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Describes the experiences of ordinary people living in Nazi Germany, explains how they aided or avoided Nazi programs, and analyzes the use of terror against social outsiders
This book by Detlev Peukert is a survey of the complex experiences and attitudes of ordinary German people between 1933 and 1945. It records how people lived during this period, how they evaded or accepted the regime's demands, and where they positioned themselves along the spectrum between the front lines, side lines, and firing lines.
“A much-needed study of the aesthetics and cultural mores of the Third Reich . . . rich in detail and documentation.” (Kirkus Reviews) Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler’s enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany’s military campaigns. Michael H. Kater’s engaging and deeply researched account of artistic culture within Nazi Germany considers how the German arts-and-letters scene was transformed when the Nazis came to power. With a broad purview that ranges widely across music, literature, film, theater, the press, and visual arts, Kater details the struggle between creative autonomy and political control as he looks at what became of German artists and their work both during and subsequent to Nazi rule. “Absorbing, chilling study of German artistic life under Hitler” —The Sunday Times “There is no greater authority on the culture of the Nazi period than Michael Kater, and his latest, most ambitious work gives a comprehensive overview of a dismally complex history, astonishing in its breadth of knowledge and acute in its critical perceptions.” —Alex Ross, music critic at The New Yorker and author of The Rest is Noise Listed on Choice's Outstanding Academic Titles List for 2019 Winner of the Jewish Literary Award in Scholarship
Stoltzfus's (history, Florida State U.) 1996 book has now appeared in paper. The Rosenstrasse protest consisted almost entirely of women protesting the arrest of their Jewish husbands by the Nazis in 1943. The Nazis, surprisingly enough, gave in, and almost all of the men survived the war in their Berlin neighborhood. Using interviews with survivors and other primary resources, Stoltzfuz reconstructs the story, offering his analysis of how intermarriage with Germans was viewed by the Gestapo and by Hitler. Annotation copyrighted by Book News Inc., Portland, OR
Today many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein's study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
Many critics and some historians consider resistance in Nazi Germany as too little and too late. Few Germans were willing to take risks, and others began to oppose the Third Reich only when the end was in sight. However, despite the threat of prison, concentration camp, or death, there were many diverse groups from the academic, military, and spiritual sectors of society that challenged the Reich's harsh, unjust policies. This book represents the spectrum of these forms of resistance and illustrates the courage of those who dared to confront the Nazi government.
During the past decade, the role of Germany's economic elites under Hitler has once again moved into the limelight of historical research and public debate. This volume offers a brief but focused introduction to the role of German businesses and industries in the crimes of Hitler's Third Reich.
The legendary CBS news journalist’s selection of iconic World War II radio broadcasts from countries throughout Europe. William L. Shirer was the first journalist hired by CBS to cover World War II in Europe, where he continued to work for over a decade as a news broadcaster. This book compiles two and a half years’ worth of wartime broadcasts from Shirer’s time on the ground during WWII. He was with Nazi forces when Hitler invaded Austria and made it a part of Germany under the Anschluss; he was also the first to report back to the United States on the armistice between France and Nazi forces in June of 1940. His daily roundup of news from Paris, Vienna, Berlin, Rome, and London, which documented Nazi Germany and the conditions of countries under invasion and at war, became famous for its gripping urgency. Shirer brought a sense of immediacy to the war for listeners in the United States and worldwide, and his later books, including the seminal Rise and Fall of the Third Reich, became definitive works on World War II history. This collection of Shirer’s radio broadcasts offers all the original suspense and vivid storytelling of the time, bringing World War II to life for a modern audience.
