Music in Action Film

Music in Action Film

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  • Author: James Buhler
  • Publisher: Routledge
  • ISBN: 1351204262
  • Category : Music
  • Languages : en
  • Pages : 304

Music in Action Film is the first volume to address the central role of music and sound in action film—arguably the most dominant form of commercial cinema today. Bringing together 15 essays by established and emerging scholars, the book encompasses both Hollywood blockbusters and international films, from classic works such as The Seven Samurai to contemporary superhero franchises. The contributors consider action both as genre and as a mode of cinematic expression, in chapters on evolving musical conventions; politics, representation, and identity; musical affect and agency; the functional role of music and sound design in action film; and production technologies. Breaking new critical ground yet highly accessible, this book will be of interest to students and scholars of music and film studies.


Popular Film Music and Masculinity in Action

Popular Film Music and Masculinity in Action

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  • Author: Amanda Howell
  • Publisher: Routledge
  • ISBN: 1134109415
  • Category : Social Science
  • Languages : en
  • Pages : 250

Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music’s role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender—and gendered fictions of male empowerment—in contemporary screen entertainment.


Film Music: a Very Short Introduction

Film Music: a Very Short Introduction

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  • Author: Kathryn Kalinak
  • Publisher: Oxford University Press
  • ISBN: 0197628036
  • Category : Motion picture music
  • Languages : en
  • Pages : 177

"Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--


Popular Film Music and Masculinity in Action

Popular Film Music and Masculinity in Action

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  • Author: Amanda Howell
  • Publisher: Routledge
  • ISBN: 1134109342
  • Category : Music
  • Languages : en
  • Pages : 188

Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen—or heard—before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music’s role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent gender—and gendered fictions of male empowerment—in contemporary screen entertainment.


Film Music

Film Music

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  • Author: Roy M. Prendergast
  • Publisher: W. W. Norton & Company
  • ISBN: 9780393308747
  • Category : History
  • Languages : en
  • Pages : 356

The expanded, updated, and revised edition of Film Music brings together the experience and insights of the professional film music editor with the scholarship and concerns of the film critic and historian. In this pioneering work, film music--from its beginnings to the present day--is analyzed both as composition and as an integral element of cinematic expression. Beginning with an extensive historical overview, the author recreates the process by which film music composers developed their own forms out of typical screen action. The techniques and achievements of filmmakers from the silent and early sound film eras to the 1990s are examined, including the unique demands of music for the rapidly changing images of cartoons and animated films. A new chapter about music for television has been added to the very informative discussion of techniques for synchronizing music to picture. And the latest technological advances are described in an entirely new section dealing with contemporary methods and tools, including video post-production, the advent of digital audio, and the pervasive influence of the music synthesizer. Replete with music examples drawn from actual film scores, this comprehensive study concludes with an extensive and up-to-date bibliography of related reference works.


The Cambridge Companion to Film Music

The Cambridge Companion to Film Music

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  • Author: Mervyn Cooke
  • Publisher: Cambridge University Press
  • ISBN: 1107094518
  • Category : Music
  • Languages : en
  • Pages : 439

A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.


A Companion to the Action Film

A Companion to the Action Film

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  • Author: James Kendrick
  • Publisher: John Wiley & Sons
  • ISBN: 1119100763
  • Category : Performing Arts
  • Languages : en
  • Pages : 578

An authoritative guide to the action-packed film genre With 24 incisive, cutting-edge contributions from esteemed scholars and critics, A Companion to the Action Filmprovides an authoritative and in-depth guide to this internationally popular and wide-ranging genre. As the first major anthology on the action film in more than a decade, the volume offers insights into the genre’s historical development, explores its production techniques and visual poetics, and provides reflections on the numerous social, cultural, and political issues it has and continues to embody. A Companion to the Action Film offers original research and critical analysis that examines the iconic characteristics of the genre, its visual aesthetics, and its narrative traits; considers the impact of major directors and stars on the genre’s evolution; puts the action film in dialogue with various technologies and other forms of media such as graphic novels and television; and maps out new avenues of critical study for the future. This important resource: Offers a definitive guide to the action film Contains insightful contributions from a wide range of international film experts and scholars Reviews the evolution of the genre from the silent era to today’s age of digital blockbusters Offers nuanced commentary and analysis of socio-cultural issues such as race, nationality, and gender in action films Written for scholars, teachers and students in film studies, film theory, film history, genre studies, and popular culture, A Companion to the Action Film is an essential guide to one of international cinema’s most important, popular, and influential genres.


Celluloid Symphonies

Celluloid Symphonies

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  • Author: Julie Hubbert
  • Publisher: Univ of California Press
  • ISBN: 0520241010
  • Category : Music
  • Languages : en
  • Pages : 524

A sourcebook of writings on music for film, bringing together fifty-three critical documents. It includes essays by those who created the music and outlines the major trends, aesthetic choices, technological innovations, and commercial pressures that have shaped the relationship between music and film from 1896 to the present.


Action Speaks Louder

Action Speaks Louder

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  • Author: Eric Lichtenfeld
  • Publisher: Wesleyan University Press
  • ISBN: 9780819568014
  • Category : Performing Arts
  • Languages : en
  • Pages : 408

An authoritative and entertaining history of the action film


Exploring Movie Construction and Production

Exploring Movie Construction and Production

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  • Author: John Reich
  • Publisher: Open SUNY Textbooks
  • ISBN: 9781942341475
  • Category :
  • Languages : en
  • Pages :

Exploring Movie Construction & Production contains eight chapters of the major areas of film construction and production. The discussion covers theme, genre, narrative structure, character portrayal, story, plot, directing style, cinematography, and editing. Important terminology is defined and types of analysis are discussed and demonstrated. An extended example of how a movie description reflects the setting, narrative structure, or directing style is used throughout the book to illustrate building blocks of each theme. This approach to film instruction and analysis has proved beneficial to increasing students¿ learning, while enhancing the creativity and critical thinking of the student.