Kentucky

Kentucky

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  • Author: Federal Writers' Project of the Work Projects Administration for the State of Kentucky
  • Publisher:
  • ISBN:
  • Category : Automobile travel
  • Languages : en
  • Pages : 630

During the Great Depression of the 1930s thousands of writers were hired by the Works Project Administration to create hundreds of guidebooks on all of the states in the U.S. These volumes that were produced became known as the American Guide Series. This series has been described as the biggest, fastest and most original research job in the history of the world. No library collection in Kentucky would be complete without a copy of Kentucky: A Guide To The Bluegrass State.


Appalachian Women

Appalachian Women

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  • Author: Sidney Saylor Reynolds
  • Publisher: University Press of Kentucky
  • ISBN: 0813186153
  • Category : Reference
  • Languages : en
  • Pages : 284

Appalachian women have been the subject of song, story, and report for nearly two centuries. Now for the first time a fully annotated bibliography makes accessible this large body of literature. Works covered include novels, short stories, magazine articles, manuscripts, dissertations, surveys, and oral history tapes—altogether over 1,200 items. The annotated listings are grouped under broad subject headings, including biography, coal mining, education, fiction, health care, industry, migrants, music, poetry, and religion. An author/title/subject index provides easy access to the listings.


Literature of Place

Literature of Place

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  • Author: Melanie Louise Simo
  • Publisher: University of Virginia Press
  • ISBN: 9780813925004
  • Category : Architecture
  • Languages : en
  • Pages : 296

"In Literature of Place Melanie Simo looks beyond crowded malls and boarded-up storefronts on Main Street to our collective memory, finding answers to these questions in stories, novels, memoirs, poetry, essays, diaries, travel writing, and nature writing that range in origin from New England and the Southern Highlands to Hawaii and in subject from little gardens to lost or reinhabited places in cities, mill towns, deserts, and woodlands. In her consideration of selected American works from 1890 to 1970 - years that mark the closing of the Western frontier and later openings in space exploration, environmental protection, genetic engineering, and cyberspace - Simo uncovers a literature of place and the often-surprising relationship of place to our daily lives."--BOOK JACKET.


The Kentucky Anthology

The Kentucky Anthology

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  • Author: Wade Hall
  • Publisher: University Press of Kentucky
  • ISBN: 0813128994
  • Category : Literary Collections
  • Languages : en
  • Pages : 898

Long before the official establishment of the Commonwealth, intrepid pioneers ventured west of the Allegheny Mountains into an expansive, alluring wilderness that they began to call Kentucky. After blazing trails, clearing plots, and surviving innumerable challenges, a few adventurers found time to pen celebratory tributes to their new homeland. In the two centuries that followed, many of the world’s finest writers, both native Kentuckians and visitors, have paid homage to the Bluegrass State with the written word. In The Kentucky Anthology, acclaimed author and literary historian Wade Hall has assembled an unprecedented and comprehensive compilation of writings pertaining to Kentucky and its land, people, and culture. Hall’s introductions to each author frame both popular and lesser-known selections in a historical context. He examines the major cultural and political developments in the history of the Commonwealth, finding both parallels and marked distinctions between Kentucky and the rest of the United States. While honoring the heritage of Kentucky in all its glory, Hall does not blithely turn away from the state’s most troubling episodes and institutions such as racism, slavery, and war. Hall also builds the argument, bolstered by the strength and significance of the collected writings, that Kentucky’s best writers compare favorably with the finest in the world. Many of the authors presented here remain universally renowned and beloved, while others have faded into the tides of time, waiting for rediscovery. Together, they guide the reader on a literary tour of Kentucky, from the mines to the rivers and from the deepest hollows to the highest peaks. The Kentucky Anthology traces the interests and aspirations, the achievements and failures and the comedies and tragedies that have filled the lives of generations of Kentuckians. These diaries, letters, speeches, essays, poems, and stories bring history brilliantly to life. Jesse Stuart once wrote, “If these United States can be called a body, Kentucky can be called its heart.” The Kentucky Anthology captures the rhythm and spirit of that heart in the words of its most remarkable chroniclers.


Staging Tradition

Staging Tradition

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  • Author: Michael Ann Williams
  • Publisher: University of Illinois Press
  • ISBN: 0252056507
  • Category : Music
  • Languages : en
  • Pages : 262

Based on extensive archival research and oral history, Staging Tradition traces the parallel careers of the creators of the Renfro Valley Barn Dance and the National Folk Festival. Through their devotion to the staging of traditional culture, including folk, country, and bluegrass music, John Lair (1894-1985) and Sarah Gertrude Knott (1895-1984) became two of the mid-twentieth century's most notable producers. Lair and Knott's discovery of new developments in theater and entertainment during the 1920s led the pair to careers that kept each of them center stage. Inspired by programs such as WLS's Barn Dance and the success of early folk events, Lair promoted Kentucky musicians. Knott staged her own radically inclusive festival, which included Native and African American traditions and continues today as the National Folk Festival. Michael Ann Williams shows how Lair and Knott fed the public's fascination with the "art of the common man" and were in turn buffeted by cultural forces that developed around and beyond them.


The People's Writer

The People's Writer

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  • Author: Wayne Mixon
  • Publisher: University of Virginia Press
  • ISBN: 9780813916279
  • Category : Biography & Autobiography
  • Languages : en
  • Pages : 240

Most critics have considered Caldwell to be only a minor southern writer, often associating him with his worst writing. Yet Saul Bellow suggested he deserved the Nobel Prize, and William Faulkner once characterized him as one of the five best writers of his time, alongside himself, Thomas Wolfe, Ernest Hemingway, and John Dos Passos.


