My Favorite Thing is Monsters

My Favorite Thing is Monsters

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  • Author: Emil Ferris
  • Publisher: Fantagraphics Books
  • ISBN: 1606999591
  • Category : Comics & Graphic Novels
  • Languages : en
  • Pages : 418

Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters is the fictional graphic diary of 10-year-old Karen Reyes, filled with B-movie horror and pulp monster magazines iconography. Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge.


Duncan the Wonder Dog

Duncan the Wonder Dog

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  • Author: Adam Hines
  • Publisher: Adhouse Books
  • ISBN: 9780977030491
  • Category : Animal welfare
  • Languages : en
  • Pages : 0

"Duncan is set in a world almost exactly like ours, except that all animals can talk. Humans still have dominion over everything, and a lot of animals aren't too happy about it; they also see the world in very different ways from each other, and from people"--Publishers Weekly.


Swallow Me Whole

Swallow Me Whole

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  • Author: Nate Powell
  • Publisher: Top Shelf Productions
  • ISBN: 1603091270
  • Category : Comics & Graphic Novels
  • Languages : en
  • Pages : 219

--WINNER OF THE 2009 EISNER AWARD FOR BEST NEW GRAPHIC NOVEL! --NOMINATED FOR THREE 2009 EISNER AWARDS INCLUDING BEST GN & BEST CARTOONIST! --WINNER OF THE 2008 IGNATZ AWARD FOR "OUTSTANDING DEBUT"! --ONE OF YALSA'S "GREAT GRAPHIC NOVELS FOR TEENS"! --FINALIST FOR THE LA TIMES BOOK PRIZE! ----Swallow Me Whole is the first graphic novel since 1992's Maus to be nominated for this prize in any category. --WINNER OF THE 2009 IGNATZ AWARD FOR "OUTSTANDING ARTIST"! "Nate Powell's Swallow Me Whole, a disturbed, haunting book, is impossible to describe... It's not an easy book, but its dark brilliance marks its creator as a writer-artist of genius."--Neel Mukherjee, The Times (UK) "Scaldingly dark ... Powell's flowing, impressionistic artwork, with its ravenous expanses of negative space, swirls the reader's perspective through his characters' perceptions and back out again."--Douglas Wolk, The New York Times "Honest and lovingly portrayed. Every word in this graphic novel is carefully chosen, dialogue is realistic, and background "noise"masterfully done. Powell's detailed pen-and-ink drawings are well executed with lettering and images so brilliantly intertwined that they are one and the same."--Lara McAllister, School Library Journal "Darkly sublime."--Booklist "His layouts, his touch with shadow and darkness, the way he brings you close enough to Ruth that you can watch her sleep without disturbing her dreams, all that stuff is amazing. ... Nate Powell can do it all. In his hands, even the high-school parking lots and the booths at the local diner are equal parts hope and foreboding."-- Steve Duin, The Oregonian "[Swallow Me Whole] achieves some stunning effects with the art and the lettering ... Powell has a look halfway between Charles Burns and Craig Thompson, and at times, Swallow Me Whole enters that rarified sphere of art comics where the page design alone achieves the mood and meaning that that the artist is shooting for... Swallow Me Whole captures the desperation of the clinically obsessed, and how from the right angle, it can look like genius."--The AV Club "Both provocative and thoughtful ... not since Robert Altman's Images has a medium so perfectly conveyed the experience of schizophrenia ... It's the best graphic novel since Craig Thompson's Blankets."--Chris DeVito, CD Syndicated Swallow Me Whole is a love story carried by rolling fog, terminal illness, hallucination, apophenia, insect armies, secrets held, unshakeable faith, and the search for a master pattern to make sense of one's unraveling. In his most ambitious book to date, Nate Powell quietly explores the dark corners of adolescence -- not the clich_d melodramatic outbursts of rebellion, but the countless tiny moments of madness, the vague relief of medication, and mixed blessing of family ties. As the story unfolds, two stepsiblings hold together amidst schizophrenia, obsessive compulsive disorder, family breakdown, animal telepathy, misguided love, and the tiniest hope that everything will someday make sense. Deliberately paced, delicately drawn, and drenched in shadows, Swallow Me Whole is a landmark achievement for Nate Powell and a suburban ghost story that will haunt readers long after its final pages.


Unflattening

Unflattening

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  • Author: Nick Sousanis
  • Publisher: Harvard University Press
  • ISBN: 0674744438
  • Category : Art
  • Languages : en
  • Pages : 209

The primacy of words over images has deep roots in Western culture. But what if the two are inextricably linked, equal partners in meaning-making? Written and drawn entirely as comics, Unflattening is an experiment in visual thinking. Nick Sousanis defies conventional forms of scholarly discourse to offer readers both a stunning work of graphic art and a serious inquiry into the ways humans construct knowledge. Unflattening is an insurrection against the fixed viewpoint. Weaving together diverse ways of seeing drawn from science, philosophy, art, literature, and mythology, it uses the collage-like capacity of comics to show that perception is always an active process of incorporating and reevaluating different vantage points. While its vibrant, constantly morphing images occasionally serve as illustrations of text, they more often connect in nonlinear fashion to other visual references throughout the book. They become allusions, allegories, and motifs, pitting realism against abstraction and making us aware that more meets the eye than is presented on the page. In its graphic innovations and restless shape-shifting, Unflattening is meant to counteract the type of narrow, rigid thinking that Sousanis calls “flatness.” Just as the two-dimensional inhabitants of Edwin A. Abbott’s novella Flatland could not fathom the concept of “upwards,” Sousanis says, we are often unable to see past the boundaries of our current frame of mind. Fusing words and images to produce new forms of knowledge, Unflattening teaches us how to access modes of understanding beyond what we normally apprehend.


