PDF What's So Funny, Comrade? Download
- Author: Rodger Swearingen
- Publisher:
- ISBN:
- Category : Russian wit and humor
- Languages : en
- Pages : 182
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It's Only a Joke, Comrade! uncovers how ordinary people joked, coped, and struggled to adapt in Stalin's brave new world. It asks what it means to live under a dictatorship: How do people make sense of their lives? How do they talk about it? And whom can they trust to do so?
"Nuclear weapons, since their conception, have been the subject of secrecy. In the months after the dropping of the atomic bombs on Hiroshima and Nagasaki, the American scientific establishment, the American government, and the American public all wrestled with what was called the "problem of secrecy," wondering not only whether secrecy was appropriate and effective as a means of controlling this new technology but also whether it was compatible with the country's core values. Out of a messy context of propaganda, confusion, spy scares, and the grave counsel of competing groups of scientists, what historian Alex Wellerstein calls a "new regime of secrecy" was put into place. It was unlike any other previous or since. Nuclear secrets were given their own unique legal designation in American law ("restricted data"), one that operates differently than all other forms of national security classification and exists to this day. Drawing on massive amounts of declassified files, including records released by the government for the first time at the author's request, Restricted Data is a narrative account of nuclear secrecy and the tensions and uncertainty that built as the Cold War continued. In the US, both science and democracy are pitted against nuclear secrecy, and this makes its history uniquely compelling and timely"--
More in love with the alluring properties of cement than he is with his girlfriend, Frunz’s overriding ambition is to become the next legendary architect. If only life was that simple. His father, known as Mr. Cement, is a builder in bed with the autocrats who run Yerevan, the capital of post-Soviet Armenia. As father and son team up to transform the city into a post-modern mecca of Trumpian high-rises, outraged citizens rise up in Revolution against them and Yerevan’s corrupt regime. Will Frunz and his father realize their architectural dreams or come crashing down to Earth in the chaos of the Revolution? Written by Viken Berberian with his signature originality and verve and drawn with audacious compositions, delirious colors, and a kinetic expressionistic technique by the acclaimed painter and illustrator Yann Kebbi, The Structure is Rotten, Comrade is a formally innovative and politically resonant work, by turns prescient, punchy, cautionary, and fearless.
The Scatter Here Is Too Great heralds a major new voice from Pakistan with a stunning debut—a novel told in a rich variety of distinctive voices that converge at a single horrific event: a bomb blast at a station in the heart of the city. Comrade Sukhansaz, an old communist poet, is harassed on a bus full of college students minutes before the blast. His son, a wealthy middle-aged businessman, yearns for his own estranged child. A young man, Sadeq, has a dead-end job snatching cars from people who have defaulted on their bank loans, while his girlfriend spins tales for her young brother to conceal her own heartbreak. An ambulance driver picking up the bodies after the blast has a shocking encounter with two strange-looking men whom nobody else seems to notice. And in the midst of it all, a solitary writer, tormented with grief for his dead father and his decimated city, struggles to find words. Elegantly weaving together a striking portrait of a city and its people, The Scatter Here Is Too Great is a love story written to Karachi—as vibrant and varied in its characters, passions, and idiosyncrasies as the city itself.
While sometimes termed a "novel," it is better described as a novelistic travelogue, the diary of a trip to Russia in the 1930s during the rise of the Stalinist government. Despite some contempt for what he witnesses, Cummings's narrator has an effective, occasionally hilarious way of evoking feelings of accord and understanding. As Ezra Pound wrote, Cummings's Soviet Union is laid "out there pellucidly on the page in all its Slavic unfinishedness, in all of its Dostoievskian slobberyness.