Kentucky Folkmusic

Kentucky Folkmusic

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  • Author: Burt Feintuch
  • Publisher: University Press of Kentucky
  • ISBN: 0813187990
  • Category : Reference
  • Languages : en
  • Pages : 91

In 1899, a fundraising program for Berea College featured a group of students from the mountains of eastern Kentucky singing traditional songs from their homes. The audience was entranced. That small en-counter at the end of the last century lies near the beginning of an unparalleled national—and international—fascination with the indigenous music of a single state. Kentucky has long figured prominently in our national sense of traditional music. Over the years, a diverse group of people—reformers, enthusiasts, the musically literate and the musically illiterate, radicals, liberals, a British gentleman and his woman companion, amateurs, local residents, and academics—have been sufficiently captivated by that music to have devoted considerable energy to harvesting it from its fertile ground, studying its various manifestations, and considering its many performers. Kentucky Folkmusic: An Annotated Bibliography is a guide to the literature of this remarkable music. More than seven hundred entries, each with an evaluative annotation, comprise the largest bibliographic resource for the folkmusic of any state or region in North America. Divided into eight sections, the bibliography covers collections and anthologies; fieldworkers and scholars; singers, musicians, and other performers; text-centered studies; studies of history, context, and style; festivals; dance; and discographies, check-lists, and other reference tools. A subject index, an author index, and an index of periodicals provide access to the materials. From early hymnals and songsters to Kentucky performers of traditional music, the bibliography is a comprehensive guide to music which has for many years been one of the major emblems of American traditional music.


The Social Life of Poetry

The Social Life of Poetry

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  • Author: C. Green
  • Publisher: Springer
  • ISBN: 0230101690
  • Category : Literary Criticism
  • Languages : en
  • Pages : 281

From Jewish publishers to Appalachian poets, Green s cultural study reveals the role of "Mountain Whites" in American racial history. Part One (1880-1935) explores the networks that created American pluralism, revealing Appalachia s essential role in shaping America s understanding of African Americans, Anglos, Jews, Southerners, and Immigrants. Drawing upon archival research and deft close readings of poems, Part Two (1934-1946) delves into the inner-workings of literary history and shows how diverse alliances used four books of poetry about Appalachia to change America s notion of race, region, and pluralism. Green starts with how Jesse Stuart and the Agrarians defended Southern whiteness, follows how James Still appealed to liberals, shows how Muriel Rukeyser put Appalachia at the center of anti-fascism, and ends with how Don West and the Progressives struggled to form interracial labor unions in the South.


Listen Here

Listen Here

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  • Author: Sandra L. Ballard
  • Publisher: University Press of Kentucky
  • ISBN: 0813143586
  • Category : Social Science
  • Languages : en
  • Pages : 1048

“A comprehensive and unsurpassed anthology of women writers from Appalachia . . . Exceptional in diversity and scope.” —Southern Historian Listen Here: Women Writing in Appalachia is a landmark anthology that brings together the work of 105 Appalachian women writers, including Dorothy Allison, Harriette Simpson Arnow, Annie Dillard, Nikki Giovanni, Denise Giardina, Barbara Kingsolver, Jayne Anne Phillips, Janice Holt Giles, George Ella Lyon, Sharyn McCrumb, and Lee Smith. Editors Sandra L. Ballard and Patricia L. Hudson offer a diverse sampling of time periods and genres, established authors and emerging voices. From regional favorites to national bestsellers, this unprecedented gathering of Appalachian voices displays the remarkable talent of the region’s women writers who’ve made their mark at home and across the globe. “A giant step forward in Appalachian studies for both students and scholars of the region and the general reader . . . Nothing less than a groundbreaking and landmark addition to the national treasury of American literature.” —Bloomsbury Review “A remarkable accomplishment, bringing together the work of 105 female Appalachian writers saying what they want to, and saying it in impressive bodies of literature.” —Lexington Herald-Leader “One of the keenest pleasures in Listen Here lies in its diversity of voices and genres.” —Material Culture “Besides introducing readers to many new voices, the anthology provides a strong counterpart to the stereotype of hillbillies that have cursed the region.” —Atlanta Journal-Constitution “Full of welcome surprises to those new to this regional literature: specifically, it includes particularly strong selections from children’s fiction and a substantial number of African American writers.” —Choice


That Half-barbaric Twang

That Half-barbaric Twang

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  • Author: Karen Linn
  • Publisher: University of Illinois Press
  • ISBN: 9780252064333
  • Category : Music
  • Languages : en
  • Pages : 212

Long a symbol of American culture, the banjo actually originated in Africa before European-Americans adopted it. Karen Linn shows how the banjo--despite design innovations and several modernizing agendas--has failed to escape its image as a "half-barbaric" instrument symbolic of antimodernism and sentimentalism. Caught in the morass of American racial attitudes and often used to express ambivalence toward modern industrial society, the banjo stood in opposition to the "official" values of rationalism, modernism, and belief in the beneficence of material progress. Linn uses popular literature, visual arts, advertisements, film, performance practices, instrument construction and decoration, and song lyrics to illustrate how notions about the banjo have changed. Linn also traces the instrument from its African origins through the 1980s, alternating between themes of urban modernization and rural nostalgia. She examines the banjo fad of bourgeois Northerners during the late nineteenth century; the African-American banjo tradition and the commercially popular cultural image of the southern black banjo player; the banjo's use in ragtime and early jazz; and the image of the white Southerner and mountaineer as banjo player.