Banjo Roots and Branches

Banjo Roots and Branches

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  • Author: Robert B Winans
  • Publisher: University of Illinois Press
  • ISBN: 0252050649
  • Category : Music
  • Languages : en
  • Pages : 360

The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.


Hoedowns, Reels, and Frolics

Hoedowns, Reels, and Frolics

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  • Author: Phil Jamison
  • Publisher: University of Illinois Press
  • ISBN: 0252097327
  • Category : Music
  • Languages : en
  • Pages : 304

In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.


Sinful Tunes and Spirituals

Sinful Tunes and Spirituals

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  • Author: Dena J. Epstein
  • Publisher: University of Illinois Press
  • ISBN: 9780252071508
  • Category : Music
  • Languages : en
  • Pages : 468

Awarded both the Chicago Folklore Prize and the Simkins Prize of the Southern Historical Association From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, in Sinful Tunes and Spirituals Dena J. Epstein traces the course of early black folk music in all its guises. This classic work is being reissued with a new author's preface on the silver anniversary of its original publication.


Banjo

Banjo

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  • Author: Bob Carlin
  • Publisher: Backbeat Books
  • ISBN: 9781495011245
  • Category : Music
  • Languages : en
  • Pages : 0

(Book). The banjo is emblematic of American country music, and it is at the core of other important musical movements, including jazz and ragtime. The instrument has been adopted by many cultures and has been ingrained into many musical traditions, from Mento music in the Caribbean and dance music in Ireland. Virtuosos such as Bela Fleck have played Bach, African music, and Christmas tunes on the five-string banjo, and the instrument has had a resurgence in pop music with such acts a Mumford and Sons and the Avett Brothers. This book offers the first comprehensive, illustrated history of the banjo in its many forms. It traces the story of the instrument from its roots in West Africa to its birth in the Americas, through its coming of age in the Industrial Revolution and beyond. The book profiles the most important players and spotlights key luthiers and manufacturers. It features 100 "milestone instruments" with in-depth coverage, including model details and beautiful photos. It offers historical context surrounding the banjo through the ages, from its place in Victorian parlors and speakeasies through its role in the folk boom of the 1950s and 1960s to its place in the hands of songwriter John Hartford and comedian Steve Martin. Folk, jazz, bluegrass, country, and rock the banjo has played an important part in all of these genres. Lavishly illustrated, and thoughtfully written by author, broadcaster, and acclaimed banjoist Bob Carlin, this is a must-have for lovers of fretted instruments, aficionados of roots music, and music history buffs.


The Banjo

The Banjo

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  • Author: Laurent Dubois
  • Publisher: Harvard University Press
  • ISBN: 0674968832
  • Category : History
  • Languages : en
  • Pages : 374

American slaves drew on memories of African musical traditions to construct instruments from carved-out gourds covered with animal skin. Providing a sense of rootedness, solidarity, and consolation, banjo picking became an essential part of black plantation life, and its unmistakable sound remains versatile and enduring today, Laurent Dubois shows.


Round Peak Style Clawhammer Banjo

Round Peak Style Clawhammer Banjo

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  • Author: BRAD LEFTWICH
  • Publisher: Mel Bay Publications
  • ISBN: 1610655893
  • Category : Music
  • Languages : en
  • Pages : 104

This book presents more than 70 tunes in the unique highly developed clawhammer style known as Round Peak -named after the Blue Ridge Mountain, North Carolina community where it originated. While not intended for the absolute beginner, this book will benefit players at various experience levels. Tunes in the book are organized according to the specific banjo tuning used, with A and D tunings most prominent. Much of the book's commentary and the audiodownload recording is directed towards the fretless variant of the 5-string banjo but as these tunes are written in standard 5-string banjo tablature, they can most definitely be played on the more common fretted instrument. Includes tune lyricsand extensive historical and biographical notes plus technical tips and a discography. Written in 5-string banjo tablature only. Audio download availableonline


Building New Banjos for an Old-Time World

Building New Banjos for an Old-Time World

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  • Author: Richard Jones-Bamman
  • Publisher: University of Illinois Press
  • ISBN: 0252099907
  • Category : Music
  • Languages : en
  • Pages : 288

Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads ”asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making.


Introducing American Folk Music

Introducing American Folk Music

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  • Author: Kip Lornell
  • Publisher: McGraw-Hill Companies
  • ISBN:
  • Category : Folk music
  • Languages : en
  • Pages : 338


Chinatown Opera Theater in North America

Chinatown Opera Theater in North America

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  • Author: Nancy Yunhwa Rao
  • Publisher: University of Illinois Press
  • ISBN: 0252099001
  • Category : Performing Arts
  • Languages : en
  • Pages : 416

The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre “World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.


Imagining the Mulatta

Imagining the Mulatta

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  • Author: Jasmine Mitchell
  • Publisher: University of Illinois Press
  • ISBN: 0252052161
  • Category : Social Science
  • Languages : en
  • Pages : 388

Brazil markets itself as a racially mixed utopia. The United States prefers the term melting pot. Both nations have long used the image of the mulatta to push skewed cultural narratives. Highlighting the prevalence of mixed race women of African and European descent, the two countries claim to have perfected racial representation—all the while ignoring the racialization, hypersexualization, and white supremacy that the mulatta narrative creates. Jasmine Mitchell investigates the development and exploitation of the mulatta figure in Brazilian and U.S. popular culture. Drawing on a wide range of case studies, she analyzes policy debates and reveals the use of mixed-Black female celebrities as subjects of racial and gendered discussions. Mitchell also unveils the ways the media moralizes about the mulatta figure and uses her as an example of an ”acceptable” version of blackness that at once dreams of erasing undesirable blackness while maintaining the qualities that serve as outlets for interracial desire.