eBook downloads, eBook resources & eBook authors
In the wider world of German-speaking Europe, writes Jeffrey Freedman, the affair became a cause celebre, the object of a lively public debate that focused on an issue much on the minds of intellectuals in the age of Enlightenment: the problem of evil.".
The economic crisis in Greece is a potential international disaster and one of the most extraordinary monetary and political dramas of our time. The financial woes of this relatively small European nation threaten the long-term viability of the Euro while exposing the flaws in the ideal of continental unity. "Solutions" proposed by Europe’s combined leadership have sparked a war of prideful words and stubborn one-upmanship, and they are certain to fail, according to renowned economist James K. Galbraith, because they are designed for failure. It is this hypocrisy that prompted former finance minister Yanis Varoufakis, when Galbraith arrived in Athens as an adviser, to greet him with the words “Welcome to the poisoned chalice.” In this fascinating, insightful, and thought-provoking collection of essays—which includes letters and private memos to both American and Greek officials, as well as other previously unpublished material—Galbraith examines the crisis, its causes, its course, and its meaning, as well as the viability of the austerity program imposed on the Greek citizenry. It is a trenchant, deeply felt commentary on what the author calls “economic policy as moral abomination,” and an eye-opening analysis of a contemporary Greek tragedy much greater than the tiny economy of the nation itself.
Coroner Sir John investigates a series of attacks on wealthy women in this tense, pacey instalment in the Crowner John medieval mystery series, set in twelfth-century England. 1194. The well-born ladies of Exeter are under attack. First, Christina Rifford, the daughter of a rich merchant, is raped. Then, just months before her marriage, Lady Adele de Courcy is found dead in one of the poorest areas of the city. The common factor is Godfrey Fitzosbern, the local silversmith. Despite his own suspicions, county coroner Sir John de Wolfe is determined to protect Godfrey from the women’s vengeful families. Until, that is, he can find proof of the man’s guilt. Aided by his mistress Nesta, and hindered by his social-climbing wife Matilda and her power-hungry brother, Sheriff Richard de Revelle, John slowly begins to put the pieces together. But a final, brutal act of violence makes John question everything he’s discovered so far . . .
The comic character Marvelman (and Miracleman) has a fascinating - and probably unique - history in the field of comics. His extended origin goes all the way back to the very beginnings of the American superhero comics industry, and it seems likely that his ongoing story will stretch on well into the future. It involves some of the biggest names in comics. It's a story of good versus evil, of heroes and villains, and of any number of acts of plagiarism and casual breaches of copyright. Poisoned Chalice wades into one of the strangest and thorniest knots of all of comics: the history of Marvel/Miracleman and still unsolved question of who owns this character. It's a story that touches on many of the most remarkable personalities in the comics industry-Alan Moore, Neil Gaiman, Todd McFarlane, Joe Quesada and more-and one of the most fascinating in the medium. The story of Marvelman touches on the darker places of comics history, springing from the prehistory where greed ruled the day; it's a complex tale that others have attempted to untangle, but there has never been as thorough or as meticulous a study of it as this book.
One of Henry VIII's lords, from the relatively safe perspective of old age, recounts the corruption, deceit, and scandal of Tudor England in The Poisoned Chalice: Being the Second Journal of Sir Roger Shallot Concerning Certain Wicked Conspiracies and Horrible Murders Perpetrated in the Reign of King Henry VIII.
Merlin is poisoned by the sorceress Nimueh and Arthur seeks the only antidote that can save him - but the prince is walking into a trap...
"Based upon Star trek and Star trek: the next generation created by Gene Roddenberry and Star trek: deep space nine created by Rick Berman & Michael Piller."
This book explores issues of national identity, history, and language in light of the 2018 Prespa Agreement. Designed to resolve a protracted and bitter dispute, the agreement signed by the Macedonian and Greek foreign ministers on the banks of the Prespa lake stipulated that the Republic of Macedonia change its name to the Republic of North Macedonia. The chapters examine the social, political, and economic conditions and events that led to the agreement and the implications and consequences for identity politics in the region. Consideration is given to the ways in which, and the reasons why, identity/identities, difference/differences, modes of belonging, and experiences of injustice and discrimination have been mobilized. By focusing on the Prespa Agreement, the collection also offers valuable insight into the processes involved in (re)making boundaries, (re)defining ethnic and national identities, (re)inventing citizenship, and (re)writing national histories. Bringing together expert contributors with intimate knowledge of, and long-term engagement with, the region, this volume will be of interest to scholars and students of anthropology, Slavic and East European studies, history, and international relations. Chapter 7 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Since the announcement of Jorn Utzon's winning Sydney Opera House competition entry in early 1957 the project has excited controversy. Testing the very boundaries of technology, the gestation of this sublime building was long and fraught with problems, none more so than the departure of its architect in early 1966, never to return. With the building only a series of empty shells there was much for Utzon's successor, the 34-year old Sydney architect Peter Hall, to resolve. For both architects the Opera House would be a 'poisoned chalice' -- a compelling and unprecedented challenge, but one that presented almost insurmountable obstacles. But while Utzon's reputation has been restored, Hall's completion of the building has, ultimately, brought little recognition and enduring condemnation. It is the powerful myth of Utzon, the misunderstood architectural genius undone by the forces of conservatism, and of a building flawed by subsequent compromise, which has firmly taken root as the subtext in the popular imagination and in most narratives.
