Metaphors: Figures of the Mind

Metaphors: Figures of the Mind

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  • Author: Z. Radman
  • Publisher: Springer Science & Business Media
  • ISBN: 9401722544
  • Category : Philosophy
  • Languages : en
  • Pages : 188

This book deals with various aspects of metaphorics and yet it is not only, or perhaps not even primarily, about metaphor itself. Rather it is concerned with the argument from metaphor. In other words, it is about what I think we can learn from metaphor and the possible consequences of this lesson for a more adequate understanding, for instance, of our mental processes, the possibilities and limitations of our reasoning, the strictures of propositionality, the cognitive effect of fictional projections and so on. In this sense it is not, strictly speaking, a contribution to metaphorology; instead, it is an attempt to define the place of metaphor in the world of overall human intellectual activity, exemplary thematized here in the span that ranges from problems relating to the articulation of meanings up to general issues of creativity. Most of the aspects discussed, therefore, are examined not so much for the sake of gaining some new knowledge about metaphor (work conducted in the »science of metaphor« is presently so huge that an extra attempt to spell out another theory of metaphor may have an infiatory effect); the basic strategy of this book is to view metaphor within the complex of language usage and language competence, in human thought and action, and, finally, to see in what philosophically relevant way it improves our knowledge of ourselves. Certainly, by adopting this basic strategy we also simultaneously increase our knowledge of metaphors, of their functions and importance.


Metaphors: Figures of the Mind

Metaphors: Figures of the Mind

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  • Author: Zdravko Radman
  • Publisher:
  • ISBN:
  • Category :
  • Languages : en
  • Pages : 186


Metaphors in the Mind

Metaphors in the Mind

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  • Author: Jeannette Littlemore
  • Publisher: Cambridge University Press
  • ISBN: 110841656X
  • Category : Language Arts & Disciplines
  • Languages : en
  • Pages : 293

Explores the physical, psychological and social factors that shape the way in which people engage with embodied metaphor, including, for example, the shape of one's body, age, gender, physical or linguistic impairments, ideology and religious beliefs. It will appeal to students and researchers in cognitive linguistics and cognitive psychology.


Metaphors of Mind in Fiction and Psychology

Metaphors of Mind in Fiction and Psychology

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  • Author: Michael S. Kearns
  • Publisher: University Press of Kentucky
  • ISBN: 0813186277
  • Category : Literary Criticism
  • Languages : en
  • Pages : 296

Curiosity about the human mind—what it is and how it functions—began long before modern psychology. But because the mind and its processes are so elusive, they could be described only by means of metaphor. Michael Kearns, in this prize-winning study, examines the development of metaphors of the mind in psychological writings from Hobbes through William James and in fiction from Defoe through Henry James. Throughout the eighteenth century and even into the early nineteenth, metaphors of the mind as a relatively simple entity, either mechanical or biological, dominated both those engaged in psychological theorizing and novelists ranging from Richardson and Smollett through Dickens and the Brontes. In the nineteenth century, such psychologists as Herbert Spencer and Alexander Bain conceived of the mind as a complex organism quite different from that embodied in earlier thinking, but their figurative language did not keep pace. The result was a tension between theoretical expression and actual discussion of mental phenomena


Metaphors of Memory

Metaphors of Memory

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  • Author: D. Draaisma
  • Publisher: Cambridge University Press
  • ISBN: 9780521650243
  • Category : History
  • Languages : en
  • Pages : 268

First published in 2000, this book explores the metaphors used by philosophers and psychologists to understand memory over the centuries.


Out of My Mind

Out of My Mind

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  • Author: Sharon M. Draper
  • Publisher: Simon and Schuster
  • ISBN: 1416971718
  • Category : Juvenile Nonfiction
  • Languages : en
  • Pages : 320

Considered by many to be mentally retarded, a brilliant, impatient fifth-grader with cerebral palsy discovers a technological device that will allow her to speak for the first time.


