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Roberto Esposito, a leading Italian philosopher, deconstructs the notion of community by examining its etymological roots in the Latin munus, or gift, and then reads against classical political interpretations of community.
Communitas is inspired fellowship; a group's pleasure in sharing common experiences; being 'in the zone' - as in music, sport, and work; the sense felt by a group when their life together takes on full meaning. The experience of communitas, almost beyond strict definition and with almost endless variations, often appears unexpectedly.
This book is a critical, transdisciplinary examination of a broad range of philosophical ideas, theoretical concepts, and artistic projects of community in the 20th and 21st century in the context of global/local social and political changes. This volume opens new vitas by focusing on carefully selected instances of multipronged crises in which existing concepts of commonality are questioned, reformulated, or even speculatively designed with a (better) future in view. As many authors of this volume argue, in the face of today’s unprecedented global ecological and economic challenges speculative design is of utmost importance as it can foster alternative, unthought-of forms of connectivity that go far beyond progressivist narratives of nation, corporation, and nuclear family. Focusing on the situations of upheaval, both historical and fabulated, the collection not only examines how multipronged crises trigger antagonisms between egalitarian forms of communitas and the normative concept of the nation (and other normative forms of communities) as a community that separates and excludes. It also looks closely at philosophical and artistic projects that strive to go beyond the dichotomies and typically extrapolated utopias, envisaging new political economies, ways of living and alternative relational structures. It will be of great interest to students and scholars in performance studies, cultural studies, political studies, media studies, postcolonial and decolonial studies, critical anthropology.
This book presents three liturgical rights within an Afro-Baptist oral tradition of worship: the Wednesday night prayer meeting, the Deacon's devotion, and the Congregational worship. This examination provides one foundational study necessary to the creation of a liturgical theology of African American Christianity, through the study of sacred ritual within the lived experience of members of a community of traditional orallity and contemporary literacy, which together create a unique collective encounter of the Holy.
In The Ritual Process: Structure and Anti-Structure, Victor Turner examines rituals of the Ndembu in Zambia and develops his now-famous concept of "Communitas." He characterizes it as an absolute inter-human relation beyond any form of structure.The Ritual Process has acquired the status of a small classic since these lectures were first published in 1969. Turner demonstrates how the analysis of ritual behavior and symbolism may be used as a key to understanding social structure and processes. He extends Van Gennep's notion of the "liminal phase" of rites of passage to a more general level, and applies it to gain understanding of a wide range of social phenomena. Once thought to be the "vestigial" organs of social conservatism, rituals are now seen as arenas in which social change may emerge and be absorbed into social practice.As Roger Abrahams writes in his foreword to the revised edition: "Turner argued from specific field data. His special eloquence resided in his ability to lay open a sub-Saharan African system of belief and practice in terms that took the reader beyond the exotic features of the group among whom he carried out his fieldwork, translating his experience into the terms of contemporary Western perceptions. Reflecting Turner's range of intellectual interests, the book emerged as exceptional and eccentric in many ways: yet it achieved its place within the intellectual world because it so successfully synthesized continental theory with the practices of ethnographic reports."
This edited collection charts the development of contemporary dance in Central and Eastern Europe since the literal and symbolic revolutions of 1989. Central Europe and the former Soviet Bloc countries were a major presence in dance – particularly theatrical dance – throughout the twentieth century. With the fragmentation of traditional structures in the final decade of the century came a range of aesthetic and ideological responses from dance practitioners. These ranged from attempts to reform classical ballet to struggles for autonomy from the state, and the nature of each was influenced by a set of contexts and circumstances particular to each country. Each contribution covers the strategies of a different country’s dance practitioners, using a similar structure in order to invite comparisons. In general, they address: Historical context, showing the roots of contemporary dance forms The socio-political climates that influenced emerging companies and forms The relationships between aesthetic exploration and institutional patronage The practitioners who were central to the development of dance in each country A diagnosis of the current state of the art and how it has come about The book’s main through-line is the concept of community, and how all of the different approaches that it documents have in some way engaged with this notion, consciously or otherwise. This can take the form of oppositional relationships, institutional formations, or literally, in identifiable communities of dancers and choreographers.
2020 Museum of African American History Stone Book Award 2020 Lillian Smith Book Award Finalist, 2020 Pauli Murray Book Prize For generations, historically Black colleges and universities (HBCUs) have been essential institutions for the African American community. Their nurturing environments not only provided educational advancement but also catalyzed the Black freedom struggle, forever altering the political destiny of the United States. In this book, Jelani M. Favors offers a history of HBCUs from the 1837 founding of Cheyney State University to the present, told through the lens of how they fostered student activism. Favors chronicles the development and significance of HBCUs through stories from institutions such as Cheyney State University, Tougaloo College, Bennett College, Alabama State University, Jackson State University, Southern University, and North Carolina A&T. He demonstrates how HBCUs became a refuge during the oppression of the Jim Crow era and illustrates the central role their campus communities played during the civil rights and Black Power movements. Throughout this definitive history of how HBCUs became a vital seedbed for politicians, community leaders, reformers, and activists, Favors emphasizes what he calls an unwritten "second curriculum" at HBCUs, one that offered students a grounding in idealism, racial consciousness, and cultural nationalism.
This book combines careful reading of texts, inscriptions, coins and other archaeological materials to examine how religious practice, material culture and urban landscape changed as Philippi developed from a Roman colony to a major center for Christian worship and pilgrimage.
The construct of transformation has emerged as a prominent theme in academic discourse. Based on the accepted notion that processes and living organisms are in an ongoing state of development, it is unsurprising that this concept of transformation would find resonance within literature on the pilgrimage phenomenon. Examples of transformational processes intersecting with pilgrimage are the movement from sickness to wellness, from grief to closure and from fractured to integrated. That the pilgrimage journey itself can be construed as a transformational quest was noted by Winkleman and Dubisch (2005), who stated “Life-transforming experiences are at the core of both ‘traditional’ and more contemporary forms of pilgrimage”. In the current volume, Warfield and Hetherington examine the transformational process of pilgrimage journeys. Contributors are Sharenda Holland Barlar, Anne M. Blankenship, Valentina Bold, Shirley du Plooy, Alexandria M. Egler, Miguel Tain Guzman, Kate Hetherington, Scott Libson, Chadwick Co Sy Su, Kip Redick, Roy Tamashiro and Heather A. Warfield.
