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There are many questions that fishermen ask themselves. Why do certain lures appeal to certain types of fish? How does the physical make-up of a type of fish affect its hunting strategy? Do fish learn to avoid lures and hooks? In Through the Fish’s Eye, these questions, and much more are answered. A classic book written by some of the best names in the business, Through the Fish’s Eye offers a new perspective on the art of fishing by breaking down the behavior of the fish and tying it into their biological make-up. Skyhorse Publishing is proud to publish a broad range of books for fishermen. Our books for anglers include titles that focus on fly fishing, bait fishing, fly-casting, spin casting, deep sea fishing, and surf fishing. Our books offer both practical advice on tackle, techniques, knots, and more, as well as lyrical prose on fishing for bass, trout, salmon, crappie, baitfish, catfish, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
In The Fish's Eye: Essays about Angling and the Outdoors, Ian Frazier "A Great Storyteller" (Newsweek), and one of the "American Originals" (Washington Post Book World) explores his lifelong passion for fishing, fish, and the aquatic world. He sees the angler's environment all around him-in New York's Grand Central Station, in the cement-lined pond of a city park, in a shimmering bonefish flat in the Florida keys, in the trout streams of the Rocky Mountains. He marvels at the fishing in the turbid Ohio River by downtown Cincinnati, where a good bait for catfish is half a White Castle french fry. The incidentals of the angling experience, the who and the where of it, interest him as much as what he catches and how. The essays (including the famous profile of master angler Jim Deren, late proprietor of New York's tackle store, the Angler's Roost) contain sharply focused observations of the American outdoors, a place filled with human alterations and detritus that somehow remains defiantly unruined. Frazier's simple love of the sport lifts him to straight -ahead angling description that are among the best contemporary writing on the subject. The Fish's Eye brings together twenty years of heartfelt, funny, and vivid essays on a timeless pursuit where so many mysteries, both human and natural, coincide.
"Fish Eyes is the story of Meena, a classically trained Indian dancer who, despite being obsessed with Bollywood movies and her dance career, just wants to be like the rest of her high-school friends. When she develops a massive crush on Buddy, the popular boy at school, Meena contemplates turning down an incredible opportunity to pursue him, even if he barely notices her. Boys With Cars follows Naz, also a classically trained Indian dancer, who dreams of getting out of small town Port Moody to attend the University of British Columbia. But when Buddy causes a stir over Naz at school, Naz's university plans begin to crumble quickly. Let Me Borrow That Top centres on Candice, a girl who appropriates Meena's Indian dance skills and bullies Naz after a nasty rumour spreads through the halls of their high school. But like her two enemies, Candice shares a passion for Indian dancing, and has just been accepted to the Conventry School of Bhangra. Will she leave behind the comforts of home to pursue her dreams?"--Publisher.
'Scales's genuine appreciation and awe for fish are contagious.'- Science 'Delightful' - New Scientist Seventy per cent of the earth's surface is covered by water. This vast aquatic realm is inhabited by a multitude of strange creatures and reigning supreme among them are the fish. There are giants that live for centuries and thumb-sized tiddlers that survive only weeks; they can be pancake-flat or inflatable balloons; they can shout with colours or hide in plain sight, cheat and dance, remember and say sorry; some rarely budge while others travel the globe restlessly. And yet the mesmerising and complex lives of fish remain largely underrated and unseen, living hidden beneath the waterline, out of sight and out of mind. Helen Scales is our guide on an underwater journey, as we fathom the depths and watch these animals going about the glorious business of being fish. As well as the fish, we meet devoted fishwatchers past and present, from voodoo zombie potion hunters and scientists who taught fish how to walk to nonagenarian explorers of the deep sea. Woven throughout are vignettes of Helen's own aquatic explorations, from eerie nighttime dives with glowing fish and up-close encounters with giant manta rays, to floating in the middle of a swirling shoal being watched by thousands of inquisitive eyes. As well as being a rich and entertaining read, this book will inspire readers to think again about these animals and the seas they inhabit, and to go out and appreciate the wonders of fish, whether through the glass walls of an aquarium or, better still, by gazing into the fishes' wild world and swimming through it. 'Engaging and informative' The Economist
Fish Eyes is not your typical mermaid novel or fantasy where the story takes place beneath the sea. This tale has a strange realness to it as you listen to the ramblings of a stranded mermaid who has no choice but to befriend her enemy, the human species. During her anything but pleasant adventure on land, Zazzle has one soul wrenching goal in mind and that is to return to the sea. Her survival depends on it!
This volume constitutes a series of invited chapters based on presentations given at an International Conference on the Sensory Biology of Aquatic Animals held June 24-28, 1985 at the Mote Marine Laboratory in Sarasota, Florida. The immediate purpose of the conference was to spark an exchange of ideas, concepts, and techniques among investigators concerned with the different sensory modalities employed by a wide variety of animal species in extracting information from the aquatic environment. By necessity, most investigators of sensory biology are specialists in one sensory system: different stimulus modalities require different methods of stimulus control and, generally, different animal models. Yet, it is clear that all sensory systems have principles in common, such as stimulus filtering by peripheral structures, tuning of receptor cells, signal-to-noise ratios, adaption and disadaptation, and effective dynamic range. Other features, such as hormonal and efferent neural control, circadian reorganization, and receptor recycling are known in some and not in other senses. The conference afforded an increased awareness of new discoveries in other sensory systems that has effectively inspired a fresh look by the various participants at their own area of specialization to see whether or not similar principles apply. This inspiration was found not only in theoretical issues, but equally in techniques and methods of approach. The myopy of sensory specialization was broken in one unexpected way by showing limitations of individual sense organs and their integration within each organism. For instance, studying vision, one generally chooses a visual animal as a model.
