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The witches who populate these 100 delightfully scary stories include practitioners of white witchcraft and devotees of black magic.
Helga is taught that witches are supposed to be scary, but Helga does not want to be scary. As her sisters set out into the night on Halloween to scare people, Helga has her own plan. Helga learns new lessons in life and learns that sometimes there is a difference between doing "good" and joining in with the crowd. Join Helga the witch on her adventure in this instant Halloween classic.
Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA
"Then with the agility of a cat she sprang on his shoulders, struck him in the side with a broom, and he began to run like a race-horse, carrying her on his shoulders." Nikolai Gogol, Viy The cradle of modern witch short stories began in the first half of the 19th century. This anthology unearths the very best of these stories. Andrew Barger (www.AndrewBarger.com), a leading voice in the Gothic literature space, searched forgotten magazines, newspapers, journals and scholarly articles, to uncover the best witch stories written in the English language over one hundred years after the horrific events of the Salem Witch Trials. They had a lasting effect in both the U.S. and Europe, as these publications reflect from the many authors who penned witch stories in this genre. Andrew even includes in his introduction to the collection, actual text from the Salem Witch Trials. The classic witch stories he has uncovered are unmatched. One is a humorous tale that stands, in the grand Irish tradition of great storytelling, shoulder to shoulder with Washington Irving’s “The Legend of Sleepy Hollow” (1819) and Charles Dickens’s “The Goblins Who Stole a Sexton” (1836), as that rare combination of humor and horror that is so difficult to find. It is published for the first time in over a century and a half. What Andrew calls America's "first great witch short story" is also published for the first time in nearly two hundred years. As readers have come to expect from Andrew, he includes his scholarly touch to the anthology by providing introductions to each story and a foreword titled "Hags! Hags! Hags!" There are also illustrations for each story. Last, Andrew provides a list of stories considered at the end of the anthology. Read these witchcraft classics tonight! Hags! Hags! Hags! (2023) by Andrew Barger The Hollow of the Three Hills (1830) by Nathaniel Hawthorne The Marvelous Legend of Tom Connor’s Cat (1847) by Samuel Lover The Witch Caprusche (1845) by Elizabeth Ellet The Brownie of the Black Haggs (1827) by James Hogg Lydia Ashbaugh, the Witch (1836) by William Darby Young Goodman Brown (1835) by Nathaniel Hawthorne Viy (1835) by Nikolai Gogol Witch Short Stories Considered
Somewhere on unknown paths, in a dark, dark forest, an old house stands alone. There is absolutely no one in it during the day. But at night it comes to life ominously...
'Diane Purkiss ... insists on taking witches seriously. Her refusal to write witch-believers off as unenlightened has produced some richly intelligent meditations on their -- and our -- world.' - The Observer 'An invigorating and challenging book ... sets many hares running.' - The Times Higher Education Supplement
A powerful account of witches, crones, and the societies that make them From the gruesome ogress in Hansel and Gretel to the hags at the sabbath in Faust, the witch has been a powerful figure of the Western imagination. In the sixteenth and seventeenth centuries thousands of women confessed to being witches--of making pacts with the Devil, causing babies to sicken, and killing animals and crops--and were put to death. This book is a gripping account of the pursuit, interrogation, torture, and burning of witches during this period and beyond. Drawing on hundreds of original trial transcripts and other rare sources in four areas of Southern Germany, where most of the witches were executed, Lyndal Roper paints a vivid picture of their lives, families, and tribulations. She also explores the psychology of witch-hunting, explaining why it was mostly older women that were the victims of witch crazes, why they confessed to crimes, and how the depiction of witches in art and literature has influenced the characterization of elderly women in our own culture.
