PDF The Galaxy Download
- Author: William Conant Church
- Publisher:
- ISBN:
- Category : American literature
- Languages : en
- Pages : 904
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DIVWhile on vacation in DC, Marty must outwit kidnappers at a magicians’ convention/divDIV Marty Gold deserves a vacation. For years he has toiled behind the pharmacy counter at Spector’s, a Manhattan institution whose classic soda fountain makes it a magnet for every overstuffed rear end on the West Side. Among his most devoted customers is Mase O’Dwyer, a chunky young magician who treats Marty as a captive audience for hour upon hour of poorly executed magic tricks. When Marty finally saves up enough money for a jaunt down to Washington, DC, Mase insists on tagging along to attend a magic convention. But as soon as he arrives, the hapless magician finally manages to make one trick work: He disappears./divDIV /divDIVMase has been kidnapped, and as much as he dislikes the kid, Marty feels obligated to rescue him. It will take magic to save the portly illusionist, but the druggist has a few of his own tricks up his sleeves./div
The most important figure of seventeenth-century Neapolitan music, Francesco Provenzale (1624-1704) spent his long life in the service of a number of Neapolitan conservatories and churches, culminating in his appointment as maestro of the Tesoro di S. Gennaro and the Real Cappella. Provenzale was successful in generating significant profit from a range of musical activities promoted by him with the participation of his pupils and trusted collaborators. Dinko Fabris draws on newly discovered archival documents to reconstruct the career of a musician who became the leader of his musical world, despite his relatively small musical output. The book examines Provenzale's surviving works alongside those of his most important Neapolitan contemporaries (Raimo Di Bartolo, Sabino, Salvatore and Caresana) and pupils (Fago, Greco, Veneziano and many others), revealing both stylistic similarities and differences, particularly in terms of new harmonic practices and the use of Neapolitan language in opera. Fabris provides both a life and works study of Provenzale and a conspectus of Neapolitan musical life of the seventeenth century which so clearly laid the groundwork for Naples' later status as one of the great musical capitals of Europe.
The twenty-eight essays in this handbook represent the best current thinking in the study of Latin language and literature in the Middle Ages. Contributing authors--both senior scholars and gifted younger thinkers among them--not only illuminate the field as traditionally defined but also offer fresh insights into broader questions of literary history, cultural interaction, world literature, and language in history and society. Their studies vividly illustrate the field's complexities on a wide range of topics, including canonicity, literary styles and genres, and the materiality of manuscript culture. At the same time, they suggest future possibilities for the necessarily provisional and open-ended work essential to the pursuit of medieval Latin studies. The overall approach of The Oxford Handbook of Medieval Latin Literature makes this volume an essential resource for students of the ancient world interested in the prolonged after-life of the classical period's cultural complexes, for medieval historians, for scholars of other medieval literary traditions, and for all those interested in delving more deeply into the fascinating more-than-millennium-long passage between the ancient Mediterranean world and what we consider modernity.