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In an experiment that occurred some forty years ago, Henry M.'s memory was stolen from him during a highly controversial operation performed to cure his epilepsy. Part poetic reflection and philosophical meditation, part popular science and investigative journalism, Memory's Ghost is an unforgettable journey into the mysteries of the human mind.
This book is a groundbreaking attempt to rethink the landscapes of the social world and historical practice by theorising ‘social haunting’: the ways in which the social forms, figures, phantasms and ghosts of the past become present to us time and time again. Examining the relationship between historical practices such as archaeology and archival work in order to think about how the social landscape is reinvented with reference to the ghosts of the past, the author explores the literary and historical status and accounts of the ghost, not for what they might tell us about these figures, but for their significance for our, constantly re-invented, re-vivified, re-ghosted social world. With chapters on haunted houses and castles, slave ghosts, the haunting airs of music, the prehistoric origin of spirits, Marxist spectres, Freudian revenants, and the ghosts in the machine, Ghosts, Landscapes and Social Memory adopts multi-disciplinary methods for understanding the past, the dead and social ghosts and the landscapes they appear in. A sociology of haunting that illustrates how social landscapes have their genesis and perpetuation in haunting and the past, this volume will appeal to sociologists and social theorists with interests in memory, haunting and culture.
Ghost stories are in many cases the human memory of some traumatic experience. For reasons not yet understood, in cases of extreme fear, the mind creates a record that survives outside the originator's experience. A reason why scientists have not studied these events is that they currently reside in the literature of the occult -- primarily as ghost stories, tales of lost spirits trapped in some eternal vortex. A review of this occult literature unearths much that has been misinterpreted. Further investigation is needed to determine the full potential of this finding and its application to neurophysiology.
Ghosts of Memory provides an overview of literature on relatedness and memory and then moves beyond traditional approaches to the subject, exploring the subtle and complex intersections between everyday forms of relatedness in the present and memories of the past. Explores how various subjects are located in personal and familial histories that connect to the wider political formations of which they are a part Closely examines diverse and intriguing case studies, e.g. Catholic residents of a decayed railway colony in Bengal, and sex workers in London Brings together original essays authored by contemporary experts in the field Draws on anthropology, literature, memory studies, and social history
In Popular Myths about Memory, Brian H. Bornstein confronts popular myths about memory with scientific evidence on memory permanence, recovered memory and repression, amnesia, eyewitness memory, superior memory, and other topics. This book is recommended for scholars interested in psychology, media and film studies, communication studies, and sociology.
Rediscover the history behind the Bone Island trilogy in this prequel to the thrilling series by New York Times bestselling author Heather Graham. In the early nineteenth century, pirates and privateers still wreaked havoc in the Caribbean. Bartholomew Miller had been one of them. After years of plying the seas for England as a privateer, he finally found a home and love on Bone Island off the Florida coast. But Bartholomew also made enemies in his time—enemies that would take everything Bartholomew loved and create a curse to haunt Bone Island for centuries… Originally published in 2010
I had been shot. A bullet in my back. I fell. Where did I fall? I fell from a great height, it seemed, into a painting in a gallery in a great City. I found myself returning across centuries and generations to the end of my age. I had been caught by the Artist in what seemed the womb of unexpected being in which one becomes sensitive to the end one has reached and to a new beginning. It was an end, it was a new beginning one was called upon to probe and discover. We may dream, while still alive, of dying. But the dream is soon forgotten as are the edges and corners of a re-lived life of which we dream. It is buried in the unconscious. We know that life fades into death but, in what degree, does life re-live itself as it dreams of dying? The Ghost of memory is a novel about life and death or rather - to put it somewhat differently - about the close, almost indefinable cross-cultarlities between moments of life and death. This is played out through a man who is mistakenly shot as a terrorist - he sees himself
