Performing the Renaissance Body

Performing the Renaissance Body

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  • Author: Sidia Fiorato
  • Publisher: Walter de Gruyter GmbH & Co KG
  • ISBN: 3110464489
  • Category : Law
  • Languages : en
  • Pages : 308

The volume analyses the concept of the “body” in the Renaissance period and its articulations and interpretations both in the legal field and the theatre. The body emerges as a site of regulation, shaped by social and political ideologies and specific networks of power, as well as a site of resistance to the codification of individual identity and the medium for its re-assertion in strict connection to the concept of the juridical persona.


Filming and Performing Renaissance History

Filming and Performing Renaissance History

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  • Author: M. Burnett
  • Publisher: Springer
  • ISBN: 0230299423
  • Category : Performing Arts
  • Languages : en
  • Pages : 212

Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture in various cultural and linguistic guises.


Ovid and the Renaissance Body

Ovid and the Renaissance Body

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  • Author: Goran V. Stanivukovic
  • Publisher: University of Toronto Press
  • ISBN: 9780802035158
  • Category : Literary Collections
  • Languages : en
  • Pages : 308

This collection of original essays uses contemporary theory to examine Renaissance writers' reworking of Ovid's texts in order to analyze the strategies in the construction of the early modern discourses of gender, sexuality, and writing.


Performing the Body/performing the Text

Performing the Body/performing the Text

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  • Author: Amelia Jones
  • Publisher: Psychology Press
  • ISBN: 9780415190602
  • Category : Arts, Modern
  • Languages : en
  • Pages : 326

Performing the Body/Performing the Text explores the new performativity in art theory and practice, examining ways of rethinking processess in visual culture.


Bodycheck

Bodycheck

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  • Author:
  • Publisher: BRILL
  • ISBN: 9004334270
  • Category : History
  • Languages : en
  • Pages : 301

In ice hockey, the term body check refers to a specific move to gain control. It is a blow from body to body, a dynamic clash of physical strength, which will determine the course of the game. In this book, too, the body is checked and there is physical confrontation. Not in the hockey ring, but on stage. This book deals with the body in contemporary (performing) arts. The focus is on exploring theoretical avenues and developing new concepts to grasp corporeal images more accurately. This theoretical research is confronted with the voice of artists whose work explicitly deals with the body. In-depth interviews with a.o. Meg Stuart, Wim Vandekeybus, Romeo Castellucci, Jerôme Bel reveal a very broad range of views on the (re)presentation of the body in today’s performing arts. The combination of these two voices –the theoretician’s and the artist’s -shows that research by artists and cultural scientists is perfectly complementary.


Shakespeare, Theory, and Performance

Shakespeare, Theory, and Performance

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  • Author: James C. Bulman
  • Publisher: Psychology Press
  • ISBN: 9780415116251
  • Category : Art
  • Languages : en
  • Pages : 232

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.


Sacred Views of Saint Francis

Sacred Views of Saint Francis

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  • Author: Cynthia O. Ho
  • Publisher: punctum books
  • ISBN: 1950192776
  • Category : Art
  • Languages : en
  • Pages : 209

Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment. Descending from the vision of the 16th-century Archbishop Carlo Borromeo, the design and execution of the chapels express the Catholic Church's desire to define, or, perhaps redefine itself for a transforming Christian diaspora. And in the struggle to provide a spiritual and geographical front against the spread of Protestantism into the Italian peninsula, the Catholic Church mustered the most powerful weapon it had: the widely popular native Italian saint, Francis of Assisi.Sacred Views of Saint Francis: The Sacro Monte di Orta examines this important pilgrimage site where Francis is embraced as a ne plus ultra saint. The book delves into a pivotal moment in the life of the Catholic Church as revealed through the artistic program of the Sacro Monte's twenty-one chapels, providing a nuanced understanding of the role the site played in the Counter-Reformation.The Sacro Monte di Orta was, in its way, a new hagiographical text vital to post-Tridentine Italy. Sacred Views provides research and analysis of this popular, yet critically neglected Franciscan devotional site. Sacred Views is the first significant scholarly work on the Sacro Monte di Orta in English and one of the very few full-length treatments in any language. It includes a catalogue of artists, over one hundred photographs, maps, short essays on each chapel, and longer essays that examine some of the most significant chapels in greater detail.


Performing Maternity in Early Modern England

Performing Maternity in Early Modern England

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  • Author: Kathryn R. McPherson
  • Publisher: Routledge
  • ISBN: 1351912070
  • Category : History
  • Languages : en
  • Pages : 262

Performing Maternity in Early Modern England features essays that share a common concern with exploring maternity's cultural representation, performative aspects and practical consequences in the period from 1540-1690. The essays interrogate how early modern texts depict fertility, conception, delivery and gendered constructions of maternity by analyzing a wealth of historical documents and images in conjunction with dramatic and non-dramatic literary texts. They emphasize that the embodied, repeated and public nature of maternity defines it as inherently performative and ultimately central to the production of gender identity during the early modern period.


From Acting to Performance

From Acting to Performance

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  • Author: Philip Auslander
  • Publisher: Routledge
  • ISBN: 1134727194
  • Category : Performing Arts
  • Languages : en
  • Pages : 192

From Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s. Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan. From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.


Europe in Law and Literature

Europe in Law and Literature

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  • Author: Laura Anina Zander
  • Publisher: Walter de Gruyter GmbH & Co KG
  • ISBN: 3111075699
  • Category : History
  • Languages : en
  • Pages : 416

Europe is a broad and multifaceted construct, variously understood as a geographical, political, legal, institutional, social, or cultural formation. It is characterized by numerous conflicts and processes of negotiation that have accompanied or sustained the development of normative orders and divergent conceptions of law, both in relation to individual states and to Europe as a whole. The same applies to the field of literature, language, and aesthetics; numerous myths and ideologies have shaped today’s understanding of Europe and still support it today. This volume examines how such processes were legally structured, and literarily addressed, criticized, and complemented. Its interdisciplinary perspective and open and dynamic, both dialogical and dialectical format intends to replicate the fragmented, sometimes conflicting, but always productive mosaic of voices, ideas, and concepts that have constituted and still constitute Europe, whether in the past, present, or future. Instead of resolving any of the complexities and contradictions that frame discussions on law, literature, and Europe, it aims to induce further engagement and confrontations with new and alternative visions of Europe.