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Transition from Africa to Diaspora is a story about a young woman, Chipo from a rural village in Africa to Canada. It highlights her challenges and struggles of an immigrant living in a foreign land and how she managed to overcome the obstacles.
Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 113, Transition updates Countee Cullen’s iconic question by asking, "What is Africa to me now?" A soul-searchingly private query, its ramifications nevertheless play out in profoundly public ways, around issues of immigration, racial and ethnic tension, and the search for belonging. Guest edited by Benedicte Ledent and Daria Tunca, in this cluster Madhu Krishnan takes Achebe’s Things Fall Apart as a starting point for defining contemporary African literature, while Louis Chude-Sokei explores through their novels the experiences of Africans living in America. Julie Kleinman reveals the perspective of Malian immigrants in France, and photographer Johny Pitts searches Europe with his camera for what he calls "Afropeans." Meanwhile, celebrated author and editor Hilton Als has his own questions about diaspora, which he explores in recollections of a childhood summer in Barbados. Caribbean Canadian novelist David Chariandy also treats Transition readers to a sneak preview of his forthcoming novel, Brother. The issue concludes with a suite of essays that examine the social impacts of collective fear, and ask—given obvious parallels between the Rodney King beating and the murder of Trayvon Martin—why does this keep happening to young black men?
The New York Times reports that since 1990 more Africans have voluntarily relocated to the United States and Canada than had been forcibly brought here before the slave trade ended in 1807. The key reason for these migrations has been the collapse of social, political, economic, and educational structures in their home countries, which has driven Africans to seek security and self-realization in the West. This lively and timely collection of essays takes a look at the new immigrant experience. It traces the immigrants' progress from expatriation to arrival and covers the successes as well as problems they have encountered as they establish their lives in a new country. The contributors, most immigrants themselves, use their firsthand experiences to add clarity, honesty, and sensitivity to their discussions of the new African diaspora.
Published three times per year by Indiana University Press for the Hutchins Center at Harvard University, Transition is a unique forum for the freshest, most compelling ideas from and about the black world. Since its founding in Uganda in 1961, the magazine has kept apace of the rapid transformation of the African Diaspora and has remained a leading forum of intellectual debate. In issue 117, Transition presents new short fiction from writers with Uganda, Nigeria, Senegal, Ghana, Liberia—and the diaspora—in their veins. Also in this issue are: selections from Transition's online forum, "I Can't Breathe," a venue for discussing the recent murders by police of unarmed black Americans; selections of poetry; and an interview with the architect and curator of the opening exhibit at Harvard University's new Cooper Gallery of African and African American Art.
The 20th century witnessed the large-scale displacement and dispersal of populations across the world because of major political upheavals, among them the two European wars, decolonization and the Cold War. These major events were followed by globalization which accelerated free trade and the mobility of capital, new technologies of communication, and the movement of people, commodities, ideas, and cultures across the world. This book explores the complexity of African migration and diaspora, the discourse of ‘diaspora engagement’ and new models of citizenship and transnationalism in the context of these issues. This book was originally published as a special issue of African and Black Diaspora: An International Journal.
"This volume builds on and extends current discussions of the construction of gendered identities and the networks through which men and women engage diaspora. It considers the movement of people and ideas between the Caribbean and the Nigerian hinterland. The contributions examine Africa in the Caribbean imaginary, the way in which gender ideologies inform Caribbean men's and women's theoretical or real-life engagement with the continent, and the interactions and experiences of Caribbean travelers in Africa and Europe. The contributions are linked as well through empire, discussing different parts of the British Empire and allowing for the comparative examination of colonial policies and practices."--Back cover.
This book addresses the conceptual difficulties and political contestations surrounding the applicability of the term "African-Canadian". In the midst of this contested terrain, the volume focuses on first generation, Black Continental Africans who have immigrated to Canada in the last four decades, and have traceable genealogical links to the continent.
The 20th century witnessed the large-scale displacement and dispersal of populations across the world because of major political upheavals, among them the two European wars, decolonization and the Cold War. These major events were followed by globalization which accelerated free trade and the mobility of capital, new technologies of communication, and the movement of people, commodities, ideas, and cultures across the world. This book explores the complexity of African migration and diaspora, the discourse of ‘diaspora engagement’ and new models of citizenship and transnationalism in the context of these issues. This book was originally published as a special issue of African and Black Diaspora: An International Journal.
African Diaspora Identities provides insights into the complex transnational processes involved in shaping the migratory identities of African immigrants. It seeks to understand the durability of these African transnational migrant identities and their impact on inter-minority group relationships. John A. Arthur demonstrates that the identities African immigrants construct often transcends country-specific cultures and normative belief systems. He illuminates the fact that these transnational migrant identities are an amalgamation of multiple identities formed in varied social transnational settings. The United States has become a site for the cultural formations, manifestations, and contestations of the newer identities that these immigrants seek to depict in cross-cultural and global settings. Relying mostly on their strong human capital resources (education and family), Africans are devising creative, encompassing, and robust ways to position and reposition their new identities. In combining their African cultural forms and identities with new roles, norms, and beliefs that they imbibe in the United States and everywhere else they have settled, Africans are redefining what it means to be black in a race-, ethnicity-, and color-conscious American society.
Brazilian-African Diaspora in Ghana is a fresh approach, challenging both pre-existing and established notions of the African Diaspora by engaging new regions, conceptualizations, and articulations that move the field forward. This book examines the untold story of freed slaves from Brazil who thrived socially, culturally, and economically despite the challenges they encountered after they settled in Ghana. Kwame Essien goes beyond the one-dimensional approach that only focuses on British abolitionists’ funding of freed slaves’ resettlements in Africa. The new interpretation of reverse migrations examines the paradox of freedom in discussing how emancipated Brazilian-Africans came under threat from British colonial officials who introduced stringent land ordinances that deprived the freed Brazilian- Africans from owning land, particularly “Brazilian land.” Essien considers anew contention between the returnees and other entities that were simultaneously vying for control over social, political, commercial, and religious spaces in Accra and tackles the fluidity of memory and how it continues to shape Ghana’s history. The ongoing search for lost connections with the support of the Brazilian government—inspiring multiple generations of Tabom (offspring of the returnees) to travel across the Atlantic and back, especially in the last decade—illustrates the unending nature of the transatlantic diaspora journey and its impacts.
