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Wild Ride is ... [an] investigation of the fast-track, multibillion-dollar thoroughbred industry racing what the New York Yankees are to baseball- a sporty dynasty. From Library Journal.
Uber is one of the most fascinating and controversial businesses in the world, both beloved for its elegant ride-hailing concept and heady growth, and condemned for CEO Travis Kalanick's ruthless pursuit of success at all cost. In 'Wild Ride', Adam Lashinsky, veteran Fortune writer and author of 'Inside Apple', traces the story of Uber's meteoric rise: from its murky origins to its plans for expansion into radically different industries.
Swindle meets Ferris Bueller's Day Off in this action-filled comedy! No parents. No rules. No curfew. Things are about to get dangerous... The grownups are out-of-town, and for Charley Decker that means one thing: a last epic weekend with her older brother Greg before he leaves for college. Bring on the burgers, milkshakes, and movie marathons! So when Greg ditches Charley for a date night downtown, she’s kind of crushed. Worse, he gets their mom's boyfriend’s super-expensive, super-rare Mustang towed and needs Charley’s help to get it back. What's an unsupervised seventh grader to do? Grab her best friends, sneak into the city, pull off the ultimate car heist, and then make Greg pay, of course! Only now the Mustang has a new feature in the trunk: a stowaway named Mitch who’s guarding a world-changing secret. And a pair of seriously big, seriously scary dudes are after him. What follows is an all-night race around the clock as Charley and her friends try to dodge the twin terrors, save Mitch, fix a sibling squabble...and get the Mustang home before morning!
'A rollicking good yarn about a national icon... well worth the journey.' Herald Sun In 1853, a young American arrived in the new colony of Victoria hoping to make his fortune from the world's greatest gold rush. He soon realised where the real money was to be made, and established a coach company that would eventually carry his name onto every household in the land: Cobb & Co. But Freeman Cobb himself was long gone by the time the company bearing his name became an Australian legend. Wild Ride is the story of the two extraordinary men, James Rutherford and Frank Whitney, who along with their business partners took Freeman Cobb's humble company and made it into an Australian legend. These were pioneers, carving a path through otherwise impassable terrain, settling unsettled land, enduring bushrangers and terrible accidents, and making their fortunes. The Rutherford and Whitney families became two of the most significant of their era, unrivalled in their influence and, finally, vicious in their falling out. Written with unprecedented access to these families' letters and diaries, Wild Ride reveals the Cobb & Co story in all its drama, conflict and tragedy. It is the compelling and human story of Australia's first great company and the people who made it an icon. 'A lively, popular history with broad appeal, Wild Ride is full of colourful detail and anecdotes.' The Age
"Rodeos" presents a fascinating history of this Western American institution,rom its rugged beginnings on the ranch to today's very lucrativerofessional circuits. This book captures the mystique of the cowboy and hislace in Western folklore, from the early days when groups of cowboys fromeighboring ranches met to settle arguments over who was the best aterforming ranching tasks to the multi-million dollar prizes and endorsementswarded to professionals today. Experience first-hand the energy, electricity,nd exhilaration of the rodeo through stunning colour photography andintage illustrations that tell the stories of these courageous and athleticodeo characters, and highlights of important moments throughout rodeoistory.
You would think that finding a dead drug dealer who was involved in the murder of a former classmate would be enough closure, maybe even a little satisfying, but not for David Baker. He wants more. In his heart, he knows he cannot stop the flow of drugs up and down Interstate 71, but he knows that he can make a difference, even if that means joining a biker gang and going deeply undercover to find the kingpins. Take the wild ride with David Baker as he totally immerses himself into the gritty motorcycle gang known as the New Sons, where he sees more drugs and partying than he has ever seen while on the force. Find out if his internal moral compass is working properly or if he bends the laws and his promises too far. He knows that drugs played a role in the murder of his high school friend, Peggy, all those years ago. He owes it to her memory and himself to find out just what that role was, but is he in too deep?
This collection of sixteen essays deals with the role of magic, religion and witchcraft in European culture, 1450-1650, and the critical role of the visual in that culture. It covers the relationship of humanism and magic; the intersection of religious ritual, orthodoxy and power; the discursive links between the visual language of witchcraft and contemporary anxieties about sexuality and savagery. The introductory chapter urges us to exorcise our tendency to reduce historical experiences of the demonic to forms of unreason created in a distant past. Only then can we understand the role of the demonic in our historical definition of the self and the other. Richly illustrated with 112 images, the book will interest historians and art historians.
Benjamin Christensen’s Häxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Häxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female “hysterics” and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Häxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Häxan is a film that travels along the winding path of art and science rather than between the narrow division of “documentary” and “fiction.” Baxstrom and Meyers reveal how Christensen’s attempt to tame the irrationality of “the witch” risked validating the very "nonsense" that such an effort sought to master and dispel. Häxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless “know” to be there.
'Hello My Name Is', is the follow up to 'Sitting Under The Wisdom Tree'. This is the 2019 re-release version with bonus material, even less spelling mistakes and a few extra hello's thrown in. In 'Hello My Name Is', the author deals with subjects like the end of the world, death, betrayal, love, dreams, hope, politics, dinosaurs, depression, celebrities, drugs, the future and much more. All presented in a variety of different styles to keep the reader turning the pages to find out more. 'Hello My Name Is' caries on the journey that started with 'Nomadic Inspirations From The Rear-view Mirror' carrying on to 'A Vigil Amongst The Wilderness Of Paradox Realities' and in to 'Sitting Under The Wisdom Tree' and beyond.