Here There Are Monsters

Here There Are Monsters

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  • Author: Amelinda Bérubé
  • Publisher: Sourcebooks, Inc.
  • ISBN: 1492671029
  • Category : Young Adult Fiction
  • Languages : en
  • Pages : 248

A bone-chilling read about creating monsters, sisterhood turned toxic, and secrets that won't stay buried, perfect for fans of The Night She Disappeared, Wilder Girls, and The Blair Witch Project. Sixteen-year-old Skye is done playing the knight in shining armor for her insufferable younger sister, Deirdre. And moving across the country seems like the perfect chance to start over as someone different. In their isolated new neighborhood, Skye manages to fit in, but Deirdre withdraws from everyone, becoming fixated on the swampy woods behind their house and building monstrous sculptures out of sticks and bones. Then Deirdre disappears. And when something awful comes scratching at Skye's window in the middle of the night, claiming Skye's the only one who can save Deirdre, Skye knows she will stop at nothing to bring her sister home. A great buy for readers who want: young adult horror books the teen girl book best sellers of 2018 creepy stories Praise for Here There Are Monsters: "Thick with atmosphere and tension, Here There Are Monsters does what fairy tales do: it edifies as it terrifies."—Foreword *STARRED REVIEW* "Seamlessly executed... an intricate, subtle, and deeply unsettling read."—Kirkus "Dark and eerie with just the right amount of creepiness...perfect for any fan of young adult horror."—School Library Journal "Everything and everyone reeks of malice while nothing and no one can be trusted—perfect conditions for a compelling YA horror."—Shelf Awareness "The horror of this creepy tale rests upon an increasing sense of inevitability and powerlessness against the spirit entities that inhabit the woods."—BCCB Also by Amelinda Bérubé: The Dark Beneath the Ice


Monster Portraits

Monster Portraits

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  • Author: Sofia Samatar
  • Publisher: Rose Metal Press
  • ISBN: 9781941628102
  • Category : Fiction
  • Languages : en
  • Pages : 0

"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.


Weapon X

Weapon X

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  • Author: Barry Windsor-Smith
  • Publisher: Marvel Comics Group
  • ISBN: 9780785100331
  • Category : Comics & Graphic Novels
  • Languages : en
  • Pages : 132

Of all the members of the X-Men, none has been more popular than Wolverine -- yet the origins of this mutant hero had always been tightly shrouded in mystery. Aside from a few hazy tidbits, Wolverine's past has always been little more than a blank slate. In WEAPON X, acclaimed writer/illustrator Barry Windsor-Smith peels back this veil of secrecy to reveal how Wolverine's skeleton became laced with an indestructible adamantium metal. Kidnapped and drugged, Wolverine is subjected to a series of sadistic medical experiments designed to create the perfect soldier. As he battles back against this tortuous experience, Wolverine proves himself to be a true hero long before his days as an X-Man.--Amazon.com.


Perfect Copies

Perfect Copies

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  • Author: Shiamin Kwa
  • Publisher: Rutgers University Press
  • ISBN: 1978826540
  • Category : Literary Criticism
  • Languages : en
  • Pages : 161

Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.


My Favorite Thing Is Monsters Book Two

My Favorite Thing Is Monsters Book Two

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  • Author: Emil Ferris
  • Publisher:
  • ISBN: 9781683969273
  • Category : Comics & Graphic Novels
  • Languages : en
  • Pages : 0

The most anticipated graphic novel of 2024, concluding the story of young Karen Reyes, the most inspiring "monster" in contemporary fiction.


Comics and Stuff

Comics and Stuff

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  • Author: Henry Jenkins
  • Publisher: NYU Press
  • ISBN: 1479815179
  • Category : Social Science
  • Languages : en
  • Pages : 356

Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves now For most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre. While the American comics of the past were about hyperbolic battles between good and evil, most of today’s graphic novels focus on everyday personal experiences. Contemporary culture is awash with stuff. They give vivid expression to a culture preoccupied with the processes of circulation and appraisal, accumulation and possession. By design, comics encourage the reader to scan the landscape, to pay attention to the physical objects that fill our lives and constitute our familiar surroundings. Because comics take place in a completely fabricated world, everything is there intentionally. Comics are stuff; comics tell stories about stuff; and they display stuff. When we use the phrase “and stuff” in everyday speech, we often mean something vague, something like “etcetera.” In this book, stuff refers not only to physical objects, but also to the emotions, sentimental attachments, and nostalgic longings that we express—or hold at bay—through our relationships with stuff. In Comics and Stuff, his first solo authored book in over a decade, pioneering media scholar Henry Jenkins moves through anthropology, material culture, literary criticism, and art history to resituate comics in the cultural landscape. Through over one hundred full-color illustrations, using close readings of contemporary graphic novels, Jenkins explores how comics depict stuff and exposes the central role that stuff plays in how we curate our identities, sustain memory, and make meaning. Comics and Stuff presents an innovative new way of thinking about comics and graphic novels that will change how we think about our stuff and ourselves.