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Normally, there would be nothing sinister about a death by drowning and a motorcycle fatality -- had these tragic occurrences not been predicted before the fact in a pair of macabre "Dialogues" submitted to a Yorkshire short story competition. Yet the local police department is slow to act -- until the arrival of a third Dialogue ... and another corpse. A darkness is settling over a terrorized community, brought on by a genius fiend who hides clues to his horrific acts in complex riddles and brilliant wordplay. Now two seasoned CID investigators, Peter Pascoe and "Fat Andy" Dalziel, are racing against a clock whose every tick signals more blood and outrage, caught in the twisted game of a diabolical killer who is turning their jurisdiction into a slaughterhouse.
This book is a collection of dialogues between famous figures from history who are now dead. It offers literary and philosophical insight in these discussions. This is a fascinating read for anyone interested in literature, philosophy and history. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Just one generation ago, the Sora tribe in India lived in a world populated by the spirits of their dead, who spoke to them through shamans in trance. Every day, they negotiated their wellbeing in heated arguments or in quiet reflections on their feelings of love, anger, and guilt. Today, young Sora are rejecting the worldview of their ancestors and switching their allegiance to warring sects of fundamentalist Christianity or Hinduism. Communion with ancestors is banned as sacred sites are demolished, female shamans are replaced by male priests, and debate with the dead gives way to prayer to gods. For some, this shift means liberation from jungle spirits through literacy, employment, and democratic politics; others despair for fear of being forgotten after death. How can a society abandon one understanding of reality so suddenly and see the world in a totally different way? Over forty years, anthropologist Piers Vitebsky has shared the lives of shamans, pastors, ancestors, gods, policemen, missionaries, and alphabet worshippers, seeking explanations from social theory, psychoanalysis, and theology. Living without the Dead lays bare today’s crisis of indigenous religions and shows how historical reform can bring new fulfillments—but also new torments and uncertainties. Vitebsky explores the loss of the Sora tradition as one for greater humanity: just as we have been losing our wildernesses, so we have been losing a diverse range of cultural and spiritual possibilities, tribe by tribe. From the award-winning author of The Reindeer People, this is a heartbreaking story of cultural change and the extinction of an irreplaceable world, even while new religious forms come into being to take its place.
Two hundred years after Bragaera City was accidentally reduced to an ocean of chaos, the city's residents struggle to rebuild the ancient empire and overcome an invisible enemy which threatens their future.
In Kelli Russell Agodon’s fourth collection, each poem facilitates a humane and honest conversation with the forces that threaten to take us under. The anxieties and heartbreaks of life—including environmental collapse, cruel politics, and the persistent specter of suicide—are met with emotional vulnerability and darkly sparkling humor. Dialogues with Rising Tides does not answer, This or that? It passionately exclaims, And also! Even in the midst of great difficulty, radiant wonders are illuminated at every turn.
The aim of this book is to make Lucian's A True Story accessible to intermediate students of Ancient Greek. The running vocabulary and commentary are meant to provide everything necessary to read each page. Lucian's A True Story is a great text for intermediate readers. Its breathless narrative does not involve many complex sentences or constructions; there is some unusual vocabulary and a few departures from Attic Greek, but for the most part it is a straightforward narrative that is fun and interesting by one of antiquity's cleverest authors. In A True Story, Lucian parodies accounts of fanciful adventures and travel to incredible places by authors such as Ctesias and Iambulus. The story's combination of mockery and learning makes it an excellent example of the Greek literature of the imperial period. Revised August, 2014.
Who is Malinda Albert Kabalana? How did he die? Renegade war photographer Maali Almeida has to solve his own murder. Does that sound fun? It would be if there wasn't so much bloody red-tape to get through. Oh and it's not as though anyone alive actually seems to miss him, and it certainly doesn't help that his girlfriend is related to his boyfriend. Worst of all, it's all those goddamn memories of war, constantly interrupted by the overly chatty dead folks breezing through the afterlife. Besides, he's so busy solving his ethical dilemmas that there's barely any time to solve a murder-even if it's his own. A compulsively readable dark comedy of life-death and everything in between-Chats with the Dead searingly exposes the plight of a country caught in the aftermath of civil war. Its deliciously compelling absurdity holds you in thrall right from the very first page up to its startling denouement, constantly upending its own premise with its staggering humanity. Shehan Karunatilaka has delivered a classic whodunit with a brilliant twist.
