Language, Music and Computing

Language, Music and Computing

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  • Author: Polina Eismont
  • Publisher: Springer
  • ISBN: 3030055949
  • Category : Computers
  • Languages : en
  • Pages : 235

This book constitutes the proceedings of the First International Workshop on Language, Music and Computing, LMAC 2017, held in St. Petersburg, Russia, in April 2017. The 18 papers presented in this volume were carefully reviewed and selected from 52 submissions. They were organized in topical sections on the universal grammar of music, the surface of music and singing, language as music, music computing, formalization of the informality.


Making Music with Computers

Making Music with Computers

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  • Author: Bill Manaris
  • Publisher: CRC Press
  • ISBN: 1482222213
  • Category : Computers
  • Languages : en
  • Pages : 496

Teach Your Students How to Use Computing to Explore Powerful and Creative IdeasIn the twenty-first century, computers have become indispensable in music making, distribution, performance, and consumption. Making Music with Computers: Creative Programming in Python introduces important concepts and skills necessary to generate music with computers.


Language, Music, and Computing

Language, Music, and Computing

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  • Author: Polina Eismont
  • Publisher: Springer
  • ISBN: 3319274988
  • Category : Computers
  • Languages : en
  • Pages : 177

This book constitutes the proceedings of the First International Workshop on Language, Music and Computing, LMAC 2015, held in St. Petersburg, Russia, in April 2015. The 13 papers presented in this volume were carefully reviewed and selected from 38 submissions. They were organized in topical sections on music and language in education; corpus studies of language and music; problems of notation; and linguistic studies of music.


Introduction to Computer Music

Introduction to Computer Music

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  • Author: Nick Collins
  • Publisher: John Wiley & Sons
  • ISBN: 0470714557
  • Category : Music
  • Languages : en
  • Pages : 396

A must-have introduction that bridges the gap between music and computing The rise in number of composer-programmers has given cause for an essential resource that addresses the gap between music and computing and looks at the many different software packages that deal with music technology. This up-to-date book fulfills that demand and deals with both the practical use of technology in music as well as the principles behind the discipline. Aimed at musicians exploring computers and technologists engaged with music, this unique guide merges the two worlds so that both musicians and computer scientists can benefit. Defines computer music and offers a solid introduction to representing music on a computer Examines computer music software, the musical instrument digital interface, virtual studios, file formats, and more Shares recording tips and tricks as well as exercises at the end of each section to enhance your learning experience Reviews sound analysis, processing, synthesis, networks, composition, and modeling Assuming little to no prior experience in computer programming, this engaging book is an ideal starting point for discovering the beauty that can be created when technology and music unite.


Sound and Music Computing

Sound and Music Computing

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  • Author: Tapio Lokki
  • Publisher: MDPI
  • ISBN: 3038429074
  • Category : Computer music
  • Languages : en
  • Pages : 621

This book is a printed edition of the Special Issue "Sound and Music Computing" that was published in Applied Sciences


Csound

Csound

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  • Author: Victor Lazzarini
  • Publisher: Springer
  • ISBN: 331945370X
  • Category : Computers
  • Languages : en
  • Pages : 516

This rigorous book is a complete and up-to-date reference for the Csound system from the perspective of its main developers and power users. It explains the system, including the basic modes of operation and its programming language; it explores the many ways users can interact with the system, including the latest features; and it describes key applications such as instrument design, signal processing, and creative electronic music composition. The Csound system has been adopted by many educational institutions as part of their undergraduate and graduate teaching programs, and it is used by practitioners worldwide. This book is suitable for students, lecturers, composers, sound designers, programmers, and researchers in the areas of music, sound, and audio signal processing.


Language, Music, and Computing

Language, Music, and Computing

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  • Author: Polina Eismont
  • Publisher:
  • ISBN: 9783319274997
  • Category :
  • Languages : en
  • Pages :

This book constitutes the proceedings of the First International Workshop on Language, Music and Computing, LMAC 2015, held in St. Petersburg, Russia, in April 2015. The 13 papers presented in this volume were carefully reviewed and selected from 38 submissions. They were organized in topical sections on music and language in education; corpus studies of language and music; problems of notation; and linguistic studies of music. .


Composing Music with Computers

Composing Music with Computers

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  • Author: Eduardo Miranda
  • Publisher: CRC Press
  • ISBN: 1136120939
  • Category : Technology & Engineering
  • Languages : en
  • Pages : 228

Focuses on the role of the computer as a generative tool for music composition. Miranda introduces a number of computer music composition techniques ranging from probabilities, formal grammars and fractals, to genetic algorithms, cellular automata and neural computation. Anyone wishing to use the computer as a companion to create music will find this book a valuable resource. As a comprehensive guide with full explanations of technical terms, it is suitable for students, professionals and enthusiasts alike. The accompanying CD-ROM contains examples, complementary tutorials and a number of composition systems for PC and Macintosh platforms, from demonstration versions of commercial programs to exciting, fully working packages developed by research centres world-wide, including Nyquist, Bol Processor, Music Sketcher, SSEYO Koan, Open Music and the IBVA brainwaves control system, among others. This book will be interesting to anyone wishing to use the computer as a companion to create music. It is a comprehensive guide, but the technical terms are explained so it is suitable for students, professionals and enthusiasts alike.


Knowledge-based Programming for Music Research

Knowledge-based Programming for Music Research

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  • Author: John W. Schaffer
  • Publisher: A-R Editions, Inc.
  • ISBN: 0895793784
  • Category : Music
  • Languages : en
  • Pages : 416

In Knowledge-Based Programming for Music Research, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the most widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour. Of the applications for programming a knowledge-based system, music analysis has the most potential. Beyond identifying isolated elements, it is possible to create programs that extend to chord structures and other, more complex structures. This kind of programming allows the authors to embed the rules of composition in the application and then extend the analysis throughout the musical work. It also allows them to arrive at the underlying principles for a given composition. As a tool for music analysis, such programming has profound implications for further growth. The text is designed for musicians at various levels and could also be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer programming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Prolog applications and a comprehensive bibliography.


Guide to Unconventional Computing for Music

Guide to Unconventional Computing for Music

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  • Author: Eduardo Reck Miranda
  • Publisher: Springer
  • ISBN: 3319498819
  • Category : Computers
  • Languages : en
  • Pages : 284

This pioneering text/reference explores how innovative new modes of computation may provide exciting new directions for future developments in the music industry, guiding the reader through the latest research in this emerging, interdisciplinary field. This work includes coverage of electronic music compositions and performances that incorporate unconventional interfacing, hacking and circuit bending. Features: presents an introduction to unconventional computing in music; discusses initiatives involving biophysical electronic music, the work of self-styled silicon luthiers, and the intersection of music and quantum computing; introduces the memristor, a new electronic component with the potential to revolutionize how computers are built; reviews experiments and practical applications of biological memristors in music; describes IMUSIC, an unconventional tone-based programming language, which enables the programming of computers using musical phrases; includes review questions at the end of each chapter.