyone with an interest in cultural history will revel in the book’s range and insights. Specialists will savor the anecdotes, casual readers will enjoy the introduction to rich and exciting material. Brilliant artistic output during a time of transformative upheaval never gets old, and this book shows us why.”—The Washington Times “It’s a pleasure to read a relatively concise piece of scholarship of so high a caliber, especially expressed as well as in this fine book.”—Library Journal


The Roots of Romanticism

The Roots of Romanticism

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  • Author: Isaiah Berlin
  • Publisher: Princeton University Press
  • ISBN: 9780691086620
  • Category : Art
  • Languages : en
  • Pages : 194

One of the century's most influential philosophers assesses a movement that changed the course of history in this unedited transcript of his 1965 Mellon lecture series. "Exhilaratingly thought-provoking".--"Times London".


Late Romanticism and the End of Politics

Late Romanticism and the End of Politics

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  • Author: John Havard
  • Publisher: Cambridge University Press
  • ISBN: 1009289179
  • Category : Literary Criticism
  • Languages : en
  • Pages : 255

In the late Romantic age, demands for political change converged with thinking about the end of the world. This book examines writings by Lord Byron, Mary Shelley and their circle that imagined the end, from poems by Byron that pictured fallen empires, sinking islands, and dying stars to the making and unmaking of populations in Frankenstein and The Last Man. These works intersected with and enclosed reflections upon brewing political changes. By imagining political dynasties, slavery, parliament, and English law reaching an end, writers challenged liberal visions of the political future that viewed the basis of governance as permanently settled. The prospect of volcanic eruptions and biblical deluges, meanwhile, pointed towards new political worlds, forged in the ruins of this one. These visions of coming to an end acquire added resonance in our own time, as political and planetary end-times converge once again.


Romanticism and the Human Sciences

Romanticism and the Human Sciences

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  • Author: Maureen N. McLane
  • Publisher: Cambridge University Press
  • ISBN: 1139426877
  • Category : Literary Criticism
  • Languages : en
  • Pages : 297

This study, published in 2000, examines the dialogue between Romantic poetry and the human sciences of the period. Maureen McLane reveals how Romantic writers participated in a new-found consciousness of human beings as a species, by analysing their work in relation to discourses on moral philosophy, political economy and anthropology. Writers such as Wordsworth, Coleridge, Mary Shelley and Percy Shelley explored the possibilities and limits of human being, language and hope. They engaged with the work of theorisers of the human sciences - Malthus, Godwin and Burke among them. The book offers original readings of canonical works, including Lyrical Ballads, Frankenstein and Prometheus Unbound, to show how the Romantics internalised and transformed ideas about the imagination, perfectibility, immortality and population which so energised contemporary moral and political debates. McLane provides a defence of poetry in both Romantic and contemporary theoretical terms, reformulating the predicament of Romanticism in general and poetry in particular.


The Philosophical Foundations of Early German Romanticism

The Philosophical Foundations of Early German Romanticism

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  • Author: Manfred Frank
  • Publisher: State University of New York Press
  • ISBN: 0791485803
  • Category : Philosophy
  • Languages : en
  • Pages : 297

Explores the philosophical contributions and contemporary relevance of early German Romanticism.


Vasily Zhukovsky's Romanticism and the Emotional History of Russia

Vasily Zhukovsky's Romanticism and the Emotional History of Russia

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  • Author: Ilya Vinitsky
  • Publisher: Northwestern University Press
  • ISBN: 0810130998
  • Category : Literary Criticism
  • Languages : en
  • Pages : 224

Ilya Vinitsky's Vasily Zhukovsky's Romanticism and the Emotional History of Russia is the first major study in English of Vasily Zhukovsky (1783–1852)—a poet, translator of German romantic verse, and, crucially, mentor of Pushkin. It focuses overdue attention to an important figure in Russian literary and cultural history. Vinitsky’s "psychological biography" argues that Zhukovsky very consciously set out to create for himself an emotional life that reflected his unique brand of romanticism, different from what we associate with Pushkin or poets such as Byron or Wordsworth. For Zhukovsky, ideal love was harmonious, built on a mystical foundation of spiritual kinship. Vinitsky shows how Zhukovksy played a pivotal role in the evolution of ideas central to Russia’s literary and cultural identity from the end of the eighteenth century into the decades following the Napoleonic Wars.


The Politics of Romanticism

The Politics of Romanticism

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  • Author: Zoe Beenstock
  • Publisher: Edinburgh Critical Studies in
  • ISBN: 9781474426060
  • Category : Literary Criticism
  • Languages : en
  • Pages : 256

The Politics of Romanticism examines the relationship between two major traditions which have not been considered in conjunction: British Romanticism and social contract philosophy. She argues that an emerging political vocabulary was translated into a literary vocabulary in social contract theory, which shaped the literature of Romantic Britain, as well as German Idealism, the philosophical tradition through which Romanticism is more usually understood. Beenstock locates the Romantic movement's coherence in contract theory's definitive dilemma: the critical disruption of the individual and the social collective. By looking at the intersection of the social contract, Scottish Enlightenment philosophy, and canonical works of Romanticism and its political culture, her book provides an alternative to the model of retreat which has dominated accounts of Romanticism of the last century.