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Catalogue to accompany exhibition investigating two main streams of Symbolist art in Australia: works by artists who trained or lived overseas and drew directly from European Symbolist genres; and works by artists in Australia who referenced Symbolism to define a local experience.
But what do they actually mean? Where do they come from? Why are some symbols so hotly contested? Does Australia have more than its fair share? Symbols of Australia offers illuminating and unexpected insights into the symbols that surround us: from Uluru to the Australian flag, the rainbow serpent to Holden cars, the democracy sausage to the Great Barrier Reef. Entertaining, provocative, informative, and often surprising, Symbols of Australia reveals a great deal about the ways nations are imagined – and how they imagine themselves. Just when we most need it, a lively reassessment of the symbols that define us and their commercial and political exploitation. A mixture of scholarly ease and irreverent playfulness that also defines us. – David Malouf, award-winning Australian writer If the nation is imagined, the business of creating its meaningful symbols gives us the very essence of its history. The star-studded cast of Symbols of Australia takes us on a fascinating tour among kangaroos and pavlovas, baggy green caps and rainbow serpents, Holden cars and vegemite jars – and much more besides. On this splendid journey across desert and beach, reef and harbour, city and bush, we see and hear the nation in its full dignity, diversity and dagginess. – Frank Bongiorno, Professor of History, Australian National University Humorous, insightful and profound, this book is a thought-provoking survey of twenty-eight of Australia’s best-known and most significant symbols. Entries range from Indigenous symbols that resonate with meaning, such as the Rainbow Serpent or Uluru, to animals and the natural world, official symbols, cultural practices, and commercial items of consumption. Most importantly, it showcases the agency of ordinary Australians and the role of popular culture in forging national identity. – Associate Professor Hsu-Ming Teo, Macquarie University Symbols of Australia, in this new revised edition, is essential reading for a sure-footed trek into our constant act of becoming ‘Australian’, sifting through the raging cacophony of opinions to distil the most pertinent elements … all while keeping a sense of humour firmly intact.– Miriam Corowa, journalist, presenter, producer and director This book is a fascinating look at the symbols that have been used to define and represent our nation. At a time when Australian identity is so contested, Symbols of Australia provides invaluable insight and context, overturning long-held assumptions and rattling revered icons. Symbols of Australia will make you re-think who we are, and where we came from. Even better, it’s a bloody good read.– Monica Dux, writer, columnist and social commentator
Australia is a land of symbols. The Southern Cross. The Sydney Opera House. The kangaroo. Vegemite. But what do they actually mean? Where do they come from? Why are some symbols so hotly contested? Does Australia have more than its fair share? Symbols of Australia offers illuminating and unexpected insights into the symbols that surround us: from Uluru to the Australian flag, the rainbow serpent to Holden cars, the democracy sausage to the Great Barrier Reef. Entertaining, provocative, informative, and often surprising, Symbols of Australia reveals a great deal about the ways nations are imagined - and how they imagine themselves. 'Just when we most need it, a lively reassessment of the symbols that define us and their commercial and political exploitation. A mixture of scholarly ease and irreverent playfulness that also defines us.' -- David Malouf, award-winning Australian writer 'If the nation is imagined, the business of creating its meaningful symbols gives us the very essence of its history. The star-studded cast of Symbols of Australia takes us on a fascinating tour among kangaroos and pavlovas, baggy green caps and rainbow serpents, Holden cars and vegemite jars -- and much more besides. On this splendid journey across desert and beach, reef and harbour, city and bush, we see and hear the nation in its full dignity, diversity and dagginess.' -- Frank Bongiorno, Professor of History, Australian National University 'Humorous, insightful and profound, this book is a thought-provoking survey of twenty-eight of Australia's best-known and most significant symbols. Entries range from Indigenous symbols that resonate with meaning, such as the Rainbow Serpent or Uluru, to animals and the natural world, official symbols, cultural practices, and commercial items of consumption. Most importantly, it showcases the agency of ordinary Australians and the role of popular culture in forging national identity.' -- Associate Professor Hsu-Ming Teo, Macquarie University 'Symbols of Australia, in this new revised edition, is essential reading for a sure-footed trek into our constant act of becoming 'Australian', sifting through the raging cacophony of opinions to distil the most pertinent elements ... all while keeping a sense of humour firmly intact.' -- Miriam Corowa, journalist, presenter, producer and director 'This book is a fascinating look at the symbols that have been used to define and represent our nation. At a time when Australian identity is so contested, Symbols of Australia provides invaluable insight and context, overturning long-held assumptions and rattling revered icons. Symbols of Australia will make you re-think who we are, and where we came from. Even better, it's a bloody good read.' -- Monica Dux, writer, columnist and social commentator
My Aboriginal Generation Is Cool There are so many different Aboriginal symbols and languages, they vary from tribe to tribe. There were roughly 600 tribes and around 500 people in a tribe – a population of around 300,000 when Capt. Cook arrived in Australia. To date, the Aboriginal population is over 548,000. It is sad that the population of other races has increased over ten times that of the Aborigines despite its being the oldest race known to mankind, 65,000 years old. I hope that in this book, you see how beautiful and important the Aboriginal history and culture are and how we all can enjoy it.