Metaphors of Mind

Metaphors of Mind

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  • Author: Brad Pasanek
  • Publisher: JHU Press
  • ISBN: 1421416891
  • Category : Literary Criticism
  • Languages : en
  • Pages : 391

A pathbreaking introduction to eighteenth-century metaphors of the mind that recasts the grand narrative of the Enlightenment in terms of its tropes and figures. An encyclopedic dictionary along the lines of Voltaire’s classic Dictionnaire Philosophique, Metaphors of Mind provides an in-depth look at the myriad ways in which Enlightenment writers used figures of speech to characterize the mind. Drawn from Brad Pasanek’s massive online archive, http://metaphorized.net, this volume constitutes a veritable treasury of mental metaphorics. Dividing the book into eleven broad metaphorical categories—Animals, Coinage, Court, Empire, Fetters, Impressions, Inhabitants, Metal, Mirror, Rooms, and Writing—Pasanek maps out constellations of metaphors. He frames his collection of literary excerpts in each section with a more descriptive and theoretical discussion of what he calls “desultory reading,” a form of unsystematic perusal of writing frequently employed by Enlightenment thinkers. By surveying the printed past alongside the digital present, the book treats eighteenth-century writing as its topic while essentially exemplifying its rhetorical approach. More than an exercise in quotation, this intellectual history offers illuminating readings of fragmentary literary works and confrontations with neoclassical and contemporary theories of metaphor. The book’s entries complicate received ideas about Locke’s blank slate, question M. H. Abrams’ claims about mirrors and lamps, and chart changing frequencies of metal metaphors in a moment of industrial revolution. The book also responds to current anxieties about reading and the mass digitization of literature, touching on recent discussions of “distant reading,” “shallow reading,” and “surface reading.” Promoting critical and creative anachronism, Metaphors of Mind redefines the notion of an archive in the age of Amazon and Google Books.


Metaphors for the Mind

Metaphors for the Mind

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  • Author: Colin Murray Turbayne
  • Publisher:
  • ISBN:
  • Category : Language Arts & Disciplines
  • Languages : en
  • Pages : 160

Turbayne analyzes the significance of metaphor in human thought by exploring historical traditions of philosophy. Probing into the early philosophies of Plato and Aristotle, Turbayne traces the influence that Platonic metaphors have held for later important philosophers such as Berkeley and Kant. By showing how modern theories of human thought and language (including the substance and attribute theory) arose from the procreation model as presented in Plato's Timaeus, Turbayne makes a contribution to the current philosophical debates concerning relativist/realist. In the discussion, the author restores the model to its original state in which the female and male hemispheres of the mind work as partners to create our world.


The Spider's Thread

The Spider's Thread

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  • Author: Keith J. Holyoak
  • Publisher: MIT Press
  • ISBN: 0262551470
  • Category : Psychology
  • Languages : en
  • Pages : 289

An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.


Metaphors of Conciousness

Metaphors of Conciousness

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  • Author: Ronald S. Valle
  • Publisher: Springer Science & Business Media
  • ISBN: 1461338026
  • Category : Psychology
  • Languages : en
  • Pages : 522

As we move into the 1980s, there is an increasing awareness that our civilization is going through a profound cultural transformation. At the heart of this transformation lies what is often called a "paradigm shift"-a dramatic change in the thoughts, perceptions, and values which form a particular vision of reality. The paradigm that is now shifting comprises a large number of ideas and values that have dominated our society for several hundred years; values that have been associated with various streams of Western culture, among them the Scientific Revolution of the seventeenth century, The Enlightenment, and the Industrial Revolution. They include the belief in the scientific method as the only valid approach to knowledge, the split between mind and matter, the view of nature as a mechanical system, the view of life in society as a competitive struggle for survival, and the belief in unlimited material progress to be achieved through economic and technological growth. All these ideas and values are now found to be severely limited and in need of radical revision.