Australia is a land of symbols. The Southern Cross. The Sydney Opera House. The kangaroo. Vegemite. But what do they actually mean? Where do they come from? Why are some symbols so hotly contested? Does Australia have more than its fair share? Symbols of Australia offers illuminating and unexpected insights into the symbols that surround us: from Uluru to the Australian flag, the rainbow serpent to Holden cars, the democracy sausage to the Great Barrier Reef. Entertaining, provocative, informative, and often surprising, Symbols of Australia reveals a great deal about the ways nations are imagined - and how they imagine themselves. 'Just when we most need it, a lively reassessment of the symbols that define us and their commercial and political exploitation. A mixture of scholarly ease and irreverent playfulness that also defines us.' -- David Malouf, award-winning Australian writer 'If the nation is imagined, the business of creating its meaningful symbols gives us the very essence of its history. The star-studded cast of Symbols of Australia takes us on a fascinating tour among kangaroos and pavlovas, baggy green caps and rainbow serpents, Holden cars and vegemite jars -- and much more besides. On this splendid journey across desert and beach, reef and harbour, city and bush, we see and hear the nation in its full dignity, diversity and dagginess.' -- Frank Bongiorno, Professor of History, Australian National University 'Humorous, insightful and profound, this book is a thought-provoking survey of twenty-eight of Australia's best-known and most significant symbols. Entries range from Indigenous symbols that resonate with meaning, such as the Rainbow Serpent or Uluru, to animals and the natural world, official symbols, cultural practices, and commercial items of consumption. Most importantly, it showcases the agency of ordinary Australians and the role of popular culture in forging national identity.' -- Associate Professor Hsu-Ming Teo, Macquarie University 'Symbols of Australia, in this new revised edition, is essential reading for a sure-footed trek into our constant act of becoming 'Australian', sifting through the raging cacophony of opinions to distil the most pertinent elements ... all while keeping a sense of humour firmly intact.' -- Miriam Corowa, journalist, presenter, producer and director 'This book is a fascinating look at the symbols that have been used to define and represent our nation. At a time when Australian identity is so contested, Symbols of Australia provides invaluable insight and context, overturning long-held assumptions and rattling revered icons. Symbols of Australia will make you re-think who we are, and where we came from. Even better, it's a bloody good read.' -- Monica Dux, writer, columnist and social commentator
Special Focus: Law and Literature This special focus issue of Symbolism takes a look at the theoretical equation of law and literature and its inherent symbolic dimension. The authors all approach the subject from the perspective of literary and book studies, foregrounding literature’s potential to act as supplementary to a very wide variety of laws spread over historical, geographical, cultural and spatial grounds. The theoretical ground laid here thus posits both literature and law in the narrow sense. The articles gathered in this special issue analyse Anglophone literatures from the Renaissance to the present day and cover the three major genres, narrative, drama and poetry. The contributions address questions of the law’s psychoanalytic subconscious, copyright and censorship, literary negotiations of colonial and post-colonial territorial laws, the European ‘refugee debate’ and migration narratives, fictional debates on climate change, contemporary feminist drama and classic 19th-century legal narratives. This volume includes two insightful analyses of poetic texts with a special focus on the fact that poetry has often been neglected within the field of law and literature research. Special Focus editor: Franziska Quabeck, Westfälische Wilhelms-Universität Münster, Germany.
Based on fieldwork (1956-58) among Walbiri at Yuendumu; general ethnographic background; totemic designs and sand stories; womens myth and rituals (particularly associated with Yawalyu; male designs, myths and rituals (particularly associated with Bamba ceremonies); body painting and ceremonial paraphenalia; brief comments on the Walmalla and also Pitjantjara visited at Areyonga.
